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97 Minutes | Drama | 2019-09-21
📥 Sister 2019
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139 Minutes | Drama | 1950-10-06
📥 All About Eve 1950
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This classic is a must with great dialogues and script with a great performance from Bette Davis.
Excellent performances by everyone, especially Bette Davis, Anne Baxter and George Sanders, which kept me captivated more so than the story, though the dialogue was amazing. Nothing fantastic all in all but still entertaining. **4.0/5**
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| Drama, Music | 2021-11-05
📥 Elvis 2021
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127 Minutes | Drama | 1997-12-05
📥 Good Will Hunting 1997
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Will Hunting, is a working class 20 year old mathematical genius, and yet chooses to shun a university education, preferring instead to be a janitor at Harvard university.
At a social level he is headstrong, arrogant, likes getting into fights as well as ending up in police cells for his regular anti-social behaviour.
Despite having friends, they are not shining beacons leading him into a better light. He is happy with his lot, shuns commitment and his best form of defence is attack both physically and verbally against those who want to impose their will on him for better or worse.
At the same university a professor of mathematics throws out a complex mathematical challenge to his students, asking them to complete the formula on a blackboard in the hall outside of his classroom. Will is cleaning floors one morning, comes across the blackboard and within seconds he has completed the formula before carrying on his duties while the professor wonders who it was!
It turns out Will was abused in his youth, and has moved on from one foster family to the next, but none of them were seemingly any better, and never reached out to his needs leaving him feeling bitter and angry.
A psychology professor (Robin Williams), spends various sessions with Will, and slowly, ever so slowly, Will begins to open up his darker side until both Will and the professor find a bond.
Make no mistake the premise is original but predictable. However, the acting performances are terrific, especially from Damon, whom I never really had much time for up until this film.
I was also impressed by the performance of Will's girlfriend, played by Minnie Driver. She soon fell in love with him, only to find that he never reciprocated and pushed her away just as had done to other people who tried to get too close to him in the past.
It is very much a feel-good film with a nice satisfying ending. It pulls at the heartstrings sometimes, but you just know everything will work out right in the end.
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103 Minutes | Comedy, Music, Romance | 1952-04-09
📥 Singin' in the Rain 1952
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Just a masterpiece mixing an interesting background story, great script with good humor, exceptional singers and dancers and a Gene Kelly that is just genial, well sided with Donald O'Connor and Debbie Reynolds.
A must to be seen.
I'm happy again!
Singing In The Rain is to me the greatest musical ever made, sure many others push it close, The Wizard Of Oz for one will always be a 10/10 movie in my opinion, but Singing In The Rain is a film that has no flaws, it is a perfect movie.
Don Lockwood is a star of silent movies but his life is boring, then talking movies arrive and with them he eyes an opportunity to greatly improve his life. A chance encounter with dancer Kathy Selden will further shape his destiny, and along with best pal and partner Cosmo Brown, their respective fortunes will hopefully dovetail towards fulfillment.
Where do you start? The film is a homage to happiness, be it film making or love, or friendships and honour, the film is pure and simply joyous from the first reel to the triumphant last shot. Featuring stunning choreography, Singing In The Rain doesn't cop out by merely having characters plodding thru a script and then bursting into song occasionally, each song furthers the characters and fleshes out the story unfolding to keep the plot lines tight and crucially, important.
Make 'Em Laugh, Good Morning, and Singing In The Rain are just some of the brilliant songs and dance routines on show here, with the latter a now legendary piece of cinematic history that speaks volumes for the joyous nature of the film, whilst the finale sequence of the 'Broadway Ballet' is magic & elegance personified. The cast are uniformly excellent, Gene Kelly, Donald O'Connor & Debbie Reynolds interplay together like they were hatched from the same egg, and the joint direction from Stanley Donen (along with Kelly) is seamless.
Full of hat tipping and self-referencing winks, Singing In The Rain regularly hits the top ten lists of critics and movie fans alike, so lets not beat around the bush about it...it flipping well deserves it. 10/10 in every respect.
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180 Minutes | Crime, Drama, Comedy | 2013-12-25
📥 The Wolf of Wall Street 2013
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The Wolf of Wall Street is so addicting to watch, that even with it's 3 hour long run time, you wont be surprised if you end up watching it four days in a row.
This is Scorsese letting loose and having fun, showing all of the debauchery (and man, is there a lot) in all of it's glory. There are orgies, sex, nudity, copious amounts of drug use, and it now holds the record for the most use of fuck in any film.
Leonardo DiCaprio gives a towering and hilarious performance as Jordan Belfort. He throws himself into the role with free abandon, while also showing that he's aces when it comes to comic timing and physical comedy. If he doesn't win an Oscar this season I'll be quite upset, though Matt from Dallas Buyers Club rightfully deserves it as well. But this is a 3 hour long film, and Leo is in every single second of every single scene. He's ferocious, hilarious, out of his mind, and flat out brilliant.
The supporting players are tops as well. I was somewhat baffled when Jonah Hill earned a nominee for Moneyball, but this time around he rightfully deserves this years nominations. With his pearly white teeth, charisma, while also throwing himself into the role with no fear, this is without a doubt his greatest work as an actor to date. The real find, however, is Margot Robbie. Strikingly beautiful, her character could have been one note, but she also hits the ball out of the court. Even Matthew Macconaughey steals the show with only one scene.
Dangerously funny, superbly edited, and with a delicious, irreverent, savage bite. The Wolf of Wall Street is Scorsese at his wildest. And it goes without saying, that this is one of the best films of last year. Just stay away if you are in any way a prude or conservative.
Rated R- Graphic nudity, strong sexual content, drug use throughout, pervasive language, and some violence.
An excessive movie in all possible senses with breath taking Margot Robbie and Jonah Hill which is not long in spite of its 3h length but which ends not knowing exactly which is the point of the story.
**Voracious Bull**
Every time I try to enjoy a Martin Scorcese movie post-1980 I ask myself what made _Raging Bull_ so great? Did Marty burn out after his Jake LaMotta bio, the same way Coppola did after _Apocalypse Now_? These were risky movies, driven by passion, bordering on madness. Did Marty and Francis lose their natural passion for making films because industry priorities dismissed 70's-style hyper-realism for sensational summer blockbusters and CGI spectacles? And why is Scorcese considered one of the greatest director when he really only made one truly superb movie?
When I first saw _Raging Bull_ in 1980 I immediately knew I was watching something that transcended the typical cinematic experience. Genius was shimmering out of every perforated frame flickering on the screen. Paul, Marty, Bobby, Mike and Thelma created something that was completely absorbing. The style and substance was perfectly fueled by a flawless emotional narrative. Every element was orchestrated just right. The audience was spellbound. We were watching greatness. A rare and unique organic creation. I'm still waiting for Robert Redford to correct a travesty of justice and hand his Ocscar over to it's rightful owner. And I'm still waiting for Scorcese to match his own brilliance. But that's like expecting Tarantino to top _Pulp Fiction_. There's a better chance Orson Welles rises up from the dead to one up _Citizen Kane_.
After _Raging Bull_, Scorcese has made a string of pictures ranging from not bad to pretty good. All well-made, thoughtful and meticulously crafted films, but nothing special; certainly nothing profound. Contrary to popular opinion, _Goodfellas_ is not a great movie. I was not swept away by the saga. I was annoyed rather by the fragmented non-stop soundtrack and incessant up-tempo style. Marty wasn't risking anything anymore. He seemed to be afraid of boring the audience. Perhaps he was trying to revive the 1940's never-let-up screwball-bouncing farcical Preston Sturges and co. comedies. But this is a mafia film. This should have been right up Marty's alley. It's been almost a quarter of a century since De Niro got his face busted in a boxing ring. Since the raw, robust and naive will-power of LaMotta's youth plunged into the pathetic, brutal, bone-headed stupidity of his later years. Similarly, Scorsese hasn't registered a knock-out punch since. Would his ensuing movies be considered great if someone else directed them? Would I have liked them all better if Raging Bull had never been made?
_The Wolf of Wall Street_ is another exhausting affair. It tries too hard to excite and entertain us. It's afraid of slowing down, allowing us to ponder or examine the complexities of excessive greed, shameless wealth and unbridled capitalism. It desperately wants to arouse us. Like a neglected clown at a child's birthday trying to be loved and taken seriously while draining the life out of the party. Give Leo and Jonah an "A" for effort. They couldn't have tried harder if they broke out into song and dance every ten minutes. And they convincingly appeared to enjoy themselves freely indulging in coke, ludes and naked women every five minutes. It was nice of Leo to step back while Margot Robbie took her routine and obligatory, supporting-actress hissy fit. And you know a filmmaker has a lot of faith and confidence in his work when a superfluous narration track is added, to plug those terrifying noiseless gaps. Whatever happened to poignant, suspenseful, sure-footed, gripping, emotionally-arresting dramas that take you on a nervy, wild ride to a thoroughly gratifying climax? A truly great director from Kurosowa to, well, Scorcese-(circa 1979) would have plotted the rise and fall of a maniacal protagonist along deeper and more affecting lines even at the risk boring its audience for one minute.
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95 Minutes | Adventure, Comedy, Drama | 1925-07-12
📥 The Gold Rush 1925
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