Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
189 Minutes | Fantasy, Drama, Crime | 1999-12-10
📥 The Green Mile 1999
📥 DOWNLOAD HERE
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
139 Minutes | Drama | 1999-10-15
📥 Fight Club 1999
📥 DOWNLOAD HERE
Pretty awesome movie. It shows what one crazy person can convince other crazy people to do. Everyone needs something to believe in. I recommend Jesus Christ, but they want Tyler Durden.
In my top 5 of all time favourite movies. Great story line and a movie you can watch over and over again.
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
107 Minutes | Mystery, Thriller, Drama | 1999-08-06
📥 The Sixth Sense 1999
📥 DOWNLOAD HERE
The Sixth Sense phenomenon.
Child psychiatrist Malcolm Crowe takes on the case of a deeply troubled boy named Cole Sear. At first Cole is reluctant to be helped, but as Malcolm gets closer to the boy, Malcolm learns the root of Cole's fears, he claims he sees ghosts.
The Sixth Sense was a monster hit back in 1999, a deftly crafted ghost story with a kicker that was talked about by all and sundry, the box office bulged and the critics did rave. Nowadays you will find hundreds of people proclaiming that the film is boringly formulaic, that they worked out the film's premise easily in the first quarter of the film, or that the film is a mere cliché, funny how I don't remember it like that back in 1999! The box office bulged because many went to see the film more than once, they went (myself included) back to see just how director M. Night Shyamalan (Academy Award Nominated Best Director) managed to bluff us and pull the rug from under our feet. I remember vividly both times I saw it in the cinema, the crucial turning point of the piece bringing a collective audible gasp from the viewers sunken in their respective seats, that's the sort of impact that carries a film's reputation far and wide, and that's the reason why I will never rate the film lower than 10/10.
Repeat viewings of The Sixth Sense obviously dim its star appeal because we know the tricks of the directors trade, but the film still ranks to me as one of the best of its type for so many other reasons rarely mentioned. The writing from Shyamalan (Academy Award Nominated Best Screenplay) is surprisingly complex, the piece masquerading as a horror picture is emotionally charged, linking children with the paranormal through loss and a need for understanding, the need for closure of unresolved differences, but chiefly and crucial to the film's heart is the message of connection before it's too late.
The performances are incredible, Bruce Willis as Malcolm Crowe is perfectly understated, all the pointers for the denouement are there for us to see, but such is the actors performance, and we now know he is cutely having to play his cards close to his chest, are hidden from us until the revisit of the picture reveals it all. Hayley Joel Osment (Academy Award Nominated Best Supporting Actor) is wonderful, for a child performance in a film of this type to not be over sentimental, is quite an achievement. Sympathetic Cole may be, but Osment never lets it become less than the accepted level of child vulnerability. Rounding out the great trio of leads is Toni Collette (Academy Award Nominated Best Supporting Actress) as Cole's mother, Lynn, fabulous in portraying the love and confusion in Cole's troubled world, this story arc between the two is expertly realised. The direction from Shyamalan is very restrained, forgoing out and out shock value for periods of disquiet, he uses sounds to make the audience sense the unease unfolding in this creepy tale, while his camera work, full of draw ins and pull outs-and subtle side shifts, is adroitly in tone with the narrative. The score from James Newton Howard flits beautifully between the uneasy periods and the sustained moments of query, while Tak Fujimoto's cinematography puts a gorgeous funereal texture over this part of Philadelphia.
If you haven't seen it then don't believe the naysayers, because The Sixth Sense deserved every penny/cent it made, its a wonderful, creepy, and yes, at times, a beautiful picture. A film that still ranks as one of the best ghost stories ever crafted. 10/10
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
136 Minutes | Action, Science Fiction | 1999-03-30
📥 The Matrix 1999
📥 DOWNLOAD HERE
The Martix is a great example of a movie that will live for ever or a very log time. The story and concept are out of this world. Keanu Reeves plays his role with utter brilliance, the cast was very well put together and the graphics are still to this day amazing. All in all one of the best movies of all time.
Get this: what if all we know as reality was, in fact, virtual reality? Reality itself is a ravaged dystopia run by technocrat Artificial Intelligence where humankind vegetates in billions of gloop-filled tanks - mere battery packs for the machineworld - being fed this late '90s VR (known as The Matrix - you with us here?) through an ugly great cable stuck in the back of our heads. And what if there was a group of quasi-spiritual rebels infiltrating The Matrix with the sole purpose of crashing the ruddy great mainframe and rescuing humans from their unknown purgatory? And, hey, what if Keanu Reeves was their Messiah?
What sounds like some web freak's wet dream is, in fact, a dazzlingly nifty slice of sci-fi cool. The Wachowski Brothers (Andy and Larry - last seen dabbling in kinky lesbian noir with the excellent Bound) pulling off something like a million masterstrokes all at once. Taking the imprimatur of the video game, they meld the grungy noir of Blade Runner, the hyperkinetic energies of chopsocky, John Woo hardware and grandiose spiritual overtones into William Gibson's cyberpunk ethos to produce a new aesthetic for the millennium powered to the thudding beat of techno. And it is just incredible fun. The key is the technique of "flo-mo", a process born from Japanese animation, whereby an object in motion is seemingly frozen while the camera miraculously spins around it as if time and gravity are on hold. It grants the action (including some killer kung fu which Reeves and crew spent months perfecting) liberty to take on surreal visual highs. Superhuman feats permissible, of course, in the context of VR as the rebels download Herculean "talents" to fuel their subterfuge. Meanwhile, the audience can only gawp longingly, with its jaws thunking to the cinema floor in unison, as the heroes wrapped in skintight leather, sleek shades and designer cheekbones, spin up walls, leap from high rises and slip through streams of bullets in silken slo-mo. Tron this ain't.
Immediately reigniting the moribund cyberpunk genre (the kids can't get enough Stateside), this has thrust Reeves from his imploding career back to Speed highs (and laying to rest the hideous ghost of Johnny Mnemonic) and stolen much more of Star Wars' thunder than was thought humanly possible. For all its loony plot, The Matrix is fabulous.
Sure, the expert Fishburne is depended upon to expound the lion's share of the script as seer-like rebel leader Morpheus. Reeves, stunning in his newcast slenderness, as Thomas "Neo" Anderson, the hacker turned hope for all mankind (care of some ill-defined mystical calling) is asked little more than perpetual befuddlement. Like Speed, though, this movie plays on his iconic looks rather than his oak-like emoting. There's a major find, too, in the irresistible Carrie-Anne Moss, a majestically wrought combination of steely no-shit intelligence and rock-chick vivaciousness as fellow tripper Trinity. And Weaving, cast against type, neutralises his Aussie tones to a freaky deadpan, the head of the MiB-styled defence system set against the Goth invaders.
And sure, three minutes of post-movie deliberation and all this state-of-the-art cyberdevilry is reduced to the purest gobbledygook. That, though, is not the point. The Matrix is about pure experience; it's been many a moon since the Empire crew have spilled out of a cinema literally buzzing with the sensation of a movie, babbling frenetically with the sheer excitement of discovery.
From head to tail, the deliciously inventive Wachowskis (watch them skyrocket) have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool, the usher will have to drag you kicking and screaming back into reality. You can bet your bottom dollar George never saw this phantom menace coming.
Verdict - The deliciously inventive Wachowskis have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool.
5/5
- Ian Nathan, Empire Magazine
It was around 2001 that I first watched this film and recently giving it another go, ever since, doesn't change the fact for me that this movie is an timeless piece of filmaking. From the characters to the striking and thought-provoking story, it basically has everything to make an action film a 10/10 in a book.
Finally got to see this on the big screen thanks to the TIFF Bell Lightbox in glorious 35mm. My reaction: whoa!
On top of that, I was able to participate in a round table discussion over the film's technical innovations, thematic philosophies, religious metaphors, undertones of gender politics, and absolute ass-kicking action. Can a movie be any more perfect?
***Brainy, entertaining and iconic, but too cool***
When a Big City computer hacker (Keanu Reeves) feels something is intrinsically wrong with reality, a woman with superhuman abilities (Carrie-Anne Moss) informs him that a mysterious man named Morpheus has the answers (Laurence Fishburne). But he has to escape the “agents” who are pursuing him (e.g. Hugo Weaving) to get to Morpheus. At which point his world is turned upside down and inside out. Marcus Chong and Joe Pantoliano are also on hand.
"The Matrix" (1999) is a cerebral sci-fi/action film that mixes elements of the first two Terminator flicks (1984/1991) with martial arts action and a basic concept that hails back to “Star Trek: The Motion Picture” (1979) and no doubt further.
To put this intricate movie together and make it entertaining took genius, so I give credit to the Waschowski Brothers, um, I mean sisters (rolling my eyes). The casting is great and Carrie-Anne is stunning throughout (I usually don’t like short hair on women, but she’s an exception). For me, though, the Waschowskis made it too comic booky. The posturing characters in their slick black outfits & sunglasses scream “Yeah, right.” And the Messiah angle is old hat.
The film runs 2 hours, 16 minutes, and was shot in Sydney, Australia, with some exterior scenes done in Nashville and San Francisco.
GRADE: B
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
189 Minutes | Fantasy, Drama, Crime | 1999-12-10
📥 The Green Mile 1999
📥 DOWNLOAD HERE
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
122 Minutes | Drama | 1999-09-15
📥 American Beauty 1999
📥 DOWNLOAD HERE
The film American Beauty to me is a film about purpose. What is your purpose in life? The film teaches that there is such great beauty in the small things in life and that sometimes you need to take a step back to allow yourself to take in the unfiltered beauty in the small things like a plastic bag dancing in the wind, playing with the leaves. The film tells it's audience that the beauty in the small details is much greater than society's typical image of beauty. The prominent rose in the film is a symbol of false, surface beauty; the expensive and romantic flower is amongst almost every single shot in the film reminding us that we need to look beyond the surface beauty of an entity and see the beauty within. This message surrounding beauty is empathised with the inclusion of the rose on the films poster and the tagline, 'look closer' indicating that to see real beauty one must 'look closer', a task that typically requires more thoughtfulness and less immediate facial value judgements that make up the typical image of beauty.
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
107 Minutes | Mystery, Thriller, Drama | 1999-08-06
📥 The Sixth Sense 1999
📥 DOWNLOAD HERE
The Sixth Sense phenomenon.
Child psychiatrist Malcolm Crowe takes on the case of a deeply troubled boy named Cole Sear. At first Cole is reluctant to be helped, but as Malcolm gets closer to the boy, Malcolm learns the root of Cole's fears, he claims he sees ghosts.
The Sixth Sense was a monster hit back in 1999, a deftly crafted ghost story with a kicker that was talked about by all and sundry, the box office bulged and the critics did rave. Nowadays you will find hundreds of people proclaiming that the film is boringly formulaic, that they worked out the film's premise easily in the first quarter of the film, or that the film is a mere cliché, funny how I don't remember it like that back in 1999! The box office bulged because many went to see the film more than once, they went (myself included) back to see just how director M. Night Shyamalan (Academy Award Nominated Best Director) managed to bluff us and pull the rug from under our feet. I remember vividly both times I saw it in the cinema, the crucial turning point of the piece bringing a collective audible gasp from the viewers sunken in their respective seats, that's the sort of impact that carries a film's reputation far and wide, and that's the reason why I will never rate the film lower than 10/10.
Repeat viewings of The Sixth Sense obviously dim its star appeal because we know the tricks of the directors trade, but the film still ranks to me as one of the best of its type for so many other reasons rarely mentioned. The writing from Shyamalan (Academy Award Nominated Best Screenplay) is surprisingly complex, the piece masquerading as a horror picture is emotionally charged, linking children with the paranormal through loss and a need for understanding, the need for closure of unresolved differences, but chiefly and crucial to the film's heart is the message of connection before it's too late.
The performances are incredible, Bruce Willis as Malcolm Crowe is perfectly understated, all the pointers for the denouement are there for us to see, but such is the actors performance, and we now know he is cutely having to play his cards close to his chest, are hidden from us until the revisit of the picture reveals it all. Hayley Joel Osment (Academy Award Nominated Best Supporting Actor) is wonderful, for a child performance in a film of this type to not be over sentimental, is quite an achievement. Sympathetic Cole may be, but Osment never lets it become less than the accepted level of child vulnerability. Rounding out the great trio of leads is Toni Collette (Academy Award Nominated Best Supporting Actress) as Cole's mother, Lynn, fabulous in portraying the love and confusion in Cole's troubled world, this story arc between the two is expertly realised. The direction from Shyamalan is very restrained, forgoing out and out shock value for periods of disquiet, he uses sounds to make the audience sense the unease unfolding in this creepy tale, while his camera work, full of draw ins and pull outs-and subtle side shifts, is adroitly in tone with the narrative. The score from James Newton Howard flits beautifully between the uneasy periods and the sustained moments of query, while Tak Fujimoto's cinematography puts a gorgeous funereal texture over this part of Philadelphia.
If you haven't seen it then don't believe the naysayers, because The Sixth Sense deserved every penny/cent it made, its a wonderful, creepy, and yes, at times, a beautiful picture. A film that still ranks as one of the best ghost stories ever crafted. 10/10
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
122 Minutes | Drama | 1999-09-15
📥 American Beauty 1999
📥 DOWNLOAD HERE
The film American Beauty to me is a film about purpose. What is your purpose in life? The film teaches that there is such great beauty in the small things in life and that sometimes you need to take a step back to allow yourself to take in the unfiltered beauty in the small things like a plastic bag dancing in the wind, playing with the leaves. The film tells it's audience that the beauty in the small details is much greater than society's typical image of beauty. The prominent rose in the film is a symbol of false, surface beauty; the expensive and romantic flower is amongst almost every single shot in the film reminding us that we need to look beyond the surface beauty of an entity and see the beauty within. This message surrounding beauty is empathised with the inclusion of the rose on the films poster and the tagline, 'look closer' indicating that to see real beauty one must 'look closer', a task that typically requires more thoughtfulness and less immediate facial value judgements that make up the typical image of beauty.
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
136 Minutes | Action, Science Fiction | 1999-03-30
📥 The Matrix 1999
📥 DOWNLOAD HERE
The Martix is a great example of a movie that will live for ever or a very log time. The story and concept are out of this world. Keanu Reeves plays his role with utter brilliance, the cast was very well put together and the graphics are still to this day amazing. All in all one of the best movies of all time.
Get this: what if all we know as reality was, in fact, virtual reality? Reality itself is a ravaged dystopia run by technocrat Artificial Intelligence where humankind vegetates in billions of gloop-filled tanks - mere battery packs for the machineworld - being fed this late '90s VR (known as The Matrix - you with us here?) through an ugly great cable stuck in the back of our heads. And what if there was a group of quasi-spiritual rebels infiltrating The Matrix with the sole purpose of crashing the ruddy great mainframe and rescuing humans from their unknown purgatory? And, hey, what if Keanu Reeves was their Messiah?
What sounds like some web freak's wet dream is, in fact, a dazzlingly nifty slice of sci-fi cool. The Wachowski Brothers (Andy and Larry - last seen dabbling in kinky lesbian noir with the excellent Bound) pulling off something like a million masterstrokes all at once. Taking the imprimatur of the video game, they meld the grungy noir of Blade Runner, the hyperkinetic energies of chopsocky, John Woo hardware and grandiose spiritual overtones into William Gibson's cyberpunk ethos to produce a new aesthetic for the millennium powered to the thudding beat of techno. And it is just incredible fun. The key is the technique of "flo-mo", a process born from Japanese animation, whereby an object in motion is seemingly frozen while the camera miraculously spins around it as if time and gravity are on hold. It grants the action (including some killer kung fu which Reeves and crew spent months perfecting) liberty to take on surreal visual highs. Superhuman feats permissible, of course, in the context of VR as the rebels download Herculean "talents" to fuel their subterfuge. Meanwhile, the audience can only gawp longingly, with its jaws thunking to the cinema floor in unison, as the heroes wrapped in skintight leather, sleek shades and designer cheekbones, spin up walls, leap from high rises and slip through streams of bullets in silken slo-mo. Tron this ain't.
Immediately reigniting the moribund cyberpunk genre (the kids can't get enough Stateside), this has thrust Reeves from his imploding career back to Speed highs (and laying to rest the hideous ghost of Johnny Mnemonic) and stolen much more of Star Wars' thunder than was thought humanly possible. For all its loony plot, The Matrix is fabulous.
Sure, the expert Fishburne is depended upon to expound the lion's share of the script as seer-like rebel leader Morpheus. Reeves, stunning in his newcast slenderness, as Thomas "Neo" Anderson, the hacker turned hope for all mankind (care of some ill-defined mystical calling) is asked little more than perpetual befuddlement. Like Speed, though, this movie plays on his iconic looks rather than his oak-like emoting. There's a major find, too, in the irresistible Carrie-Anne Moss, a majestically wrought combination of steely no-shit intelligence and rock-chick vivaciousness as fellow tripper Trinity. And Weaving, cast against type, neutralises his Aussie tones to a freaky deadpan, the head of the MiB-styled defence system set against the Goth invaders.
And sure, three minutes of post-movie deliberation and all this state-of-the-art cyberdevilry is reduced to the purest gobbledygook. That, though, is not the point. The Matrix is about pure experience; it's been many a moon since the Empire crew have spilled out of a cinema literally buzzing with the sensation of a movie, babbling frenetically with the sheer excitement of discovery.
From head to tail, the deliciously inventive Wachowskis (watch them skyrocket) have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool, the usher will have to drag you kicking and screaming back into reality. You can bet your bottom dollar George never saw this phantom menace coming.
Verdict - The deliciously inventive Wachowskis have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool.
5/5
- Ian Nathan, Empire Magazine
It was around 2001 that I first watched this film and recently giving it another go, ever since, doesn't change the fact for me that this movie is an timeless piece of filmaking. From the characters to the striking and thought-provoking story, it basically has everything to make an action film a 10/10 in a book.
Finally got to see this on the big screen thanks to the TIFF Bell Lightbox in glorious 35mm. My reaction: whoa!
On top of that, I was able to participate in a round table discussion over the film's technical innovations, thematic philosophies, religious metaphors, undertones of gender politics, and absolute ass-kicking action. Can a movie be any more perfect?
***Brainy, entertaining and iconic, but too cool***
When a Big City computer hacker (Keanu Reeves) feels something is intrinsically wrong with reality, a woman with superhuman abilities (Carrie-Anne Moss) informs him that a mysterious man named Morpheus has the answers (Laurence Fishburne). But he has to escape the “agents” who are pursuing him (e.g. Hugo Weaving) to get to Morpheus. At which point his world is turned upside down and inside out. Marcus Chong and Joe Pantoliano are also on hand.
"The Matrix" (1999) is a cerebral sci-fi/action film that mixes elements of the first two Terminator flicks (1984/1991) with martial arts action and a basic concept that hails back to “Star Trek: The Motion Picture” (1979) and no doubt further.
To put this intricate movie together and make it entertaining took genius, so I give credit to the Waschowski Brothers, um, I mean sisters (rolling my eyes). The casting is great and Carrie-Anne is stunning throughout (I usually don’t like short hair on women, but she’s an exception). For me, though, the Waschowskis made it too comic booky. The posturing characters in their slick black outfits & sunglasses scream “Yeah, right.” And the Messiah angle is old hat.
The film runs 2 hours, 16 minutes, and was shot in Sydney, Australia, with some exterior scenes done in Nashville and San Francisco.
GRADE: B
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
139 Minutes | Drama | 1999-10-15
📥 Fight Club 1999
📥 DOWNLOAD HERE
Pretty awesome movie. It shows what one crazy person can convince other crazy people to do. Everyone needs something to believe in. I recommend Jesus Christ, but they want Tyler Durden.
In my top 5 of all time favourite movies. Great story line and a movie you can watch over and over again.