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| Drama, Science Fiction | 2021-04-16
📥 BIOS 2021
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106 Minutes | Drama, Crime, Thriller | 1995-07-19
📥 The Usual Suspects 1995
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Great movie with superb performance from Kevin Spacey, well accompanied with the rest of the cast.
Keaton always said, "I don't believe in God, but I'm afraid of him." Well I believe in God, and the only thing that scares me is Keyser Soze.
The Usual Suspects is directed by Bryan Singer and written by Christopher McQuarrie. It stars Gabriel Byrne, Kevin Spacey, Kevin Pollack, Stephen Baldwin, Benicio Del Toro, Chazz Palminteri, Pete Postlethwaite, Giancarlo Esposito and Dan Hedaya. Music is by John Ottman and cinematography by Newton Thomas Sigel.
Held in an L.A. interrogation room, Verbal Kint (Spacey) attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors.
It sort of sidled into movie theatres in 1995 with no fanfare or heralded notices. Yet it wasn't long before word of mouth got around that The Usual Suspects might actually be the must see film of the year. Fledgeling director and writer - Singer and McQuarrie - produce a masterclass of crime/mystery/noir plotting in a whirl of intricate plot shifts and deft sleights of hand.
The core essence of the story is simple, just who is Keyser Soze? His reputation is one of utter fear, he may even be the devil himself. What transpires throughout the film is a number of scenes told in flashback form and narrated by Kint as the cops put the heat on him.
We are introduced to the five criminals who make up the suspects of the title, where dialogue pings with machismo laced humour. The addition of Postlethwaite's Kobayashi character, one of Soze's harbinger's of doom, further ups the ante of the story's deliciously corkscrew intrigue.
It all builds to a climax that - has you pondering just what you have watched previously. Yet here's the key as to why the pic still holds up on repeat viewings, we have been outsmarted, for as we dive in and enjoy the across the board great perfs, we have been privy to something that will stand the test of time for the genre it sits in. The repeat viewings factor still, some decades later, is as strong as ever.
The advent of time and home format releases etc have only improved the pic's own mythical status. Behind the scenes egos and dislikes on set only add further strength to the characterisations, as does one main man thinking he himself must be Soze when in fact he was way off. There's a trail of clues in the film that will reveal who Soze is - who knew!? - and on it goes. The Usual Suspects is the filmic gift that keeps on giving. 10/10
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110 Minutes | Drama, Thriller | 1961-04-25
📥 Yojimbo 1961
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Great movie!
Akira Kurosawa is just a master movie maker.
Akira Kurosawa's 1961 film YOJIMBO is a Japanese period drama where wily strategy is worth just as much as prowess with a sword. In the late Edo era (some decades before its end in 1868) a community is plagued by two opposing gangs who have built up a criminal empire of prostitution and gambling. Even the local officials are on the take. Into this town steps a nameless samurai (Toshiro Mifune). Once they get a taste of his swordsmanship, both sides want to hire him, but he decides to play them off against each other and free the innocent citizens from this evil.
In past films Kurosawa had taken advantage of Mifune's ability to produce exaggerated facial expressions of laughter and fear. Here, however, the nameless samurai is completely unflappable, while it is the criminal bosses and corrupt officials who play the clowns. Ikio Sawamura is a town constable constantly toadying to the gangsters, for example, while Isuzu Yamada gives a memorably sassy performance as the madame of a brothel. In what would become a convention of the Japanese period drama, the numerous henchmen in the gangs were apparently chosen from the most grotesque men that Kurosawa could find (each furthermore has distinctively ratty attire), and one thug is played by an actor suffering from gigantism.
That darkly comedic drama between the characters coexists with brutal violence. Yet, while audiences may have been shocked in 1961 by the samurai dispatching his opponents with realistic slashing sound effects and a hacked off limb, there are only a handful of fights here, and they are all over in a flash. (Indeed, one of the most striking aspects of Mifune's acting is his speed in executing the sword moves.) While Kurosawa delights in gangsters getting their comeuppance, he doesn't revel in gore.
Much has been said about how this Japanese film would inspire Westerns made in America and Europe (Sergio Leone's A FISTFUL OF DOLLARS was a straight-up remake). However, the film is also interesting for how it draws so much on influences from the West. Kurosawa's inspiration was an American crime caper by Dashiell Hammett, the samurai’s walk down the main street is drawn from the Westerns of John Ford and others, the soundtrack mixes Japanese music with Western instruments such as harpsichord, and Tatsuya Nakadai's pretty-boy looks are clearly modeled on Hollywood.
All in all, I was very impressed by this film. Everything here – from the script and aspect to little things like the wind and dust and the little decorations on the set – seems the result of great effort and talent, all coming together to impress the viewer. And like Kurosawa's RASHOMON, it stays fresh even as its elements have been repeatedly reused by other film and television productions for half a century now.
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| Animation, Adventure, Comedy, Family, Science Fiction | 2020-10-14
📥 Connected 2020
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124 Minutes | Drama | 2019-10-31
📥 Vitalina Varela 2019
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103 Minutes | Documentary | 2018-12-07
📥 Be Natural: The Untold Story of Alice Guy-Blaché 2018
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99 Minutes | Drama, Romance | 2000-05-22
📥 In the Mood for Love 2000
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