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Showing posts with label 2012. Show all posts
Showing posts with label 2012. Show all posts

Thursday, August 20, 2020

Django Unchained 2012 Full Movie Download

Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!


165 Minutes | Drama, Western | 2012-12-25


Django Unchained


📥 Django Unchained 2012
📥 DOWNLOAD HERE



America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A



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Friday, August 7, 2020

Gangs of Wasseypur - Part 1 2012 Online Full HD Movies

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160 Minutes | Action, Thriller, Crime | 2012-06-22


Gangs of Wasseypur - Part 1


📥 Gangs of Wasseypur - Part 1 2012
📥 DOWNLOAD HERE





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Tuesday, June 9, 2020

The Hunt 2012 Movies Online Stream

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116 Minutes | Drama | 2012-09-24


The Hunt


📥 The Hunt 2012
📥 DOWNLOAD HERE



Well scripted, well performed, well staged.

A round movie with a fantastic Mads Mikkelsen. Honestly, I think this movie would have been even better with some more minutes on it to develop the plot even further.

Fantastic directing.



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Monday, May 18, 2020

The Hunt 2012 Movies Online Stream

Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!


116 Minutes | Drama | 2012-09-24


The Hunt


📥 The Hunt 2012
📥 DOWNLOAD HERE



Well scripted, well performed, well staged.

A round movie with a fantastic Mads Mikkelsen. Honestly, I think this movie would have been even better with some more minutes on it to develop the plot even further.

Fantastic directing.



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Saturday, May 16, 2020

Django Unchained 2012 Online Full HD Movies

Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!


165 Minutes | Drama, Western | 2012-12-25


Django Unchained


📥 Django Unchained 2012
📥 DOWNLOAD HERE



America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A



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Monday, April 20, 2020

The Dark Knight Rises 2012 Full Movie Download

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165 Minutes | Action, Crime, Drama, Thriller | 2012-07-16


The Dark Knight Rises


📥 The Dark Knight Rises 2012
📥 DOWNLOAD HERE



I felt like this was a tremendous end to Nolan's Batman trilogy. The Dark Knight Rises may very well have been the weakest of all 3 films but when you're talking about a scale of this magnitude, it still makes this one of the best movies I've seen in the past few years.

I expected a little more _Batman_ than we got (especially with a runtime of 2:45) but while the story around the fall of Bruce Wayne and Gotham City was good I didn't find it amazing. This might be in fact, one of my only criticisms—it was a long movie but still, maybe too short for the story I felt was really being told. I feel confident in saying this big of a story could have been split into two movies.

The acting, editing, pacing, soundtrack and overall theme were the same 'as-close-to-perfect' as ever with any of Christopher Nolan's other films. Man does this guy know how to make a movie!

You don't have to be a Batman fan to enjoy these movies and I hope any of you who feel this way re-consider. These 3 movies are without a doubt in my mind, the finest display of comic mythology ever told on the big screen. They are damn near perfect.
I personally thought this film is on par if not better than the Dark Knight.

Whilst some think the film is too long for the story I didn't find this. The length of the film is longer than some (but doesn't feel it), I liked that the film took it's time rather than shoving more elements in it - I think this contributed to the dramatic ending (much like a classical piece of music will be relaxed and calm before the final crescendo).

At the end of the day whether you like this film will boil down to if you like films Christopher Nolan has directed and/or you like the Christopher Nolan Batman series so far.

Stupendously good film in my opinion.
The Dark Knight Rises is one of the best movies to come out in 2012. The story compels you to watch it time and time again. It also has I of, I my opinion, the best bad guys in any movie, Bane! Batman was well played as all ways and the cast where well selected. I think this movie is the best batman to see the light of day or the darkest nights (pun intended).
No doubt that the movie is one of the best movies of this era.
The film doesn't lack in whatever it try to do.It has Simple narration with extraordinary Direction,Acting,Music,Cinematography and a lot of qualities.
Christian Bale is supremely entertaining for sure.
The person behind the scenes is actually the real core creater of the film yes! The Director Christopher Nolan ❤ .
The film ofcorse completes with philosophical quality loaded with Lots of Sacrifices.
This one is the one you surely can't afford to miss.
Go watch The Dark Knight.Go now.
While it's clearly not as superlative as its famous predecessor, it's simply because of both Heath Ledger's outstanding and Oscar-winning performance, and the character of the Joker's etching in our collective unconscious as the greatest comic-book villain ever created (with Lex Luthor a very distant second place). This is still a masterwork, and is an excellent coda to the finest filmic trilogy ever made. As great as Christopher Nolan is as a director, and as fine a film as 'Interstellar' is, I really don't know if he'll ever be able to top his work here, on these three films. But I, for one, am certainly looking forward to finding out...
So here we have it. The end of a trilogy, the end of an era of the universe of Batman through the eyes of Christopher Nolan. And baby, it goes out with a bang...

Going into the theatre tonight I actually wasn't sure what I was up for. I loved Batman Begins, but I didn't actually care that much for The Dark Knight. So the big question was, will TDKR actually be more like the first or the second film? The answer is: neither.

This third instalment of the Nolan-franchise carries its weight all on its own merits. Despite the lack of any kind of intro or opening credits, there actually is plenty of build-up (partly thanks to the insane opening scene). The foundation for a proper, action-packed story is laid down perfectly, explaining things just enough whilst keeping the viewer intrigued to find out more. But if you thought that Nolan couldn't surpass his previous work, you will be pleasantly deceived.

Christian Bale as Batman is terrific. Never before was a superhero so human, so vulnerable. As his mask of intangibility and anonymity slowly starts to crumble, this is a man who questions his reasons to keep being who he is, and he must figure it out before it is too late. Because somebody’s preparing to take him and Gotham down, and he might just be too strong for the Batman...

This somebody is a character called Bane. As a character, an actor and a performance it must be incredibly hard to follow Heath Ledger's The Joker, which was easily one of the greatest villains to ever appear on the silver screen. But tonight, Tom Hardy took a swing for the fence... and made it. His performance is thrilling and actually frightening, in the sense that you don't just *know* you're supposed to be afraid of this character, you actually FEEL it. He instils a feeling of horror and discomfort that is not rivalled by many other film villains. What I actually liked about his character the most is the fact that unlike Scarecrow, who grew into being a villain, and the Joker, who was just a raving maniac, Bane was actually (literally) born from evil. Born in hell, as it is said in the film. This is not a man, this is a creature. A living, breathing manifestation of evil that cannot be reasoned or negotiated with. Hardy's performance is masterful. Since his creepy mask is never removed, he, like only a few actors before him, must act without the use of any facial expressions, making his voice is main tool. His manner of speech (and the sound of it through his mask) is enough to send chills down your spine. This is more than just a another villain from a superhero flick, this is a character that just got torpedoed into the top 10 of the greatest antagonists in the history of film. Now I realise that's a bold statement to make, but you just go and watch TDKR and prove me wrong.

I would say a slight downside to this film is the overflow of characters, both new and old. Aside from the already familiar characters, three new major ones are introduced. And there are also many characters running along in the margin which may seem not important enough to pay attention to, but actually they are so you need to stay focused.

I understand the character of Joseph Gordon-Levitt, Blake, was written in specifically for him because Nolan wanted him in it. And although as a character he works just fine, it does feel like it was at the expense of Gary Oldman. As a cop, Levitt does everything that Oldman's character could've done, but he spends most of his screen time in the hospital, almost like they wanted to get him out of the way, and that's really too bad.

Now, I was extremely excited to see what Nolan had done with Catwoman, because she is one of my favourite film characters. When I heard that she would be played by Anne Hathaway, I had my doubts. I thought she was just way too sweet to pull this off. But I must say, Ms Hathaway did a pretty good job. She is actually much more sly and devious than I thought she could be. The Nolan brothers, on the other hand, disappointed me here. Catwoman isn't really Catwoman, she's just a sexy girl in a spandex suit who can kick your ass. Her movements aren't even typically cat-like... So that was a bit of a letdown.

I would also like to make a note on Michael Caine. I think his performance here was so much deeper and more character-driven than the other two films. In fact, there is one scene in particular, where he confesses something to Bruce, that almost moved me to tears. And this is actually TDKR’s greatest strength; unlike the other two films, this one deals much more with actual human emotions, it gives us an insight into what actually drives these characters, both heroes and villains alike.

As much as I would love to, the word-limit restricts me from elaborating more on the characters, so I'll just move on to the technical stuff. And in that department, actually pretty much everything was perfect. The pacing was very well balanced, and during those 2 ½ hours I didn't get bored once. Great action scenes alternate with more quiet moments, and the special effects are absolutely awesome. Hans Zimmer once again delivered a terrific score and there was some high quality dialogue. Also in store: a couple of great plot twists and two very cool cameos... There are a few plot holes, but everything else easily makes up for it.

I highly recommend The Dark Knight Rises. It is a worthy conclusion to the trilogy, and it far exceeded my expectations.
_(July 2012)_
Batman was one of my childhood heroes from the Comic magazines even though the Swedish plonkers, in their infinite stupidity, had renamed him to something as ridiculous “Läderlappen” which basically translates into “patch of leather”.

Thus, when Christopher Nolan brought us Batman Begins and steered away from the ridiculous comic shows that the previous batman movies (except the first one) had turned into I was thrilled. Unfortunately I was equally disappointed with this one.

I think the title of the movie is quite misleading since Batman isn’t exactly rising at all but rather sinking. If this would have been a movie about some other “guy” it would probably have been excellent but it isn’t. It’s about Batman and as such I had expected him to be the hero going around beating up the bad guys.

Instead the movie starts downright boring with Batman having dug himself down into a swamp of melancholy and closed himself off from the world. When he finally starts to appear again he gets pretty much beaten at every turn not to mention conned out of the Wayne fortune. What the f… is that? It isn’t until the end that he starts to be the real Batman and even then it’s not very exciting.

Actually Batman, as in Batman and not Wayne, is not really in the movie for a good chunk of the time and the real hero in this movie is really the young cop and he sure isn’t a particularly good substitute for the superhero Batman that I was expecting to watch.

I was struggling with what to give this movie but in the end, since I probably would have thought it to be a good movie if it had not been labelled as a Batman movie, I gave it 5 out 10 stars. At least the special effects where quite okay.



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Sunday, March 29, 2020

Gangs of Wasseypur - Part 1 2012 Online Full HD Movies

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160 Minutes | Action, Thriller, Crime | 2012-06-22


Gangs of Wasseypur - Part 1


📥 Gangs of Wasseypur - Part 1 2012
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Sunday, February 2, 2020

The Dark Knight Rises 2012 Movies Online Free Websites

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165 Minutes | Action, Crime, Drama, Thriller | 2012-07-16


The Dark Knight Rises


📥 The Dark Knight Rises 2012
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I felt like this was a tremendous end to Nolan's Batman trilogy. The Dark Knight Rises may very well have been the weakest of all 3 films but when you're talking about a scale of this magnitude, it still makes this one of the best movies I've seen in the past few years.

I expected a little more _Batman_ than we got (especially with a runtime of 2:45) but while the story around the fall of Bruce Wayne and Gotham City was good I didn't find it amazing. This might be in fact, one of my only criticisms—it was a long movie but still, maybe too short for the story I felt was really being told. I feel confident in saying this big of a story could have been split into two movies.

The acting, editing, pacing, soundtrack and overall theme were the same 'as-close-to-perfect' as ever with any of Christopher Nolan's other films. Man does this guy know how to make a movie!

You don't have to be a Batman fan to enjoy these movies and I hope any of you who feel this way re-consider. These 3 movies are without a doubt in my mind, the finest display of comic mythology ever told on the big screen. They are damn near perfect.
I personally thought this film is on par if not better than the Dark Knight.

Whilst some think the film is too long for the story I didn't find this. The length of the film is longer than some (but doesn't feel it), I liked that the film took it's time rather than shoving more elements in it - I think this contributed to the dramatic ending (much like a classical piece of music will be relaxed and calm before the final crescendo).

At the end of the day whether you like this film will boil down to if you like films Christopher Nolan has directed and/or you like the Christopher Nolan Batman series so far.

Stupendously good film in my opinion.
The Dark Knight Rises is one of the best movies to come out in 2012. The story compels you to watch it time and time again. It also has I of, I my opinion, the best bad guys in any movie, Bane! Batman was well played as all ways and the cast where well selected. I think this movie is the best batman to see the light of day or the darkest nights (pun intended).
No doubt that the movie is one of the best movies of this era.
The film doesn't lack in whatever it try to do.It has Simple narration with extraordinary Direction,Acting,Music,Cinematography and a lot of qualities.
Christian Bale is supremely entertaining for sure.
The person behind the scenes is actually the real core creater of the film yes! The Director Christopher Nolan ❤ .
The film ofcorse completes with philosophical quality loaded with Lots of Sacrifices.
This one is the one you surely can't afford to miss.
Go watch The Dark Knight.Go now.
While it's clearly not as superlative as its famous predecessor, it's simply because of both Heath Ledger's outstanding and Oscar-winning performance, and the character of the Joker's etching in our collective unconscious as the greatest comic-book villain ever created (with Lex Luthor a very distant second place). This is still a masterwork, and is an excellent coda to the finest filmic trilogy ever made. As great as Christopher Nolan is as a director, and as fine a film as 'Interstellar' is, I really don't know if he'll ever be able to top his work here, on these three films. But I, for one, am certainly looking forward to finding out...
So here we have it. The end of a trilogy, the end of an era of the universe of Batman through the eyes of Christopher Nolan. And baby, it goes out with a bang...

Going into the theatre tonight I actually wasn't sure what I was up for. I loved Batman Begins, but I didn't actually care that much for The Dark Knight. So the big question was, will TDKR actually be more like the first or the second film? The answer is: neither.

This third instalment of the Nolan-franchise carries its weight all on its own merits. Despite the lack of any kind of intro or opening credits, there actually is plenty of build-up (partly thanks to the insane opening scene). The foundation for a proper, action-packed story is laid down perfectly, explaining things just enough whilst keeping the viewer intrigued to find out more. But if you thought that Nolan couldn't surpass his previous work, you will be pleasantly deceived.

Christian Bale as Batman is terrific. Never before was a superhero so human, so vulnerable. As his mask of intangibility and anonymity slowly starts to crumble, this is a man who questions his reasons to keep being who he is, and he must figure it out before it is too late. Because somebody’s preparing to take him and Gotham down, and he might just be too strong for the Batman...

This somebody is a character called Bane. As a character, an actor and a performance it must be incredibly hard to follow Heath Ledger's The Joker, which was easily one of the greatest villains to ever appear on the silver screen. But tonight, Tom Hardy took a swing for the fence... and made it. His performance is thrilling and actually frightening, in the sense that you don't just *know* you're supposed to be afraid of this character, you actually FEEL it. He instils a feeling of horror and discomfort that is not rivalled by many other film villains. What I actually liked about his character the most is the fact that unlike Scarecrow, who grew into being a villain, and the Joker, who was just a raving maniac, Bane was actually (literally) born from evil. Born in hell, as it is said in the film. This is not a man, this is a creature. A living, breathing manifestation of evil that cannot be reasoned or negotiated with. Hardy's performance is masterful. Since his creepy mask is never removed, he, like only a few actors before him, must act without the use of any facial expressions, making his voice is main tool. His manner of speech (and the sound of it through his mask) is enough to send chills down your spine. This is more than just a another villain from a superhero flick, this is a character that just got torpedoed into the top 10 of the greatest antagonists in the history of film. Now I realise that's a bold statement to make, but you just go and watch TDKR and prove me wrong.

I would say a slight downside to this film is the overflow of characters, both new and old. Aside from the already familiar characters, three new major ones are introduced. And there are also many characters running along in the margin which may seem not important enough to pay attention to, but actually they are so you need to stay focused.

I understand the character of Joseph Gordon-Levitt, Blake, was written in specifically for him because Nolan wanted him in it. And although as a character he works just fine, it does feel like it was at the expense of Gary Oldman. As a cop, Levitt does everything that Oldman's character could've done, but he spends most of his screen time in the hospital, almost like they wanted to get him out of the way, and that's really too bad.

Now, I was extremely excited to see what Nolan had done with Catwoman, because she is one of my favourite film characters. When I heard that she would be played by Anne Hathaway, I had my doubts. I thought she was just way too sweet to pull this off. But I must say, Ms Hathaway did a pretty good job. She is actually much more sly and devious than I thought she could be. The Nolan brothers, on the other hand, disappointed me here. Catwoman isn't really Catwoman, she's just a sexy girl in a spandex suit who can kick your ass. Her movements aren't even typically cat-like... So that was a bit of a letdown.

I would also like to make a note on Michael Caine. I think his performance here was so much deeper and more character-driven than the other two films. In fact, there is one scene in particular, where he confesses something to Bruce, that almost moved me to tears. And this is actually TDKR’s greatest strength; unlike the other two films, this one deals much more with actual human emotions, it gives us an insight into what actually drives these characters, both heroes and villains alike.

As much as I would love to, the word-limit restricts me from elaborating more on the characters, so I'll just move on to the technical stuff. And in that department, actually pretty much everything was perfect. The pacing was very well balanced, and during those 2 ½ hours I didn't get bored once. Great action scenes alternate with more quiet moments, and the special effects are absolutely awesome. Hans Zimmer once again delivered a terrific score and there was some high quality dialogue. Also in store: a couple of great plot twists and two very cool cameos... There are a few plot holes, but everything else easily makes up for it.

I highly recommend The Dark Knight Rises. It is a worthy conclusion to the trilogy, and it far exceeded my expectations.
_(July 2012)_
Batman was one of my childhood heroes from the Comic magazines even though the Swedish plonkers, in their infinite stupidity, had renamed him to something as ridiculous “Läderlappen” which basically translates into “patch of leather”.

Thus, when Christopher Nolan brought us Batman Begins and steered away from the ridiculous comic shows that the previous batman movies (except the first one) had turned into I was thrilled. Unfortunately I was equally disappointed with this one.

I think the title of the movie is quite misleading since Batman isn’t exactly rising at all but rather sinking. If this would have been a movie about some other “guy” it would probably have been excellent but it isn’t. It’s about Batman and as such I had expected him to be the hero going around beating up the bad guys.

Instead the movie starts downright boring with Batman having dug himself down into a swamp of melancholy and closed himself off from the world. When he finally starts to appear again he gets pretty much beaten at every turn not to mention conned out of the Wayne fortune. What the f… is that? It isn’t until the end that he starts to be the real Batman and even then it’s not very exciting.

Actually Batman, as in Batman and not Wayne, is not really in the movie for a good chunk of the time and the real hero in this movie is really the young cop and he sure isn’t a particularly good substitute for the superhero Batman that I was expecting to watch.

I was struggling with what to give this movie but in the end, since I probably would have thought it to be a good movie if it had not been labelled as a Batman movie, I gave it 5 out 10 stars. At least the special effects where quite okay.



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