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Tuesday, April 21, 2020

Stand by Me 1986 Full Movie Download

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89 Minutes | Crime, Drama | 1986-08-08


Stand by Me


📥 Stand by Me 1986
📥 DOWNLOAD HERE



My all-time favourite movie! Like Gordie, I was a shy, sensitive boy, who was (and am) a writer, and I've been told by so many people I have a talent for it. Also, I've had many friends like Chris, being tough on the outside, while sweet on the inside, and I've known people like Vern, Teddy and Denny too :) Beautiful music, acting and truth about growing up, as relevant today as it was in the 80s/50s :)



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Monday, April 20, 2020

La route du soleil 2019 Online Full HD Movies

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59 Minutes | | 2019-11-10


La route du soleil


📥 La route du soleil 2019
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The Turning 2020 Online Full HD Movies

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94 Minutes | Horror, Thriller | 2020-01-23


The Turning


📥 The Turning 2020
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I... am... in shock. The Turning had tons of development issues, switching directors (Juan Carlos Fresnadillo was the first choice), cast, producers (Steven Spielberg was once responsible for the project), and who knows what else. It's yet another adaptation of the famous ghost story, Turn of the Screw by Henry James, so it was always going to be a challenging task to bring a horror flick with something unique that the others didn't possess. After so many changes, the film finally decided on Mackenzie Davis as the adult protagonist, and Finn Wolfhard and Brooklynn Prince as the young kids.

They replaced everything and everyone, except the people who are behind the main reason why this movie fails so miserably: the screenwriters. With all due respect to the Hayes brothers, but this is the worst kind of a bad film. It doesn't have a single redeemable quality about it. It's a movie about... nothing! It has no message, no purpose, no structure, and last but not least: there's no ending. I'm not joking, The Turning doesn't have an ending. It's like someone abruptly shouts "roll credits" way before any sort of payoff is delivered.

The whole film is a collection of repetitive, dull scenes that only vary in location. Scareless and predictable jump scare sequences spread throughout the entire runtime with no meaning or objective underneath. Close to ninety minutes of build-up to utterly nothing. This isn't one of those cases where the ending is just ambiguous, and people can interpret it in several ways. As baffling as it might sound, this monotonous, cliche, boring horror movie doesn't possess an ending. I have to repeat it, so you actually believe what I'm writing.

Even if I simply ignore that last (nonexistent) act, the rest of the film is still awful. As the viewer, knowing more than the main character about what's happening or what's about to unravel is almost always a lousy aspect concerning the horror genre. Not only there's a lack of a scary or eerie environment, but the narrative raises dozens of logical questions that eventually get no answer. The movie actually starts reasonably okay, it got me slightly invested in Davis' character, but it quickly becomes one of the most yawning-inducing experiences I've had this year.

Usually, I can turn to the acting to help me get through the hardest portions of the film. However, Mackenzie Davis (who I liked a lot in Terminator: Dark Fate) gradually starts to become uninteresting, and Finn Wolfhard delivers the worst performance I've ever seen from him. Brooklynn Prince is good for her age, but she's still a 9-year-old kid, so... you know. Barbara Marten is probably the best as Mrs. Grose, but just like the movie itself, she has no real impact on anything. Technically, the score is weird, and instead of elevating the scary sequences, it turns them into a rock concert. The editing also lacks consistency.

Honestly, I thought that Fantasy Island was a safe bet for the "Worst Movie of 2020" prize, but The Turning just entered the race. As logically absurd as the former might be, at least it has an ending. It's a ridiculous one, but it's, in fact, an ending. The latter not only lacks a payoff to the ninety minutes of build-up, but it has absolutely no redeeming quality. Describing a film in a one-word sentence was never this easy: "nothing". It's a movie about nothing! No meaning, no message, no purpose, no logical sense. An extremely boring journey through a mansion with predictable jump scares, an awkward score, and disappointing acting. It's an emotionless story packed with unanswered questions, and no, it's not one of those "ambiguous narrative" cases. I definitely don't recommend it, unless you desire that frustration of watching an incomplete film.

Rating: F



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The Dark Knight Rises 2012 Full Movie Download

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165 Minutes | Action, Crime, Drama, Thriller | 2012-07-16


The Dark Knight Rises


📥 The Dark Knight Rises 2012
📥 DOWNLOAD HERE



I felt like this was a tremendous end to Nolan's Batman trilogy. The Dark Knight Rises may very well have been the weakest of all 3 films but when you're talking about a scale of this magnitude, it still makes this one of the best movies I've seen in the past few years.

I expected a little more _Batman_ than we got (especially with a runtime of 2:45) but while the story around the fall of Bruce Wayne and Gotham City was good I didn't find it amazing. This might be in fact, one of my only criticisms—it was a long movie but still, maybe too short for the story I felt was really being told. I feel confident in saying this big of a story could have been split into two movies.

The acting, editing, pacing, soundtrack and overall theme were the same 'as-close-to-perfect' as ever with any of Christopher Nolan's other films. Man does this guy know how to make a movie!

You don't have to be a Batman fan to enjoy these movies and I hope any of you who feel this way re-consider. These 3 movies are without a doubt in my mind, the finest display of comic mythology ever told on the big screen. They are damn near perfect.
I personally thought this film is on par if not better than the Dark Knight.

Whilst some think the film is too long for the story I didn't find this. The length of the film is longer than some (but doesn't feel it), I liked that the film took it's time rather than shoving more elements in it - I think this contributed to the dramatic ending (much like a classical piece of music will be relaxed and calm before the final crescendo).

At the end of the day whether you like this film will boil down to if you like films Christopher Nolan has directed and/or you like the Christopher Nolan Batman series so far.

Stupendously good film in my opinion.
The Dark Knight Rises is one of the best movies to come out in 2012. The story compels you to watch it time and time again. It also has I of, I my opinion, the best bad guys in any movie, Bane! Batman was well played as all ways and the cast where well selected. I think this movie is the best batman to see the light of day or the darkest nights (pun intended).
No doubt that the movie is one of the best movies of this era.
The film doesn't lack in whatever it try to do.It has Simple narration with extraordinary Direction,Acting,Music,Cinematography and a lot of qualities.
Christian Bale is supremely entertaining for sure.
The person behind the scenes is actually the real core creater of the film yes! The Director Christopher Nolan ❤ .
The film ofcorse completes with philosophical quality loaded with Lots of Sacrifices.
This one is the one you surely can't afford to miss.
Go watch The Dark Knight.Go now.
While it's clearly not as superlative as its famous predecessor, it's simply because of both Heath Ledger's outstanding and Oscar-winning performance, and the character of the Joker's etching in our collective unconscious as the greatest comic-book villain ever created (with Lex Luthor a very distant second place). This is still a masterwork, and is an excellent coda to the finest filmic trilogy ever made. As great as Christopher Nolan is as a director, and as fine a film as 'Interstellar' is, I really don't know if he'll ever be able to top his work here, on these three films. But I, for one, am certainly looking forward to finding out...
So here we have it. The end of a trilogy, the end of an era of the universe of Batman through the eyes of Christopher Nolan. And baby, it goes out with a bang...

Going into the theatre tonight I actually wasn't sure what I was up for. I loved Batman Begins, but I didn't actually care that much for The Dark Knight. So the big question was, will TDKR actually be more like the first or the second film? The answer is: neither.

This third instalment of the Nolan-franchise carries its weight all on its own merits. Despite the lack of any kind of intro or opening credits, there actually is plenty of build-up (partly thanks to the insane opening scene). The foundation for a proper, action-packed story is laid down perfectly, explaining things just enough whilst keeping the viewer intrigued to find out more. But if you thought that Nolan couldn't surpass his previous work, you will be pleasantly deceived.

Christian Bale as Batman is terrific. Never before was a superhero so human, so vulnerable. As his mask of intangibility and anonymity slowly starts to crumble, this is a man who questions his reasons to keep being who he is, and he must figure it out before it is too late. Because somebody’s preparing to take him and Gotham down, and he might just be too strong for the Batman...

This somebody is a character called Bane. As a character, an actor and a performance it must be incredibly hard to follow Heath Ledger's The Joker, which was easily one of the greatest villains to ever appear on the silver screen. But tonight, Tom Hardy took a swing for the fence... and made it. His performance is thrilling and actually frightening, in the sense that you don't just *know* you're supposed to be afraid of this character, you actually FEEL it. He instils a feeling of horror and discomfort that is not rivalled by many other film villains. What I actually liked about his character the most is the fact that unlike Scarecrow, who grew into being a villain, and the Joker, who was just a raving maniac, Bane was actually (literally) born from evil. Born in hell, as it is said in the film. This is not a man, this is a creature. A living, breathing manifestation of evil that cannot be reasoned or negotiated with. Hardy's performance is masterful. Since his creepy mask is never removed, he, like only a few actors before him, must act without the use of any facial expressions, making his voice is main tool. His manner of speech (and the sound of it through his mask) is enough to send chills down your spine. This is more than just a another villain from a superhero flick, this is a character that just got torpedoed into the top 10 of the greatest antagonists in the history of film. Now I realise that's a bold statement to make, but you just go and watch TDKR and prove me wrong.

I would say a slight downside to this film is the overflow of characters, both new and old. Aside from the already familiar characters, three new major ones are introduced. And there are also many characters running along in the margin which may seem not important enough to pay attention to, but actually they are so you need to stay focused.

I understand the character of Joseph Gordon-Levitt, Blake, was written in specifically for him because Nolan wanted him in it. And although as a character he works just fine, it does feel like it was at the expense of Gary Oldman. As a cop, Levitt does everything that Oldman's character could've done, but he spends most of his screen time in the hospital, almost like they wanted to get him out of the way, and that's really too bad.

Now, I was extremely excited to see what Nolan had done with Catwoman, because she is one of my favourite film characters. When I heard that she would be played by Anne Hathaway, I had my doubts. I thought she was just way too sweet to pull this off. But I must say, Ms Hathaway did a pretty good job. She is actually much more sly and devious than I thought she could be. The Nolan brothers, on the other hand, disappointed me here. Catwoman isn't really Catwoman, she's just a sexy girl in a spandex suit who can kick your ass. Her movements aren't even typically cat-like... So that was a bit of a letdown.

I would also like to make a note on Michael Caine. I think his performance here was so much deeper and more character-driven than the other two films. In fact, there is one scene in particular, where he confesses something to Bruce, that almost moved me to tears. And this is actually TDKR’s greatest strength; unlike the other two films, this one deals much more with actual human emotions, it gives us an insight into what actually drives these characters, both heroes and villains alike.

As much as I would love to, the word-limit restricts me from elaborating more on the characters, so I'll just move on to the technical stuff. And in that department, actually pretty much everything was perfect. The pacing was very well balanced, and during those 2 ½ hours I didn't get bored once. Great action scenes alternate with more quiet moments, and the special effects are absolutely awesome. Hans Zimmer once again delivered a terrific score and there was some high quality dialogue. Also in store: a couple of great plot twists and two very cool cameos... There are a few plot holes, but everything else easily makes up for it.

I highly recommend The Dark Knight Rises. It is a worthy conclusion to the trilogy, and it far exceeded my expectations.
_(July 2012)_
Batman was one of my childhood heroes from the Comic magazines even though the Swedish plonkers, in their infinite stupidity, had renamed him to something as ridiculous “Läderlappen” which basically translates into “patch of leather”.

Thus, when Christopher Nolan brought us Batman Begins and steered away from the ridiculous comic shows that the previous batman movies (except the first one) had turned into I was thrilled. Unfortunately I was equally disappointed with this one.

I think the title of the movie is quite misleading since Batman isn’t exactly rising at all but rather sinking. If this would have been a movie about some other “guy” it would probably have been excellent but it isn’t. It’s about Batman and as such I had expected him to be the hero going around beating up the bad guys.

Instead the movie starts downright boring with Batman having dug himself down into a swamp of melancholy and closed himself off from the world. When he finally starts to appear again he gets pretty much beaten at every turn not to mention conned out of the Wayne fortune. What the f… is that? It isn’t until the end that he starts to be the real Batman and even then it’s not very exciting.

Actually Batman, as in Batman and not Wayne, is not really in the movie for a good chunk of the time and the real hero in this movie is really the young cop and he sure isn’t a particularly good substitute for the superhero Batman that I was expecting to watch.

I was struggling with what to give this movie but in the end, since I probably would have thought it to be a good movie if it had not been labelled as a Batman movie, I gave it 5 out 10 stars. At least the special effects where quite okay.



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Gretel & Hansel 2020 Movies Online Free Websites

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87 Minutes | Horror, Fantasy, Thriller | 2020-01-30


Gretel & Hansel


📥 Gretel & Hansel 2020
📥 DOWNLOAD HERE



If you enjoy reading my Spoiler-Free reviews, please follow my blog @
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As surprising (and shameful) as it might be, I didn't know the original tale of which the film is based on. Maybe I just couldn't remember because once I learned the story, it did seem familiar. Either way, not knowing anything before-hand is my favorite way of "preparing" myself to watch a movie. I was moderately interested in this horror take of Gretel & Hansel, and I was genuinely excited to see Sophia Lillis as the lead actress. I feel very divided about it. It's a super captivating film production-wise, but it lacks some emotionally compelling storytelling, especially in the last third of the narrative.

First of all, Sophia Lillis is excellent as Gretel. I really enjoyed her performances in It and It: Chapter Two, and I knew she had something special. It was a matter of time until she got the right role at the right movie, and Oz Perkins can thank her for carrying most of the story on her shoulders. With a well-balanced display, Lillis beautifully incorporates Gretel's persona, offering a good range of emotions, and proving that she has a future under horror projects.

Gretel's love for her brother is demonstrated both through affection and cold interactions, making their relationship feel less fairytale and more realistic. Sam Leakey is a pleasant surprise as Hansel, considering this is his acting debut. While it's noticeable that he's still green, he didn't annoy me at all, and he actually delivered a couple of great lines. Alice Krige offers a cliche yet weirdly captivating performance as the evil witch.

Nevertheless, it's through its beautiful visuals and addictive original score (very 80s-like) that Gretel & Hansel got me invested until the end. Its production and set design create such an immersive environment, and its score (Robin Coudert) elevates basically every single scene. Galo Olivares' cinematography features an unusual style, but one that easily generates tension and suspense. Technically, it's honestly a fantastic surprise, I was not expecting such a high-level film in these regards.

However, it all comes down to the two main components of every movie: screenplay and characters. Even if Gretel is well-developed, the other characters could have received a bit of more care. The screenplay is the main issue, though. It starts with narration and heavy exposition. Something that takes too much out of the runtime, and it seems partially unnecessary since some of the information is somewhat repeated later on. It also spoils (well, it heavily hints) the connecting dots to the second half's mystery, turning that half too predictable and, to be completely honest, a tad boring.

The ending is also underwhelming. By not being able to properly close the narrative, the feeling of disappointment is tricky to avoid. It's one of those films that will definitely divide critics and audiences all around the world. The first group still has the technical aspects that can captivate anyone until the very end. However, audiences simply want to be entertained, and the purposefully slow pacing won't help, so I do understand if this group has an adverse reaction to this adaptation.

All in all, Gretel & Hansel is a pretty uncommon horror flick. It possesses technical features worthy of the very best movies of the same genre, but its screenplay lacks creativity and overall quality. A predictable narrative with slow pacing is (almost?) never a good attribute. Nevertheless, Sophia Lillis is an outstanding lead, giving a great performance. Galo Olivares' cinematography is pretty unique, the production and set design make the whole environment very immersive, but it's the addictive score from Robin Coudert that steals the spotlight. Oz Perkins shows excellent directing skills, but a less appealing second half with a disappointing third act doesn't let this film reach its true potential.

Rating: C+



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Sunday, April 19, 2020

Fatima 2020 Movies Online Free Websites

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113 Minutes | Drama, Family | 2020-08-13


Fatima


📥 Fatima 2020
📥 DOWNLOAD HERE





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Dial M for Murder 1954 Movies Online Free Websites

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105 Minutes | Crime, Thriller | 1954-05-29


Dial M for Murder


📥 Dial M for Murder 1954
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I used to consider this second-tier Hitchcock, but a re-watch proved to me just how excellent the script and directing were, as well as how stellar and underrated both Grace Kelly and Ray Milland tend to be, at least presently, three generations after the fact. The suspense is tied tighter than the proverbial drum.

Needless to say, to this day, I never keep scissors on top of my desk anymore...
No, I'm afraid my murders would be something like my bridge: I'd make some stupid mistake and never realize it until I found everybody was looking at me.

Middle tier Hitchcock it may be, by his own admission, but it's still one of the finest mystery thrillers around. Ray Milland plays Tony Wendice, a former tennis player married to Grace Kelly's Margot, who is the source of his wealth. Fearing his lifestyle is about to come to an end due to her dalliances with American mystery writer, Mark Halliday (Robert Cummins), Tony hatches a plan to have her murdered by an old acquaintance whom he has over a barrel with blackmail. However, the plan backfires and a whole new strategy is needed to save Tony from suspicion.

Based on the popular and successful play by Frederick Knott (who adapts for the screenplay here), Dial M For Murder was a film Hitchcock had little time for. In fact, having already started work on Rear Window, Hitch treated Dial M For Murder as a jobbing assignment. His mood was further darkened by Jack Warner's insistence that the film be shot in 3D, with all the camera restraints that such a production brings. Perhaps unsurprisingly though, the restraints and general mood of the director brought about very pleasing results. Choosing to go for a claustrophobic single set shoot, Hitchcock resisted the urge to launch things around for 3D effects, instead he used the process to highlight props and angles of the Wendice home. His use of colours here first rate, particularly around his new found favourite actress, Grace Kelly.

Having never seen the 3D version (who has I wonder?) I can't say what impact, if any, the gimmick had. But regardless of Hitch's grumblings and general disdain towards the film, he rose to the challenge by challenging himself and actually produced a fine and technically sound picture. Ray Milland is icy cold yet debonair, while John Williams as Chief Inspector Hubbard strides in and walks off with the film. Kelly is adequate enough, it's her least effective turn for Hitch, so early in her career, she was a bit free with her physical love on the set (source "A Life in Darkness and Light"), but this highly appealed to (and amused) Hitch and he of course would use her for better rewards post this production. Sadly Cummings is awfully bland and threatens to lose the film momentum when things start to spice up in the last quarter.

Hugely entertaining picture though, one that is ripe with characterisations and of much interest to Hitchcock purists in how he works around the 3D format for his own filmic senses, Dial M For Murder holds up well today as a disquieting mystery thriller. 8/10

Just with a glance at the cast list and the knowledge that it's directed by the legendary film-making genius Alfred Hitchcock, you know it's going to be good. This taut, nicely-done thriller was originally filmed in 3D, though I wouldn't say it's any less effective when viewed normally. Ray Milland and Grace Kelly are both very accomplished actors, and are very enjoyable here. Watch for John Williams as Inspector Hubbard from Scotland Yard; he's like a British Columbo! The story moves along at a good clip, with interesting dialogue and good twists. Watch out for that lethal pair of scissors!
While this is not one of the most popular Alfred Hitchcock films out there, it is still brilliant.

You can immediately recognise this film has Sir Alfred Hitchcock’s signature on it from the way the film is shot and its story is told.

I did not know anything about the film before I started watching it and I am glad I did it. There were plenty of surprises to see me going to the end of the film.

Would I watch it again? Possibly. Would I make my friends watch it? Definitely.



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