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Showing posts with label 1976. Show all posts
Showing posts with label 1976. Show all posts

Thursday, August 6, 2020

Network 1976 Movies Online Stream

Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!


122 Minutes | Drama | 1976-11-01


Network


📥 Network 1976
📥 DOWNLOAD HERE



**The Primal Forces of Network**

According to the Writers Guild of America the greatest screenplay of all time belongs to _Casablanca_. A sentimental favourite, no doubt, worthy for a handful of catchy one-liners capped off with a convincing dump-the-dame speech. While Bogie plays himself, Bergman, who may have been the most beautiful woman of all time, didn't have much to say. The best moments in Casablanca were, in fact, the silent ones, and without Bogie and Bergie's chemistry, it probably wouldn't have made the top 10.

Best screenplay suggests best story, best plot, best characters and dialogue; best combination of drama, comedy, intrigue, emotional engagement, suspense, social and political relevance; one peppered with casual everydayisms, baited with humour and simmering with intelligence, threatening to release an experiential payload of euphoric proportions; a work that can transcend genre and demographics, build up simultaneously on various levels, plumbed by the weight of it's essential voice, sending out intuitive signals, rippling with perplexing channels and insightful glimpses that are symbolically blended into plain words on paper; all with a properly superb balance of sex, wit, desire, comfort, fear, anger and wisdom in an accelerated narrative leading us to a magnificent crescendo and--fade out--leaving us to wonder. Furthermore, great screenplays serve the motion-picture medium's incomparable ability to effortlessly jump time and space. _Casablanca_ is static and contained, framed and nailed to the wall: a pretty photograph.

Despite the WGA's endorsement, there can only be one candidate good enough to qualify for the all-time best screenplay, and fittingly it goes to the all-time best screenplay writer. Paddy Chayefsy's _Network_ has dazzled us for four decades and counting. The scene where a mob of murderous bank-robbing terrorists who have their own reality TV show bicker over the wording of their contract alone demonstrates we are dealing with a higher grade of pertinent genius. The corporate cosmology of Arthur Jensen, a pivotal lesson in global economics, tops it off, leaving all Network's competitors in the dust, burying any climactic speech written before or since, Bogie's famous brush-off farewell included, thus slamming the lid down on anything _Casablanca_ can play. As for ill-fated romances, the doomed alliance between old-school journalism (Holden) seduced and corrupted into severing his ties with his compassionate spouse to hastily shack up with the opportunistic post-modern media wench (Dunaway) is fraught with more complications than anything _Casablanca_ can muster, and it's only one of the sub-plots.

Of course _Network_ is most famous for the "I'm mad as hell" rant, which swells from a nuanced and complex story arc demonstrating the rise and fall of an iconic media star. Hell-raising public mischief aside, Howard Beale's profound narrative leads off with a suicidally desperate, washed-up newsman who impulsively hits a nerve, rockets to stardom as a modern-day prophet, then is shaped and sensationalized as an overcooked parody by the media, stigmatized by maniacal Fox-news-like delusions that overtake him until he gets too big for his britches and needs a walloping corporate scolding, causing his starry streak to fizzle out, before getting gunned down by the greedy TV execs who made him, leaving hapless undiscriminating audiences to grasp for the next new thing.

_Network_ is inspired writing that doesn't require heart-throbbing movie stars to pull it off. It could have been directed by my illiterate grandmother, shot on VHS in a dingy church basement, performed by eager boy scouts and girl guides, and it would still be the greatest screenplay of all time, one not just for the spectacle of projecting on a giant screen, but for doubling as a giant mirror with just enough sugar-coated satire to swallow the shitty truth about ourselves. Though calling _Network _a satire is like calling Hamlet a murder mystery. Satire is either spineless and passive-aggressive, or specific and short-lived. Chayefsky's bombastic pronouncements become more exceptional and relevant each passing year.
Network broadcasts its televisional corruption through satirical poetry that beckons democratic madness. “I’m as mad as hell, and I’m not going to take it anymore”, screams Howard Beale from the confinement of his studio desk. Exerting his ornate insanity upon the entranced viewers who innocently stare at their cubic televisions, watching the news broadcast fuelled by media misrepresentation and propaganda. “Go to your nearest window and scream”, acting as the voice of the working class, benign to the American corporate fundamentals that masquerade the politics of democracy. In an age where leading actors can represent constituencies or states, and businessmen can be presidential candidates for a nation (and successfully winning...), Lumet’s timeless satire on conceptualised democracy is one that grows more appropriate with each passing decade.

A statement on the American financial system, where colossal stock markets rule the supposed freedom of the people. Broadcasting networks more focussed on combating against each other for monetary viewership, leading to exaggerated fabrications, rather than reporting the truth, the whole truth and nothing but the truth. Exploiting the frail mentality of humanity to feed the greed and lust of “humanoid” managers, capitalising on the naivety of man.

Network depicts the modern evolution of communicating false truths. As technology evolves, we grow more and more susceptible to the “truth” that is conveyed to us. We, much like sponges, absorb the information demonstrated through the porous pixels that we subject our eyes to. Televisions. And through hyperbolised satire, including planning an assassination attempt and coercing suicidal tendencies, Lumet offers a cutthroat insight into broadcasting institutions and the meticulous methods in which networks function. Motivated by stock shares and rating dominance. Pioneering the consumption of propagandist material. Lumet exploits the audacious power of televisions and its communicative abilities, turning an often comedic satire into a transcendental horror feature.

Powered by sterling performances all-round, including the elusively commanding Dunaway, the maddening lunacy of Finch and the smoothly suave Holden, the poetic dialogue immediately captures the attention of its audience. Concisely elaborate with a hint of existential analysis, an ornate lexicon that refrains viewers from tuning out. Lumet’s long sumptuous takes, allowing the performances to ironically hypnotise, further extend the reach of its material. Superlative direction that, whilst suddenly throws you into the immediate chaos of Beale’s mentality, eases the hectic pace with its scathing power.

The offscreen affair between Dunaway and Holden was the only underdeveloped sub-plot, reinforcing her workaholic agenda that likened her to a corporate machine than to a human with emotive capabilities.

Aside from that, Network absolutely deserves its near-perfect acclaim. A considerably profound illustration of the American system that tantalisingly exposes the fraudulence of promised conceptualised democracy, whilst also enforcing the relinquishment of humanity through television sets. Harrowing times we live in...



123movies Bulgarian

Sunday, July 12, 2020

Rocky 1976 Movies Online Stream

Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!


119 Minutes | Drama | 1976-11-21


Rocky


📥 Rocky 1976
📥 DOWNLOAD HERE


Rocky 1976 IMDb ~ Directed by John G Avildsen With Sylvester Stallone Talia Shire Burt Young Carl Weathers A smalltime boxer gets a supremely rare chance to fight a heavyweight champion in a bout in which he strives to go the distance for his selfrespect

Rocky Wikipedia ~ Rocky is a 1976 American sports drama film directed by John G Avildsen written by and starring Sylvester Stallone It tells the rags to riches American Dream story of Rocky Balboa an uneducated kindhearted working class ItalianAmerican boxer working as a debt collector for a loan shark in the slums of Philadelphia

Rocky 1976 Rotten Tomatoes ~ Like the movies of Frank Capra Rocky is a glowing tribute to the human spirit a chinup reminder that the decent little guys of the world often accomplish the impossible if only because

Watch Rocky Prime Video ~ “ROCKY” 1976 Cowritten by and starring Sylvester Stallone this cult classic is the story of an unknown young boxer Rocky Balboa Because of a lucky turn of events he is offered a rare opportunity to fight the heavyweight Champ Apollo Creed Carl Weathers

Rocky film series Wikipedia ~ Rocky is a series of American boxing drama films The first film Rocky 1976 and its five sequels centered on the boxing career of the eponymous fictional character Rocky Balboa Sylvester Stallone

Rocky Rocky Wiki Fandom ~ Rocky is a 1976 film written by and starring Sylvester Stallone and directed by John G Avildsen It tells the ragstoriches American Dream story of Rocky Balboa an uneducated but goodhearted debt collector for a loan shark in Philadelphia

Rocky 1976 Movie Moviefone ~ PG 1 hr 59 min Nov 21st 1976 Drama When world heavyweight boxing champion Apollo Creed wants to give an unknown fighter a shot at the title as a publicity stunt his handlers choose palooka

Rocky Balboa 2006 IMDb ~ Directed by Sylvester Stallone With Sylvester Stallone Antonio Tarver Milo Ventimiglia Burt Young Thirty years after the ring of the first bell Rocky Balboa comes out of retirement and dons his gloves for his final fight against the reigning heavyweight champ Mason The Line Dixon

Rocky 1976 Full Cast Crew IMDb ~ Rocky 1976 cast and crew credits including actors actresses directors writers and more

Talia Shire IMDb ~ Talia Shire Actress Rocky Talia Shire was born on April 25 1946 in Lake Success Long Island New York USA as Talia Rose Coppola She is an actress known for Rocky 1976 The Godfather 1972 and The Godfather Part II 1974 She was previously married to Jack Schwartzman and David Shire




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Thursday, June 11, 2020

Rocky 1976 Online Full HD Movies

Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!


119 Minutes | Drama | 1976-11-21


Rocky


📥 Rocky 1976
📥 DOWNLOAD HERE


Rocky 1976 IMDb ~ Directed by John G Avildsen With Sylvester Stallone Talia Shire Burt Young Carl Weathers A smalltime boxer gets a supremely rare chance to fight a heavyweight champion in a bout in which he strives to go the distance for his selfrespect

Rocky Wikipedia ~ Rocky is a 1976 American sports drama film directed by John G Avildsen written by and starring Sylvester Stallone It tells the rags to riches American Dream story of Rocky Balboa an uneducated kindhearted working class ItalianAmerican boxer working as a debt collector for a loan shark in the slums of Philadelphia

Rocky 1976 Rotten Tomatoes ~ Like the movies of Frank Capra Rocky is a glowing tribute to the human spirit a chinup reminder that the decent little guys of the world often accomplish the impossible if only because

Watch Rocky Prime Video ~ “ROCKY” 1976 Cowritten by and starring Sylvester Stallone this cult classic is the story of an unknown young boxer Rocky Balboa Because of a lucky turn of events he is offered a rare opportunity to fight the heavyweight Champ Apollo Creed Carl Weathers

Rocky film series Wikipedia ~ Rocky is a series of American boxing drama films The first film Rocky 1976 and its five sequels centered on the boxing career of the eponymous fictional character Rocky Balboa Sylvester Stallone

Rocky Rocky Wiki Fandom ~ Rocky is a 1976 film written by and starring Sylvester Stallone and directed by John G Avildsen It tells the ragstoriches American Dream story of Rocky Balboa an uneducated but goodhearted debt collector for a loan shark in Philadelphia

Rocky 1976 Movie Moviefone ~ PG 1 hr 59 min Nov 21st 1976 Drama When world heavyweight boxing champion Apollo Creed wants to give an unknown fighter a shot at the title as a publicity stunt his handlers choose palooka

Rocky Balboa 2006 IMDb ~ Directed by Sylvester Stallone With Sylvester Stallone Antonio Tarver Milo Ventimiglia Burt Young Thirty years after the ring of the first bell Rocky Balboa comes out of retirement and dons his gloves for his final fight against the reigning heavyweight champ Mason The Line Dixon

Rocky 1976 Full Cast Crew IMDb ~ Rocky 1976 cast and crew credits including actors actresses directors writers and more

Talia Shire IMDb ~ Talia Shire Actress Rocky Talia Shire was born on April 25 1946 in Lake Success Long Island New York USA as Talia Rose Coppola She is an actress known for Rocky 1976 The Godfather 1972 and The Godfather Part II 1974 She was previously married to Jack Schwartzman and David Shire




Online Websites Full HD

Friday, May 15, 2020

Network 1976 Full Movie Download

Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!


122 Minutes | Drama | 1976-11-01


Network


📥 Network 1976
📥 DOWNLOAD HERE



**The Primal Forces of Network**

According to the Writers Guild of America the greatest screenplay of all time belongs to _Casablanca_. A sentimental favourite, no doubt, worthy for a handful of catchy one-liners capped off with a convincing dump-the-dame speech. While Bogie plays himself, Bergman, who may have been the most beautiful woman of all time, didn't have much to say. The best moments in Casablanca were, in fact, the silent ones, and without Bogie and Bergie's chemistry, it probably wouldn't have made the top 10.

Best screenplay suggests best story, best plot, best characters and dialogue; best combination of drama, comedy, intrigue, emotional engagement, suspense, social and political relevance; one peppered with casual everydayisms, baited with humour and simmering with intelligence, threatening to release an experiential payload of euphoric proportions; a work that can transcend genre and demographics, build up simultaneously on various levels, plumbed by the weight of it's essential voice, sending out intuitive signals, rippling with perplexing channels and insightful glimpses that are symbolically blended into plain words on paper; all with a properly superb balance of sex, wit, desire, comfort, fear, anger and wisdom in an accelerated narrative leading us to a magnificent crescendo and--fade out--leaving us to wonder. Furthermore, great screenplays serve the motion-picture medium's incomparable ability to effortlessly jump time and space. _Casablanca_ is static and contained, framed and nailed to the wall: a pretty photograph.

Despite the WGA's endorsement, there can only be one candidate good enough to qualify for the all-time best screenplay, and fittingly it goes to the all-time best screenplay writer. Paddy Chayefsy's _Network_ has dazzled us for four decades and counting. The scene where a mob of murderous bank-robbing terrorists who have their own reality TV show bicker over the wording of their contract alone demonstrates we are dealing with a higher grade of pertinent genius. The corporate cosmology of Arthur Jensen, a pivotal lesson in global economics, tops it off, leaving all Network's competitors in the dust, burying any climactic speech written before or since, Bogie's famous brush-off farewell included, thus slamming the lid down on anything _Casablanca_ can play. As for ill-fated romances, the doomed alliance between old-school journalism (Holden) seduced and corrupted into severing his ties with his compassionate spouse to hastily shack up with the opportunistic post-modern media wench (Dunaway) is fraught with more complications than anything _Casablanca_ can muster, and it's only one of the sub-plots.

Of course _Network_ is most famous for the "I'm mad as hell" rant, which swells from a nuanced and complex story arc demonstrating the rise and fall of an iconic media star. Hell-raising public mischief aside, Howard Beale's profound narrative leads off with a suicidally desperate, washed-up newsman who impulsively hits a nerve, rockets to stardom as a modern-day prophet, then is shaped and sensationalized as an overcooked parody by the media, stigmatized by maniacal Fox-news-like delusions that overtake him until he gets too big for his britches and needs a walloping corporate scolding, causing his starry streak to fizzle out, before getting gunned down by the greedy TV execs who made him, leaving hapless undiscriminating audiences to grasp for the next new thing.

_Network_ is inspired writing that doesn't require heart-throbbing movie stars to pull it off. It could have been directed by my illiterate grandmother, shot on VHS in a dingy church basement, performed by eager boy scouts and girl guides, and it would still be the greatest screenplay of all time, one not just for the spectacle of projecting on a giant screen, but for doubling as a giant mirror with just enough sugar-coated satire to swallow the shitty truth about ourselves. Though calling _Network _a satire is like calling Hamlet a murder mystery. Satire is either spineless and passive-aggressive, or specific and short-lived. Chayefsky's bombastic pronouncements become more exceptional and relevant each passing year.
Network broadcasts its televisional corruption through satirical poetry that beckons democratic madness. “I’m as mad as hell, and I’m not going to take it anymore”, screams Howard Beale from the confinement of his studio desk. Exerting his ornate insanity upon the entranced viewers who innocently stare at their cubic televisions, watching the news broadcast fuelled by media misrepresentation and propaganda. “Go to your nearest window and scream”, acting as the voice of the working class, benign to the American corporate fundamentals that masquerade the politics of democracy. In an age where leading actors can represent constituencies or states, and businessmen can be presidential candidates for a nation (and successfully winning...), Lumet’s timeless satire on conceptualised democracy is one that grows more appropriate with each passing decade.

A statement on the American financial system, where colossal stock markets rule the supposed freedom of the people. Broadcasting networks more focussed on combating against each other for monetary viewership, leading to exaggerated fabrications, rather than reporting the truth, the whole truth and nothing but the truth. Exploiting the frail mentality of humanity to feed the greed and lust of “humanoid” managers, capitalising on the naivety of man.

Network depicts the modern evolution of communicating false truths. As technology evolves, we grow more and more susceptible to the “truth” that is conveyed to us. We, much like sponges, absorb the information demonstrated through the porous pixels that we subject our eyes to. Televisions. And through hyperbolised satire, including planning an assassination attempt and coercing suicidal tendencies, Lumet offers a cutthroat insight into broadcasting institutions and the meticulous methods in which networks function. Motivated by stock shares and rating dominance. Pioneering the consumption of propagandist material. Lumet exploits the audacious power of televisions and its communicative abilities, turning an often comedic satire into a transcendental horror feature.

Powered by sterling performances all-round, including the elusively commanding Dunaway, the maddening lunacy of Finch and the smoothly suave Holden, the poetic dialogue immediately captures the attention of its audience. Concisely elaborate with a hint of existential analysis, an ornate lexicon that refrains viewers from tuning out. Lumet’s long sumptuous takes, allowing the performances to ironically hypnotise, further extend the reach of its material. Superlative direction that, whilst suddenly throws you into the immediate chaos of Beale’s mentality, eases the hectic pace with its scathing power.

The offscreen affair between Dunaway and Holden was the only underdeveloped sub-plot, reinforcing her workaholic agenda that likened her to a corporate machine than to a human with emotive capabilities.

Aside from that, Network absolutely deserves its near-perfect acclaim. A considerably profound illustration of the American system that tantalisingly exposes the fraudulence of promised conceptualised democracy, whilst also enforcing the relinquishment of humanity through television sets. Harrowing times we live in...



123movies Ukrainian

Friday, March 20, 2020

Taxi Driver 1976 Full Movie Download

Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!


114 Minutes | Crime, Drama | 1976-02-09


Taxi Driver


📥 Taxi Driver 1976
📥 DOWNLOAD HERE



**Social outcast with a mohawk goes nutzoid**

Porn obsessed loner, Travis Bickle, is a cabbie in New York. The story tells of his gradual descent into madness brought on by his inability to relate to those around him and a feeling of a lack of worth. Travis is essentially invisible - of no importance. Walton's self imposed isolation preferable to getting along with the scum around him. One day he decides to change all of that and become _a somebody_ by murdering a politician.

This _nobody_ with the superiority complex has gone off the rails, for certain and it can only lead to bloodshed. A lot of it will be his own.
Taxi Driver has had many things said about it, and I don't wish to add to all that but it is the yardstick I measure all other films by, it is by far my favourite of all the films I have ever watched.

It's brutal honesty and use of themes such as paranoia, mental health issues, and society degradation make it a film that has been imitated, and referenced since its opening in cinemas back in 1976.

Robert De Niro puts in a tour-de-force performance as Travis Bickle, a Vietnam War veteran with symptoms of PTSD and paranoia, who becomes a New York City taxi driver because of his inability to sleep. Travis is one who is at odds with society, fed up with pimps, prostitutes, drug dealers, and all the other scum of the earth, he slowly works himself in his sleep deprived and drugged state to become a one man army ready to kill anyone he believes to be part of the problem.

His interactions with other cabbies, Betsy (Shepherd) a Presidential Candidate campaign worker, Iris a teenage prostitute (Foster), and her Pimp “Sport” (Keitel) fuels his destructive mission to rid New York City of its problems. His attempt at normalcy with Betsy, by taking her on date to a movie that disagrees with her sensibilities ends in disaster, mostly due to Travis’ supposed naivety about what is considered appropriate and tasteful entertainment.

While plying his nightly trade as a NYC cabbie, he has some unusual encounters, including a fare from a fairly psychotically jealous man showing Travis the place where the man’s wife is cheating on him, and then a short encounter with Iris who gets in his cab, and then forced out by Sport, who throws Travis a dirty crumpled up twenty dollar note for the trouble, Travis then makes it his mission to rescue Iris from her situation while also making a menace of himself to the visiting Presidential candidate.

This film is still relevant in these times, as social media, and other such technological & society advancements have brought about a new degradation of values, with many wanting their fifteen minutes of fame by any means necessary, which now brings with it many who sell their souls to attain notoriety.

I love De Niro's performance as Travis, its one that has many facets to it, in it is a man who is angry, naive, sleep deprived, lonely, a sociopath, and a killer.

A scene in the Presidential campaign office where he is rebuffed by Betsy due to the terrible date experience, and ushered, and menaced by the opportunistic & snotty campaign co-worker Tom (Brooks), shows the range of De Niro's performance as he goes from apologetic, and sheepish to angry, and ready to fight. De Niro was nominated for the Best Actor Academy Award for this role.

The presentation on blu-ray is a solid one, PQ is nice, skin tones not waxy, and the AQ allowing the score, and surrounding noise subtleties to really shine through, it's very well handled for a source filmed in the mid 70's



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Thursday, March 19, 2020

Taxi Driver 1976 Watch Movies Online

Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!


114 Minutes | Crime, Drama | 1976-02-09


Taxi Driver


📥 Taxi Driver 1976
📥 DOWNLOAD HERE



**Social outcast with a mohawk goes nutzoid**

Porn obsessed loner, Travis Bickle, is a cabbie in New York. The story tells of his gradual descent into madness brought on by his inability to relate to those around him and a feeling of a lack of worth. Travis is essentially invisible - of no importance. Walton's self imposed isolation preferable to getting along with the scum around him. One day he decides to change all of that and become _a somebody_ by murdering a politician.

This _nobody_ with the superiority complex has gone off the rails, for certain and it can only lead to bloodshed. A lot of it will be his own.
Taxi Driver has had many things said about it, and I don't wish to add to all that but it is the yardstick I measure all other films by, it is by far my favourite of all the films I have ever watched.

It's brutal honesty and use of themes such as paranoia, mental health issues, and society degradation make it a film that has been imitated, and referenced since its opening in cinemas back in 1976.

Robert De Niro puts in a tour-de-force performance as Travis Bickle, a Vietnam War veteran with symptoms of PTSD and paranoia, who becomes a New York City taxi driver because of his inability to sleep. Travis is one who is at odds with society, fed up with pimps, prostitutes, drug dealers, and all the other scum of the earth, he slowly works himself in his sleep deprived and drugged state to become a one man army ready to kill anyone he believes to be part of the problem.

His interactions with other cabbies, Betsy (Shepherd) a Presidential Candidate campaign worker, Iris a teenage prostitute (Foster), and her Pimp “Sport” (Keitel) fuels his destructive mission to rid New York City of its problems. His attempt at normalcy with Betsy, by taking her on date to a movie that disagrees with her sensibilities ends in disaster, mostly due to Travis’ supposed naivety about what is considered appropriate and tasteful entertainment.

While plying his nightly trade as a NYC cabbie, he has some unusual encounters, including a fare from a fairly psychotically jealous man showing Travis the place where the man’s wife is cheating on him, and then a short encounter with Iris who gets in his cab, and then forced out by Sport, who throws Travis a dirty crumpled up twenty dollar note for the trouble, Travis then makes it his mission to rescue Iris from her situation while also making a menace of himself to the visiting Presidential candidate.

This film is still relevant in these times, as social media, and other such technological & society advancements have brought about a new degradation of values, with many wanting their fifteen minutes of fame by any means necessary, which now brings with it many who sell their souls to attain notoriety.

I love De Niro's performance as Travis, its one that has many facets to it, in it is a man who is angry, naive, sleep deprived, lonely, a sociopath, and a killer.

A scene in the Presidential campaign office where he is rebuffed by Betsy due to the terrible date experience, and ushered, and menaced by the opportunistic & snotty campaign co-worker Tom (Brooks), shows the range of De Niro's performance as he goes from apologetic, and sheepish to angry, and ready to fight. De Niro was nominated for the Best Actor Academy Award for this role.

The presentation on blu-ray is a solid one, PQ is nice, skin tones not waxy, and the AQ allowing the score, and surrounding noise subtleties to really shine through, it's very well handled for a source filmed in the mid 70's



123movies Korean

 
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