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Sunday, January 26, 2020

Mary and Max 2009 Watch Movies Online

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92 Minutes | Animation, Comedy, Drama | 2009-02-09


Mary and Max


📥 Mary and Max 2009
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Mary and Max- Am I sad or happy? Am I philosopher?

It's hard to understand weird people. Oh, actually, I'm weird. It's hard to understand normal people. I've been depressed for a great deal of time. Not depressed like: ”oh, I'm not feeling okay now. But everything is okay”. It's something like: “I'm feeling very bad, and sad; probably I'm considered as I am freak. But I consider others as being freaks. I'm not depressed because of weirdness – it's because of life, as it is”. Uncertainly, I'm both Mary and Max.

The first – my state of mind.
Unbearable pressure in head, which I almost can't put literally vertical on my head. It's pretty hard, considering it's mass. I feel like an invisible ghost pushes my head and makes my eyes falling down. Teeth and jaw are stiff. I'm going to sleep. It's the most comfortable way to make reality become unreal and relaxing. I'm crying when the story of the sense of life is being said. I'm smiling when there are people around me. It's a spontaneous reaction. Probably because I'm Max in my mind, Mary in my soul.

People probably wrongly understand depression; or more precisely – they have no idea how actually it functions for real, in mind of attached person. They think they are mad, or they're pretending something wrong is happening- “depression is nothing serious”.

I'm Mary:
I'm ready to finish my living, to kill myself, to die in the full coldness of the life. There is no good person in the world, there is no sense of
life, there is no hapinnes in the world, there is nothing funny to do. But I won't do this. Medicines are really useful. They're changing our brain. I want to be in a closed room, I don't want to eat, I hardly ever sleep, but I'm tired. My willing is just to make me being physically smaller, to become a dot in a nowhere and to forget about everything. I have headaches. I almost haven't eaten anything for a couple a days, I'm sad, unsuccessful, bad in every possible way. There is no meaningless of living. We've been born. We're going to dye. We're nothing. I'm isolated, obsessed with horrible thoughts, (horrible from my point of view). These thoughts are as normal as they could be. I'm right but
nobody understands me. Acting happiness and smiling and funny person makes me feeling even worse after a while. The first thing I'm going to do is to push walls around me, to make me feel pain, to be alone and to do nothing – because, there is nothing to do. The only one friend I believed in disappointed me. Nobody cares. The next state is that I would try to be “normal”. I'm buying stupid cosmetics instead of going to travel. I'm talking to people, doing this as they do. Pretending being cool and perfect. Funny. Communicative. Everything went bad because it's not me. Go ahead!

Now, I'm Max:
Einstein said there were only two infinite things: cosmos and one's stupidity. I agree with him. I am different, I'm maybe even smart, I'm trying to understand the world. Maybe others are, too. Different, and also triers. I like chocolate, I don't have friends, there is no justice in the world. Anxiety and changing mood are no so simple things. Feeling are unpredictable, emotions are strong. Emotions are strong but undefined. I gave up. My psychiatrist is giving me instructions how to act in real life. “This is good, this is bad, in this situation you have to cry, in this to laugh, in this to imitate some nerd.” I was even using small notebook where I wrote “acting explanations”. I met Mary, but who cares. I'm used to living on my own. There is no friend. I am distanced form everyday life, like there is invisible barrier between me and others. It makes me being special; but obviously not in a good way.

We're now good friends. She is the best one for me; but also the only one. Oh, there are more freaks here. Haha. Impossible. She understands my needs, my mind, my reactions, my way of viewing stuff.

The second – don't worry. Robots are walking down the streets. Everyone is the same as the others. They define themselves as normal guys. Just define, don't worry. You can define them as you want The left person is copy of the right one. Everyone is the same. Everyone
has striped hair, blue narrow jeans, the equal brains, the equal opinion.
It's easier acting like they are acting. Just go down the street, listen to the others, turn off your mind, point of view the world and your charm. Just be like others. Be stupid. Be robot. I'm starting to believe Einstein. This is not myth he's very smart. But also you need to be good. Brave, beautiful, funny, intelligent, popular,...(just kidding) ;)

Be who you are, and help humanity. And believe there are also people worth respecting, because they are not robots. You just have to find them. Also they'll find you. They exist. Look bright, go straight. We're here and we can't run out of it. Imagine our life is one adventure we are lucky to have chance to play in. You're not a weirdo. Just go on, enjoy the adventure, be yourself, even when you have to be pathetic as I am now. :) After that, sense of life will come to you; you don't have to search so much! Just relax ;)

Let the game begin!

Written by Mary and Max,
December 2016,
for goodness of the world



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The Great Escape 1963 Watch Movies Online

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173 Minutes | Adventure, Drama, History, Thriller, War | 1963-06-20


The Great Escape


📥 The Great Escape 1963
📥 DOWNLOAD HERE



Not just great, simply magnificent more like!

"Wait a minute, you aren't seriously suggesting that if I get thru the wire and case everything out there, and don't get picked up, to turn myself in and get thrown in the cooler for a couple of months so you can get the information you need"

Smart, witty and directed with adroit hands by John Sturges, The Great Escape is standing the test of time as a joyous multi cast family favourite. Based on the real accounts of allied soldiers escaping en mass from a German POW camp back in 1942, the film is involving from start to finish, due in the main to the wonderful array of characters on show. We follow them from the moment they arrive at the camp right through to the stunning climax, and it is with great joy I say that none of the cast lets the side down, they all do great work for the astute and undervalued Sturges. A number of great set pieces align with Elmer Bernstein's fabulous score to never let the blood settle, and in among the cheeky slices of humour is palpable tension to make this simply one of the best films of its type, in fact one of the best films ever.

Sturges and his writers, James Clavell & W.R. Burnett, adapt from the book written by Paul Brickhill, someone who speaks from experience having been one of the prisoners of super POW camp Stalag Luft III, which of course is what The Great Escape is born from. Sturges was fascinated by the story and after trying without fail for over a decade to get it onto the screen, he finally succeeded. The success three years earlier of his star ensemble Western, The Magnificent Seven, enabled Sturges to realise his vision, the result of which is still enthralling new generations with each passing year.

The cast is made up of notable thespians and iconic heroes. Steve McQueen (enticing the American audience in one feels), Richard Attenborough, Charles Bronson, James Donald, Donald Pleasance, James Coburn, James Garner, David McCallum, John Leyton and Gordon Jackson. Which of course is a pretty tidy roll call, but the input and impact of Hannes Messemer as the Camp Commandant, Colonel Von Luger should not be understated. His scenes have a real humanistic quality that shows a softer side of Germany to the one ruled by a certain despot (the finale here offering up the counter opposite of the war), the writers smartly, and rightly, not tarring a nation with the same old brush.

A wonderful involving movie that puts characteristic heart in bed with the action and suspense laden plot. 10/10



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Babyteeth 2020 Movies Online Free Websites

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118 Minutes | Drama, Comedy | 2020-06-18


Babyteeth


📥 Babyteeth 2020
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Stories of adolescence are some of the hardest to tell on screen in new and interesting ways, and the added complexities of terminal illness and a morally questionable teen romance that 'Babyteeth' adds to this makes the film feel like a miracle in how well it pulls almost every element off. Its cast and crew are at the top of their game, resulting in a film that's just as heartbreaking as any other teen cancer film, but elevated through a humour and cynicism, as well as incredible performances, assuring it won't be forgotten any time soon.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-babyteeth-a-frustrating-but-funny-australian-teen-dramedy



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Jurassic Park 1993 Movies Online Stream

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127 Minutes | Adventure, Science Fiction | 1993-06-11


Jurassic Park


📥 Jurassic Park 1993
📥 DOWNLOAD HERE



If you somehow missed this movie and have never seen it then watch it immediately. As a young boy of 9 on my way to the cinema I wasn't at all prepared for the on-screen awesomeness I was about to witness, one of the defining movies of my childhood and of the modern age. With special effects that simply blew any and all previous dino movies out of the water, compelling story and the odd comic moment such as the Mr Arnolds arm it really did make that evening something I will remember forever. So successful it went on to spawn 3 sequels, the second was enjoyable, the third not so much. The newest Chris Pratt one, I'll leave that for you but its worth a watch, especially if you want to wash the taste of the 3rd one out of your mouth. It gave me nightmares for weeks, really really wonderful nightmares.
I love it. There are movies coming out right now, 25 years later, with triple the budget (even _Jurassic_ movies) where the effects just cannot hold a candle to _Jurassic Park_. If that was the **only** thing it had going for, it would be enough for me to recommend this movie for all, but make no mistake, _Jurassic Park_ is **great** with or without them (but thank God it's with).

_Final rating:★★★★ - Very strong appeal. A personal favourite._
"Life finds a way… to let us enjoy dinos in theaters"

Filthy rich millionaire John Hammond (Richard Attenborough) is about to open a dinosaur theme park. He invites a couple of experts to satisfy his investors. During a preview tour things go awfully wrong.

While ‘Jurassic Park’ is too simplistic to be a perfect movie it is blockbuster cinema at its very best. Spielberg grabs you by the throat from the get go and you instantly know you’re in for quite a ride.
The story is simple but effective. Author Michael Crichton did his very best to make the cloning dinosaurs part plausible. When you have living giant meat-eaters in your amusement park it’s not hard to come up with something which causes things to go south so fast before you can say T-rex.

The movie works because it doesn’t take itself too seriously. The characters are somewhat underdeveloped but their main purpose is to serve as dino treats. The Ian Malcolm character (Jeff Goldblum) is of little use but he’s funny. Grumpy Dr. Grant (Sam Neill) is the perfect counterpart. You can’t help but root for these characters.

What makes the movie stand out are the ground-breaking special effects. Even to this day it’s remarkable what ILM and Stan Winston’s crew achieved. Although a 'Jaws' approach would have perhaps worked better (Love the shot of the T-rex’ leg in the mud) the dinos look so realistic.

What ‘Jurassic Park’ does have in common with 'Jaws' is John Williams’ score. Although not as ominous and iconic as 'Jaws', Williams went for wonderment this time around. Perhaps not regarded as his most famous work it’s amazing. When the experts travel to the island Williams’ score does indeed give you a sense of wonderment. The scene where the visitors first lay eyes on the dinosaurs is movie magic.

Rereleased for its 25th anniversary it’s safe to say we rarely have had more fun in the cinema than while watching 'Jurassic Park'.
This is my idea of a perfect movie. I mean, it's not perfect, perfect, but it's pretty close. To start off the score is just amazing and iconic and really drives the awe of this film. And these characters are developed so quickly but are also so good. All of the actors give fantastic performances. Sam Neill, Jeff Goldblum, Laura Dern, and Richard Attenborough give classic performances and even the supporting actors like Wayne Knight, Samuel L. Jackson, and especially Bob Peck as Muldoon. What really struck me this time I watched it was how the action really doesn't even start until halfway through the movie, and then from there the action is nonstop.

I think that since it was paced like this, it allows us to get attached to the characters which makes the action so much more impactful and suspenseful. And even with that first hour that is primarily dialogue, it's still so engaging since the script is tightly written, it has some compelling conversations on the control that humans have, is well shot, and has some humor that feels natural in the dialogue and is in character. The humor is never forced in situations that are tense unless it's expected form that character, like Ian Malcolm.

And then that second half... my God, it's so good. This isn't an action movie to me, it's a suspenseful thriller. There's no humans fighting dinosaurs, exploding cars and planes, and the action is used relatively sparingly. The CGI is also used sparingly and only when it is needed. Both the practical effects and CGI look great still. Speilberg really crafted amazing characters, tense scenes like with the Tyrannosaurus breakout and the Raptors in the kitchen, and iconic shots. This was my favorite movie as a kid because of the cool-looking dinosaurs, and is still one of my favorites because of it's insanely great characters and suspenseful scenes.



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Saturday, January 25, 2020

Oldboy 2003 Online Full HD Movies

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120 Minutes | Drama, Thriller, Mystery, Action | 2003-11-21


Oldboy


📥 Oldboy 2003
📥 DOWNLOAD HERE


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I’m sure that all of you can always spot a film with good acting, superb plot and great cinematography easily but when it comes to a thriller that possesses all those above quality, it would be such a rarity. OldBoy here, second installment from The Vengeance Trilogy directed by Park Chan-wook (Sympathy for Mr. Vengeance, OldBoy, Sympathy for Lady Vengeance) really have them all, good story, powerful acting and the most horrifying and clever end twist if not genius. In fact no matter how many times you see this, the twist would still be awesome. The theme of revenge here is taken to the next level, to its supremacy for it’s really carefully-planned. OldBoy has a mind-bending assortment of drama, thriller, romance and beautifully spiced up with sadistic plot, shocking elements, ultra violence and clever psychological twist. Imagine yourself captured, locked in a room for 15 years, not knowing why and who did it and when you finally escaped and thought it’s all over, you were wrong and here’s the punching line, the direct punch to your stomach. Min-sik Choi as Oh Dae su really acted well, he really got us carried away by dragging us into the mystery that surrounds his life, into the depression he’s been feeling and into the deep well of his curiosity. Once again, OldBoy is a way too remarkable, when “revenge” isn’t merely knife-chopping or gun-battling. Enough said.
This is definitely one of the films to see before you die. It's seat-squirmingly unsettling, shocking and very violent.

It's a journey into a truly disturbed mind; a mind, which - like yours will be - is unable to cope with what it discovers.

This film is brilliantly twisted. It has a thread of the most wonderful, blackest humour running through it, a sense of complete disorientation and enough plot twists and turns to sustain your interest.

Not one of the best revenge thrillers I've seen - simply THE best!



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The Battle of Algiers 1966 Movies Online Stream

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121 Minutes | Drama, War, History | 1966-09-08


The Battle of Algiers


📥 The Battle of Algiers 1966
📥 DOWNLOAD HERE





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The Lion King 1994 Full Movie Download

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89 Minutes | Family, Animation, Drama | 1994-06-23


The Lion King


📥 The Lion King 1994
📥 DOWNLOAD HERE



If you enjoy reading my reviews, please follow my blog :)

First of all, this is (obviously) a SPOILER review. I mean, who hasn’t seen this movie yet? If by some extraordinary circumstances you’re one of those unlucky souls, stop. Spend the next hour and a half watching this animated masterpiece and come back here. I will still avoid mentioning key details because I’m just used to it, and The Lion King has so many things to compliment that I don’t really need to get in-depth on spoilers. So, in case you haven’t notice it through my Twitter or occasional mentions in other reviews, The Lion King is one of my favorite films of all-time (animated or not)!

I rewatched it for the 312358th time this last weekend, and I cried more than when I was just a child. That’s how much this movie means to me. The sense of nostalgia plus the overwhelming emotions throughout the runtime are tear-inducing aspects that I can’t simply avoid. I literally cried (waterfalls) in four (!) different scenes. The opening sequence (Circle of Life) filled my eyes with nostalgia’s tears. Mufasa’s tragic moment obviously wrecked me (one of the most emotionally powerful scenes in the history of cinema). Simba receiving the whole “remember who you are” speech from Mufasa in the clouds is incredibly inspirational and therefore worthy of some sobbing. Finally, one of the last scenes, Simba climbing his way to the top of Pride Rock with Hans Zimmer‘s score, leaving me absolutely destroyed.

And I want to pick up on that last aspect: the score. It’s one of the most crucial technical features of a film, in my opinion. It can transform an “okay” scene into something magical or something pretty terrible, depending on what kind of score it is. Consequently, it can make a “good” movie turn into a “great” one. Hans Zimmer is one of my favorite composers ever. His soundtracks are always filled with such an epic vibe. Even if the film itself isn’t that good, his scores are still able to elevate it in some way. The Lion King is one of his most memorable scores due to how emotionally compelling it is, even in the subtlest moments.

During the stampede sequence, the score doesn’t lend you time to breathe. Its high rhythm and continuously growing music keep any viewer at the edge of the seat, waiting for it to be over. Then, when Simba descends and approaches his dad, the score is so subtle. Completely opposite to the previous sumptuous and grand sound. It’s that nuance plus the impact of the scene itself that make me cry. In the last scene that I mentioned above, it’s solely the score that brings in the chill-inducing tears. If Simba climbed Pride Rock with no soundtrack, it would just be a good ending. However, from the exact moment that the score fades in, it instantly turns that sequence into an epic finale. The slow-motion walk to the top, the immersive score, Simba’s roar … Damn it, I’m crying again!

The animation is some of Disney’s best. It’s not by chance that the Disney Renaissance Era (1989-1999), which was the return to form by Disney, has the best animation quality of its history, and a lot of the memorable movies that marked everyone’s childhood. Its expressiveness and ease to make animals emote elevates the story and its characters. There’s no need for any kind of dialogue when you can see how the characters are reacting and understand what they’re feeling. The wide shots are beautiful to look at and worthy of being anyone’s wallpaper even today.

The songs are remarkable and they influenced an entire generation. Can You Feel the Love Tonight, Circle of Life, Be Prepared, Hakuna Matata, … Every single song is someone’s favorite. The voice work is perfect. James Earl Jones gives such an outstanding vocal performance that even when discussing his career’s biggest role, Darth Vader isn’t the obvious choice. Jeremy Irons and his raspy voice elevate Scar as the villainous character. If you close your eyes and only hear every character’s voice, without having watched the film previously, you can easily identify who’s the “bad guy”, and that’s unbelievably good. Everyone else is amazing, but these two gentlemen are astonishing, and they deserve to be remembered forever as the voices of these iconic roles.

Nevertheless, in the end, the two pillars of every movie always matter the most: story and characters. The Lion King has an especially compelling screenplay, one that teaches its viewers how to handle loss, but also how to grow up and overcome our worst fears. It’s true that most people cry watching this film, but those same people are filled with joy by the end because they accompanied Simba’s journey. From being a reckless and innocent cub to becoming the king that everyone needed, while also making his father extremely proud. Even though it’s a very tragic movie, Timon and Pumbaa are two hilarious characters that keep bringing some sense of happiness by delivering some well-needed laughs. Their laid-back lifestyle is something that everyone desires, but when you have responsibilities, you can’t just hide from them. You must learn how to be what everyone needs you to be, without losing the essence of who you are.

It’s a masterpiece! It doesn’t matter if it’s an animated film. It doesn’t matter if it was “made for kids”. People need to stop looking at animated flicks as something juvenile that only children can watch while parents can do something else. If parents watched this kind of inspirational animated movies as well, maybe the world would be a better place. The Lion King is one of my favorite films of all-time, and it’s undeniably one of Disney’s best original movies. From the gorgeous animation to the beautiful score, from the emotionally compelling story to the life journey Simba goes through, from the chill-inducing tearful moments to the loud laughs … The Lion King is just perfect. Hopefully, its “live-action” remake will keep its essence and deliver these feelings once again.

Rating: A+



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