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| Action, Adventure, Fantasy | 2021-03-19
📥 Tomb Raider 2 2021
📥 DOWNLOAD HERE
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119 Minutes | Fantasy, Animation, Adventure | 2004-11-19
📥 Howl's Moving Castle 2004
📥 DOWNLOAD HERE
Really good movie staging in a fictional center European country. The drawings are great and the story is as delicate as any other from Miyazaki.
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| Fantasy, Action, Adventure | 2021-04-22
📥 Monster Hunter 2021
📥 DOWNLOAD HERE
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| Animation, Family, Comedy, Adventure, Fantasy | 2021-03-24
📥 The Boss Baby 2 2021
📥 DOWNLOAD HERE
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86 Minutes | Fantasy, Animation, Family | 1988-04-16
📥 My Neighbor Totoro 1988
📥 DOWNLOAD HERE
**"Childhood" in a movie.**
This is just perfection - a perfect way to while away time and reconnect with your youth.
Everything is outstanding in this film, but especially the way it can emote your sense of wonder and imagination.
I wish I could have watched this as a child, I would have wanted to find Totoro and the Catbus, roar like Totoro, or sleep on his belly. Oh well...I will just have to imagine it.
Its interesting to note this was released with Grave of the Fireflies, another Ghibli masterpiece, which I have summed up as being about innocence lost. **This movie is innocence maintained.**
(SPOILER ALERT)
I was delighted to see this subtle/multi-layered tale unfold, which seemed to play well to both a childhood audience, keen on likable characters/compelling imagination, and adults with a deeper appreciation for the symbolic backstory.
Like most of Miyazaki's films, there was an enormous focus on the power of the natural world. Whenever man perverts the natural world, the natural world seems to pushback. It appears as though the seldom seen Mother in the story is sick due to some mental/physical disconnect that she has likely had with the natural world.
Through the unique power of children to tap into their imagination, especially children living outside the city and amongst nature, Miyazaki demonstrates the unique gift that children have to re-establish the lost bond between unhealthy adults and the healing power of the natural world. I was thoroughly impressed with how delicately Miyazaki established this bond between the two children, their imagination, and the natural world. Totoro, the lovable silent giant, is a great and unexpected metaphor for the healing power of the natural world and childhood imagination :)
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189 Minutes | Fantasy, Drama, Crime | 1999-12-10
📥 The Green Mile 1999
📥 DOWNLOAD HERE
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111 Minutes | Fantasy, Action, Science Fiction | 2019-11-19
📥 Coma 2019
📥 DOWNLOAD HERE
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99 Minutes | Adventure, Family, Fantasy, Comedy, Romance | 1987-09-25
📥 The Princess Bride 1987
📥 DOWNLOAD HERE
The Princess Bride is ultimately a story of love - of a grandather for his grandson, of Inigo Montoya for his murdered father and between Buttercup and Wesley. It is an old fashioned fairy tale in a sense, but its imagination, wit and humour stands it apart from convention. The characters are endearing and essential to the plot. The pace of the film changes up and down beautifully throughout and the script is a joy, playing with words and ideas. Humanity prevails in this wonderous tale, I learnt plenty from it as a child and I still watch it from time to time to remind me of the goodness within us and the ability to triumph over adversity. The Princess Bride has a way of being traditional whilst challenging norms and that is why I will always love it. 10/10 for me. The only criticism I have is that it is too male centric as many films and series still are unfortunately. Although, saying that, Buttercup is much hardier than most princesses portrayed in children's films. This is a film that appeals to adults and children alike. Stop writing did you say? As you wish x
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201 Minutes | Adventure, Fantasy, Action | 2003-12-01
📥 The Lord of the Rings: The Return of the King 2003
📥 DOWNLOAD HERE
And so all good things come to an end. For three years in a row, Peter Jackson has banished our winter blues with the individual instalments of his Tolkien trilogy, effectively shifting the focus of our cinematic excitement from the summer months to the end of the year. But now that his epic has been unveiled in its entirety, what will be the lasting effects of his achievement?
Well, grand-scale fantasy filmmaking is back on the menu, laying down the gauntlet to George Lucas and Star Wars Episode III. Jackson has also proved that notions of risk and ambition needn't be confined to the low-budget, indie end of the spectrum; nor does California have an exclusive stranglehold on groundbreaking special effects.
And then there's the DVD factor. Just as The Lord Of The Rings was upping the stakes in theatres, so too was its DVD release pattern defining what can (and should) be done on disc for major movies.
In particular, the four-disc extended editions seem to have affected the director's thinking as to what he can get away with in his theatrical final cut. Hence the public grumbles from Christopher Lee about the non-appearance of Saruman in this final instalment. While it might have been fair to grant Lee a curtain call, Jackson quite rightly realises that it is Sauron, not Saruman, whose fiery eye encompasses all the narrative strands of the climax.
The Return Of The King marks the first time in the series when Jackson's roots as a horror filmmaker creep through. As the orcs catapult severed Gondorian heads beyond the walls of Minas Tirith, flesh-rotted ghosts draw swords alongside Aragorn and giant spider Shelob stalks Frodo through dark, web-shrouded tunnels, the film pushes the boundaries of its 12A certificate.
And so it should, because the look and tone must necessarily grow darker as the Hobbits near Mount Doom and Mordor's evil hand grips Middle-earth ever tighter.
Character nuances have been crafted over an unprecedented ten hours-plus of cinematic storytelling: from Strider lurking in the shadowy corner to Aragorn rallying the troops; from Merry and Pippin as bumbling fools to stout-hearted, pint-sized warriors. Only Legolas and Gimli seem to have regressed (in screen time at least) to set-piece archer and comedy sidekick respectively. At least Andy Serkis is rewarded for his Gollum voice work with an early flashback that gets his face on screen, as well as warning us that, under the ring's power, Smeagol can be as murderous as Gollum.
Jackson has kept the momentum of the series rolling on and on though the traditionally 'difficult' middle part and 'weak' finale, delivering a climax to the story that's neater and more affecting than what Tolkien managed on the printed page. Some viewers might feel that the director sprinkles some cheese on his extended coda, adding at least one false ending too many (even if he does ignore the book's Scouring of The Shire).
But those who have walked beside these heroes every step of the way on such a long journey deserve the emotional pay-off as well as the action peaks, and they will be genuinely touched as the final credits roll. Yes, the Ring is dead. Long live King Kong.
Verdict - The resounding climax to a landmark in cinema history. But the King has now returned, the story is over and the ships are leaving Middle-earth. Ladies and gentlemen, Elvish has left the building.
5/5
- Alan Morrison, Empire Magazine
Too much CGI, redundancy, clichés and drawn out “looks of love” for my tastes.
RELEASED 2003 and directed by Peter Jackson, “The Lord of the Rings: The Return of the King” adapts the third part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth: Frodo (Elijah Wood), Sam (Sean Astin) and Gollum (Andy Serkis) continue to try to make their way to Mount Doom to destroy the One Ring. Meanwhile Aragorn (Viggo Mortensen), Legolas the Elf (Orlando Bloom), Gimli the Dwarf (John Rhys-Davies), Gandalf the wizard (Ian McKellen), King Theoden (Bernard Hill) and Faramir (David Wenham) join forces to fight Sauron's army at the stone city of Minas Tirith and, later, draw the forces of Modor out as a distraction for Frodo to accomplish his goal. Billy Boyd and Dominic Monaghan are on hand as Hobbits Pippin and Merry.
While I’m a casual fantasy/adventure fan and have read numerous books of the genre (e.g. Conan, Tarzan, Gor, etc.), I’ve never read Tokien, likely because I’m not into Hobbits, Elves and Dwarfs. After viewing the three movies, The Lord of the Rings strikes me as a mixture of Robin Hood, Conan and The Wizard of Oz, which all possibly influenced Tolkien’s writing of the Rings trilogy in 1937-1949. So, if you think a meshing of “Conan the Barbarian” (1982) and “Robin Hood: Prince of Thieves” (1991) with “The Wizard of Oz” (1939) sounds good, then you’ll probably like these movies more than me.
“The Return of the King” is just more of the same showcased in the first two movies, but even LONGER. Take the Battle of Minas Tirith, for example. It’s basically the same as The Battle at Helms Deep in the previous movie, except with colossal elephant-like creatures and the Army of the Dead. These two battles are similar enough that they could’ve been condensed into one conflict. Speaking of the Army of the Dead, this was an interesting new element, as was the horrifying spider-monster that Frodo & Sam face inside the caves.
Like the first two movies, the characters are diverse, the tale is creative, there’s a lot of dark action rounded out by softer scenes and everything LOOKS and SOUNDS magnificent. Unfortunately, as with “The Two Towers,” there’s excessive use of CGI (aka CGI porn). If cartoony CGI is your thang then you’ll likely appreciate this installment more than me.
There are other problems: While the characters are inspired, they’re also thin and rather uninteresting, at least for mature people who require more depth to hold their attention. Take Legolas (Bloom), for example; we never get to know him. Or consider Aragorn: Mortensen is perfect as the noble warrior, but in the ENTIRE trilogy he probably only has like two full pages of dialog, maybe three. Also, I found the story generally disengaging. I was never much enthralled by the characters and their pursuits, although devotees of Tolkien might be.
Then there are WAY too many “looks of love” between characters, particularly Frodo and Sam (I was so happy to see one character get married and have kids, if you catch my drift). There’s also a sense of redundancy, like the aforementioned battles (Helms Deep and Minas Tirith). Or consider the hokey dangling from a cliff by one’s fingers: This was already done with Gandalf at the end of the first part and beginning of the next. Did we really need the entire trilogy to come down to this type of eye-rolling cliché?
Another problem is the lack of feminine protagonists. There’s Miranda Otto as Éowyn, Théoden's niece, who becomes infatuated with Aragorn and masquerades as a warrior-ess. Other than that all we have are cameos by Liv Tyler (Arwen), Cate Blanchett (Galadriel) and a Hobbit’s wife. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $94 million it cost to make this blockbuster and the creators knew enough to throw in a couple of prominent babes as heroines in the story. So did “Conan the Barbarian” and “Dungeons & Dragons: Wrath of the Dragon God” (2005). It’s not rocket science.
As noted above, the movie’s needlessly overlong and things could’ve been condensed in the trilogy or omitted altogether. When the main storyline ultimately ends at Mount Doom I was thinking there was maybe 12-15 minutes left with half of that time being credits. Nope, there was STILL 30 MINUTES LEFT wherein boring goodbyes and “looks of love” are tacked on.
Despite these honest quibbles, “The Return of the King,” and the trilogy in general, was an ultra-ambitious undertaking and is a must for fantasy/adventure aficionados, particularly those who favor Tolkien, Hobbits, Elves, Gnomes and the like.
THE MOVIE RUNS 3 hours 21 minutes and was shot in New Zealand.
GRADE: C
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118 Minutes | Fantasy, Drama, War | 2006-08-25
📥 Pan's Labyrinth 2006
📥 DOWNLOAD HERE
Beautiful movie from Guillermo del Toro and while I did like the movie and its World War II-era plot, I can't say I was totally in love, feeling this was more style over substance, though the acting from the young Ivana Baquero was really good. **4.0/5**
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178 Minutes | Adventure, Fantasy, Action | 2001-12-18
📥 The Lord of the Rings: The Fellowship of the Ring 2001
📥 DOWNLOAD HERE
Brooking no argument, history should quickly regard Peter Jackson’s The Fellowship Of The Ring as the first instalment of the best fantasy epic in motion picture history. This statement is worthy of investigation for several reasons.
Fellowship is indeed merely an opening salvo, and even after three hours in the dark you will likely exit the cinema ravenous with anticipation for the further two parts of the trilogy. Fellowship is also unabashedly rooted in the fantasy genre. Not to be confused with the techno-cool of good science fiction, nor even the cutesy charm of family fare like Harry Potter, the territory of Tolkien is clearly marked by goo and goblins and gobbledegook. Persons with an aversion to lines such as, “To the bridge of Khazad-dûm!” are as well to stay within the Shire-like comforts of home (their loss).
With those caveats in place, it bears repeating: fantasy does not come finer. There are electrifying moments — notably the computer-assisted swooping camera through Isengard as it transforms into a factory for evil — when Jackson’s flight of fancy approaches the sublime as the romantic poets would understand it: inspiring awe.
Leaving aside the thorny issue of Tolkien die-hards and their inevitable gripes — “What no Tom Bombadil?” — Jackson’s screenplay (written in collaboration with Fran Walsh and Phillipa Boyens) is both bolder and more judicious than Steven Kloves’ surprisingly timid retread of Harry Potter. In particular, rescuing the romance of Arwen and Aragorn from the footnotes and the elevation of Saruman to all-action bad guy actually has a corrective influence on Tolkien’s often oblique and female-sparse source material.
There are problems, though. The three-hour running time is high on incident and low on discernible form. After successive detours to Elf habitats Rivendell (the watery home of Elrond) and Lothlórien (the forest home of the Lady Galadriel), the uninitiated might well ask why these crazy Elf kids can’t just live together and spare us all this attenuated dramatic structure.
More importantly, the action clearly climaxes in the desperate flight from the Mines Of Moria, where the largely seamless SFX is showcased in the best possible light — total darkness — but the narrative demands a different, downbeat ending. Indeed, but for some fine emotional playing from Bean, Mortensen, Astin and Wood, the final fight might feel like a particularly brutal game of paintball in Bluebell Wood. But then, the real battles are yet to come...
Verdict - Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations, and it deserves to play as wide as a certain Mr. Potter.
5/5
- Colin Kennedy, Empire Magazine
An epic movie if I ever saw one. Captivating and just plain fun to watch. This movie is, indeed, art.
Tolkien’s adventure/fantasy LOOKS and SOUNDS fabulous, but is not without flaws.
RELEASED 2001 and directed by Peter Jackson, “The Lord of the Rings: The Fellowship of the Ring” adapts the first part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth. The story starts in the homeland of the Hobbits (innocent, diminutive humanoids) where Frodo (Elijah Wood) is instructed by the noble wizard Gandalf (Ian McKellen) to quickly leave the Shire with the powerful One Ring in his possession. Gandalf and Frodo are later accompanied by seven others, the titular ‘Fellowship of the Ring,’ to take the ring to the only place it can be destroyed, the fires of Mount Doom in Mordor.
The rest of the main cast include Sean Astin (Sam), Viggo Mortensen (Aragorn), Sean Bean (Boromir), Christopher Lee (Saruman), Orlando Bloom (Legolas), John Rhys-Davies (Gimli) and Hugo Weaving (Elrond).
This three-hour fantasy features a diverse cast of colorful characters, quaint beings and settings, moments of genuine wonder, dark ee-vil creatures, high adventure, thrilling brutal action, a superb score, magnificent locations (forests, mountains, rivers, etc.), and wondrous CGI sets. The film LOOKS and SOUNDS so great that it’d be sinful to give it a lower rating.
There are problems, however, at least for those who aren’t uber-fans of Tolkien. For one, the opening is hindered by prologue that is overlong and convoluted, not to mention unnecessary. The bulk of it could’ve been conveyed later via flashback, which they do a little bit anyway. Secondly, the story takes forever to build any drive. Thirdly, except for maybe Frodo and Gandalf, the characters are shallow and I didn’t care much what happened to them. Fourthly, main protagonists getting seriously wounded and everyone else expressing their melodramatic concern gets redundant.
Fifthly, there are only two females in the main cast (Liv Tyler as Arwen, a half-Elf princess, and Cate Blanchett as Galadriel, a royal Elf); unfortunately, their parts aren’t much more than glorified cameos. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $93 million it cost to make this blockbuster and the filmmakers knew enough to include a couple of prominent babes as key protagonists in the story.
Despite these negatives, “The Fellowship of the Ring” is the best of the trilogy and is a must for fantasy/adventure aficionados, especially Tolkien fans.
THE MOVIE RUNS 2 hours 58 minutes and was shot in New Zealand.
GRADE: B/B- (6.5/10)
Overall, I give this four stars. Not five, because some of the changes really bug me, as a long-time Tolkien fan, but a solid four.
The casting, to start, was brilliant. Sean Astin was the absolute perfect choice for Sam, and did a remarkable job bringing that character to life for us. He really WAS Sam, in this role, in a very deep way. I always liked his acting, but here, he showed how talented he actually is. Just amazing. Elijah Wood gives a great performance of Frodo, and those expressive eyes of his really add a lot of depth to the emotions the character goes through, which are such an important part of the story. Billy Boyd and Dominic Monaghan both did great work, for our other two main hobbits. Their smiles, their singing; just every aspect of these characters was so real. Viggo Mortensen, of course, was excellent. He's always good, and though I never would have pictures him as Aragorn, he delivered everything we could hope for. Great choice for that role! John Rhys-Davies, as expected, gave us the Gimli we wanted. Phenomenal actor, and I can't imagine anyone doing that role better. Orlando Bloom plays a convincing Legolas, and handles the nuances of being an elf quite well. Sean Bean as Boromir was outstanding, bringing the strength of that character to life, and making us love him. Then we have Ian McKellen, as Gandalf. I could never have chosen someone for that role, but the casting folks hit a home run with this one. Everything about his character was just right. Literally everything. I can't read the books without seeing these people in these roles now. The rest of the cast ws good as well.
Then we have the setting. New Zealand has to have some of the most utterly gorgeous scenery on the planet. Seeing it in these movies was great, and convincingly Middle Earth, and seeing more since, in other videos, just WOW! Thanks, to the people of New Zealand, for allowing this to be filmed there!
The sets were just fantastic. Everything looked as good as I'd always hoped it would look, with all the charm, mystery, and wonder Tolkien fan could hope for. From Bag end to Rivendell to the vastness of
Middle Earth, everything we saw was just right.
The only issues I had were some of the changes. Yes, I know things don't always work in movies as they do in books, but when whole sections are just omitted, that bothers me. It's not like the movies weren't long already! That omitted section, with which Tolkien fans will be quite familiar, was a very important part of the plot! I also didn't care for some of the other changes, and the way Arwen was used, the scene at the river being one example.
All in all, though, this was a well done movie, and even though some things bug me, this film, and the rest of the series, will be viewed many times. Classics, worth collecting and treasuring.
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91 Minutes | Adventure, Comedy, Fantasy | 1975-05-25
📥 Monty Python and the Holy Grail 1975
📥 DOWNLOAD HERE
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| Action, Adventure, Fantasy, Science Fiction | 2021-02-11
📥 Eternals 2021
📥 DOWNLOAD HERE
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| Action, Adventure, Fantasy | 2021-04-29
📥 Shang-Chi and the Legend of the Ten Rings 2021
📥 DOWNLOAD HERE
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122 Minutes | Fantasy, Drama, Romance | 2008-11-20
📥 Twilight 2008
📥 DOWNLOAD HERE
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130 Minutes | Fantasy, Adventure | 2011-07-07
📥 Harry Potter and the Deathly Hallows: Part 2 2011
📥 DOWNLOAD HERE
It is the quality of one's convictions that determines success, not the number of followers.
So here it is, the 8th and final instalment of a film franchise that has lasted 10 years and runs at just under 20 hours in total. Following straight on from the frustratingly incomplete scene setter that was Deathly Hallows Part 1, we continue to track Harry, Hermione and Ron as they search for the remaining Horcruxes that will render the evil Lord Voldermort as a mere mortal. This narrative thread is run concurrently with the Voldermort movements, where he now has in his possession The Elder Wand (the wand to rule them all) and has gathered a vast army to descend upon Hogwarts and achieve his ultimate goal of killing Harry. Meanwhile vital character story arcs are filled in and secrets will out...
David Yates directs and Steve Kloves adapts to the screen, both of whom were perfect choices given their considerable input to the series. Smartly the pic has been kept to a 2 hour and 10 minute run time, and thankfully it flows nicely and the pace never stalls. Being one of those who has never read the books I can't say what has been left out or if anything has been tampered with for dramatic licence? What I know for sure is that the emotional investment garnered from being with this story for so long, to be part of these characters lives, watching them grow, ensures that this closure piece pounds the senses. Sitting down to watch it you realise that we are going to lose people we care for, and Hogwarts, the wonderful place we fist glimpsed across the night time water, is going to be attacked and reduced to a battle scarred place of war.
As the effects work dazzles and the one time child actors come shining through as mature actors who have casted off previous wooden traits, the story filling strands show just what wonderful work Rowling achieved on the page. Some of the characters never stood a chance in life, some carried deep emotional scars, and others held secrets so crucial to the whole Potter universe. For a series of such fantastical genre sparkle, the Harry Potter world eventually reveals itself to be a deep and fortified humanist drama, and engaging it most certainly is. That this is achieved as battlefield carnage is raised, with wand wars booming up on the screen, it means credit is due to all involved the making of such a cherished and intensely followed Octalogy.
Is it the earth shattering finale one hoped for? Well not quite. Story wise for sure that is the case, but with the whole story driving towards the final battle between Harry and Voldermort, it's disappointing to find it's rather brief and in truth anti climatic. Harry the boy now burgeoning into a man versus the snake faced despot surely should have been a crowning glory, but sadly not so. To compound this irritating disappointment, we then get the epilogue that is bogged down by aging make-up design that is almost laughable. But these are just annoyances, not film killers, for this has been a magical ride for 10 years. Fans will feel a gap in the heart now it's over, maybe even shed a Snape like tear as well? Yet ultimately it has been a triumph and the rewatchable factor for the whole series will always remain high. 8/10
It is the quality of one's convictions that determines success, not the number of followers.
So here it is, the 8th and final instalment of a film franchise that has lasted 10 years and runs at just under 20 hours in total. Following straight on from the frustratingly incomplete scene setter that was Deathly Hallows Part 1, we continue to track Harry, Hermione and Ron as they search for the remaining Horcruxes that will render the evil Lord Voldermort as a mere mortal. This narrative thread is run concurrently with the Voldermort movements, where he now has in his possession The Elder Wand (the wand to rule them all) and has gathered a vast army to descend upon Hogwarts and achieve his ultimate goal of killing Harry. Meanwhile vital character story arcs are filled in and secrets will out...
David Yates directs and Steve Kloves adapts to the screen, both of whom were perfect choices given their considerable input to the series. Smartly the pic has been kept to a 2 hour and 10 minute run time, and thankfully it flows nicely and the pace never stalls. Being one of those who has never read the books I can't say what has been left out or if anything has been tampered with for dramatic licence? What I know for sure is that the emotional investment garnered from being with this story for so long, to be part of these characters lives, watching them grow, ensures that this closure piece pounds the senses. Sitting down to watch it you realise that we are going to lose people we care for, and Hogwarts, the wonderful place we fist glimpsed across the night time water, is going to be attacked and reduced to a battle scarred place of war.
As the effects work dazzles and the one time child actors come shining through as mature actors who have casted off previous wooden traits, the story filling strands show just what wonderful work Rowling achieved on the page. Some of the characters never stood a chance in life, some carried deep emotional scars, and others held secrets so crucial to the whole Potter universe. For a series of such fantastical genre sparkle, the Harry Potter world eventually reveals itself to be a deep and fortified humanist drama, and engaging it most certainly is. That this is achieved as battlefield carnage is raised, with wand wars booming up on the screen, it means credit is due to all involved in the making of such a cherished and intensely followed Octalogy.
Is it the earth shattering finale one hoped for? Well not quite. Story wise for sure that is the case, but with the whole story driving towards the final battle between Harry and Voldermort, it's disappointing to find it's rather brief and in truth anti climatic. Harry the boy now burgeoning into a man versus the snake faced despot surely should have been a crowning glory, but sadly not so. To compound this irritating disappointment, we then get the epilogue that is bogged down by aging make-up design that is almost laughable. But these are just annoyances, not film killers, for this has been a magical ride for 10 years. Fans will feel a gap in the heart now it's over, maybe even shed a Snape like tear as well? Yet ultimately it has been a triumph and the rewatchable factor for the whole series will always remain high. 8/10
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| Fantasy, Action, Adventure | 2020-09-30
📥 Wonder Woman 1984 2020
📥 DOWNLOAD HERE
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100 Minutes | Fantasy, Adventure, Animation, Family | 2010-03-10
📥 How to Train Your Dragon 2010
📥 DOWNLOAD HERE
So the movie was great. I wasn't expecting it to be that good actually. I thought it will be one of those movies wherein it turns out just okay because it's not a Disney/Pixar movie. I mean....if it's not a Disney/Pixar movie, don't expect anything. Which was good I think because not expecting turned out great for me.
It was very entertaining (aside from the noisy children and a very noisy and loud mom behind us). I know Toby will like this movie (he actually was able to watch it from beginning to end...for the first time). There's just so much to see. And the ending. Such a tragic ending but it's still a happy ending don't worry.
My rate for this movie is A. Good for kids. Good for adults.
First of all, the animation in this is spectacular. All the scenery in the film looks like something you could find in real life. The action, mainly the climax, and flying shots in this film also show how great the animation is. The main thing about the animation that is amazing is how the dragons look. They all look like real, kinda cartoonish, dragons that come across as vicious but also cute. The cinematography in this film is stunning. The lighting in each and every scene was chosen correctly for it. I really like the score in this film that was done by John Powell. The music in the film just helped bring you into this fantasy world of Vikings and dragons. Now my main problem is mainly the casting of the voice actors. They all did great jobs as their roles but I think some of them would have been better casted if their character was older and not a teenager. That can mainly be seen with Hiccup who is supposed to be a teenager but sounds like an adult who already went through puberty. I also had a few issues with the pacing in this film. Some scenes were way too short and I would have liked to have seen them a tiny bit longer. Now I do get that it’s a film made for children but as long as there’s moving objects on screen kids won’t care what’s happening in the movie. In the end How to Train Your Dragon is an excellent film for everybody no matter how old you are. I give How to Train Your Dragon a 9/10.
Who wouldn't want Toothless as a pet?
Honestly I can see my future kids and their future kids loving this movie as much as I do. How To Train Your Dragon is just that great of a movie. It's gorgeous, funny, heartfelt, and it's got something to say. I can't praise this wonderful film enough.
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104 Minutes | Drama, Romance, Fantasy | 2019-08-28
📥 Burning Ghost 2019
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90 Minutes | Animation, Comedy, Adventure, Family, Music, Fantasy | 2020-11-19
📥 Soul 2020
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