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Wednesday, April 29, 2020

The Lord of the Rings: The Two Towers 2002 Movies Online Stream

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179 Minutes | Adventure, Fantasy, Action | 2002-12-18


The Lord of the Rings: The Two Towers


📥 The Lord of the Rings: The Two Towers 2002
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Peter Jackson has always maintained that The Two Towers is "the second act" of his epic undertaking, and perhaps the true greatness of the middle chapter will only be clear when viewed in context. As a stand-alone film, however, The Two Towers is not quite as good as Fellowship. (Nor, indeed, does it extend the universe or deepen the relationships in the manner of The Empire Strikes Back.) That it still merits the full five stars is merely an indication of how high the benchmark has been set.

Picking up pretty much where Fellowship left off, this is a considerably darker film, with Frodo (Wood) falling further under the influence of the Ring (giving rise to some seriously spooky hallucinations), while Saruman (Christopher Lee) wreaks even more havoc. There's also the first appearance of Saruman's spy, the sinister Wormtongue (Brad Dourif), and the complex Gollum, a brilliant combination of computer trickery and raspy vocals from Andy Serkis (the campaign for a Best Supporting Actor Oscar starts here).

Other newcomers include Faramir (David Wenham), the understandably miffed brother of the recently deceased Boromir, and Éowyn (Miranda Otto), who spends much of her time casting winsome glances in the general direction of Aragorn (Mortensen). Eventually the plot complexities become more coherent, setting the action up for the forthcoming finale, The Return Of The King.

As we've come to expect, this is spectacular stuff - from an opening which sees Frodo troubled by dreams about the demise of Gandalf, through to the climactic Battle Of Helm's Deep, which is nothing short of breathtaking. But Jackson cleverly tempers the louder, brasher sequences with some heartstring-tugging moments - peasants despondent as they are forced to abandon their villages, Aragorn and Arwen's troubled relationship, and, of course, the return of Gandalf (Sir Ian McKellen, superb as ever), one of the film's most powerful, memorable images that may well leave Ring devotees a little misty-eyed.

However, those who still believe that the trilogy is beyond criticism may find their views challenged by The Two Towers. It's just as long as the first film, but gets the heroes no closer to a final victory. And, where the first movie developed its emotional tone from the brightness of The Shire to a darker climax, the sequel is more of a one-note affair, shadowy in both look and content.

This is particularly true of the Ringbearer's quest, which adds the not-insignifcant Gollum to the party, but suffers more than the other story strands from the cross-cutting and finishes with a nearly identical pep talk from Sam to the tearful speech that climaxed Fellowship. Of course, given the nature of the material, and Jackson's desire to be faithful, this is all understandable. And by the time we all end up under siege at Helm's Deep, it's unlikely anyone will give a toss about narrative arcs: like Gollum, this is simply gob-smacking, mind-blowing, never-seen-before stuff.


Verdict - It may lack the first-view-thrill and natural dramatic shape of Fellowship, but this is both funnier and darker than the first film, and certainly more action-packed. An essential component of what is now destined to be among the best film franchises of all time.

5/5

- Caroline Westbrook, Empire Magazine
That Damned Ring.

RELEASED IN 2002 and directed by Peter Jackson, “The Lord of the Rings: The Two Towers” adapts the second part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth. The surviving ‘Fellowship’ of the first film has been divided into three small groups for this one: The Hobbits Frodo and Sam (Elijah Wood and Sean Astin) team-up with the mad Gollum (Andy Serkis) to make their way to Mordor, but are captured by Faramir (David Wenham), the brother of the deceased Boromir. Aragorn (Viggo Mortensen), Legolas the Elf (Orlando Bloom) and Gimli the Dwarf (John Rhys-Davies) encounter the once-great King Theoden (Bernard Hill), who has fallen under the spell of Saruman (Christopher Lee) via his devious minion Grima Wormtongue (Brad Dourif). Meanwhile the Hobbits Pippin and Merry (Billy Boyd and Dominic Monaghan) try to enlist the help of huge tree creatures. Gandalf is also on hand (Ian McKellen). These story threads culminate in the great Battle at Helms Deep in the third hour.

This three-hour fantasy/adventure starts out more engaging than the first film, which was laden by its overlong, convoluted and (for the most part) unnecessary prologue. Like that movie, the characters are colorful, the tale is imaginative, there’s a lot of brutal action rounded out by quieter moments and everything LOOKS and SOUNDS great. Unfortunately, after the first act, Jackson opts for CGI porn (excessive use of CGI with the corresponding dizzying visual effects). The first film did this too, but this one ups the ante and so there’s not as much spectacular New Zealand cinematography (i.e. real forests, mountains, rivers, etc.). If cartoony CGI is your thang then you’ll likely appreciate this installment more than me.

There are other problems: While the characters are imaginative, they’re also shallow and rather dull, at least for mature people who require more depth to maintain their interest. Also, the wide-spanning (meandering) story with numerous characters and hard-to-remember names tends to be disengaging. I was never much captivated by the characters and their causes, although uber-fans of Tolkien might be.

Another problem is the lack of prominent female protagonists. We have Miranda Otto as Éowyn, Théoden's niece, who falls in love with the noble Aragorn and that’s about it, except for cameos by Liv Tyler as Arwen and Cate Blanchett as Galadriel. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $94 million it cost to make this blockbuster and the filmmakers knew enough to include a couple of prominent babes as key protagonists in the story.

Despite these negatives, “The Two Towers” was an ultra-ambitious undertaking and is a must for fantasy/adventure aficionados who liked the first movie.

THE MOVIE RUNS 2 hours 59 minutes and was shot in New Zealand.

GRADE: B-/C+



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I Still Believe 2020 Movies Online Free Websites

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115 Minutes | Drama, Music | 2020-03-12


I Still Believe


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I loved this movie very touching and beautifully done I must warn you it is a tear jerker you will need tissues!!
'I Still Believe' is just another forgettable romantic film, and thankfully it's also forgettable in the religious film genre. It has a tonne of issues from pacing to story, but it's just a boring film that is unappealing to all the demographics it tries to hit. It's so forgettable that I just remembered Shania Twain plays KJ Apa's Mum. 2020 truly has been a ride.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-i-still-believe-faith-romantic-drama-misses-every-demographic



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The Woman Who Ran 2020 Full Movie Download

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77 Minutes | Drama | 2020-09-17


The Woman Who Ran


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Monday, April 27, 2020

BIOS 2021 Movies Online Stream

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| Drama, Science Fiction | 2021-04-16


BIOS


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Sunday, April 26, 2020

The Usual Suspects 1995 Movies Online Stream

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106 Minutes | Drama, Crime, Thriller | 1995-07-19


The Usual Suspects


📥 The Usual Suspects 1995
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Great movie with superb performance from Kevin Spacey, well accompanied with the rest of the cast.
Keaton always said, "I don't believe in God, but I'm afraid of him." Well I believe in God, and the only thing that scares me is Keyser Soze.

The Usual Suspects is directed by Bryan Singer and written by Christopher McQuarrie. It stars Gabriel Byrne, Kevin Spacey, Kevin Pollack, Stephen Baldwin, Benicio Del Toro, Chazz Palminteri, Pete Postlethwaite, Giancarlo Esposito and Dan Hedaya. Music is by John Ottman and cinematography by Newton Thomas Sigel.

Held in an L.A. interrogation room, Verbal Kint (Spacey) attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors.

It sort of sidled into movie theatres in 1995 with no fanfare or heralded notices. Yet it wasn't long before word of mouth got around that The Usual Suspects might actually be the must see film of the year. Fledgeling director and writer - Singer and McQuarrie - produce a masterclass of crime/mystery/noir plotting in a whirl of intricate plot shifts and deft sleights of hand.

The core essence of the story is simple, just who is Keyser Soze? His reputation is one of utter fear, he may even be the devil himself. What transpires throughout the film is a number of scenes told in flashback form and narrated by Kint as the cops put the heat on him.

We are introduced to the five criminals who make up the suspects of the title, where dialogue pings with machismo laced humour. The addition of Postlethwaite's Kobayashi character, one of Soze's harbinger's of doom, further ups the ante of the story's deliciously corkscrew intrigue.

It all builds to a climax that - has you pondering just what you have watched previously. Yet here's the key as to why the pic still holds up on repeat viewings, we have been outsmarted, for as we dive in and enjoy the across the board great perfs, we have been privy to something that will stand the test of time for the genre it sits in. The repeat viewings factor still, some decades later, is as strong as ever.

The advent of time and home format releases etc have only improved the pic's own mythical status. Behind the scenes egos and dislikes on set only add further strength to the characterisations, as does one main man thinking he himself must be Soze when in fact he was way off. There's a trail of clues in the film that will reveal who Soze is - who knew!? - and on it goes. The Usual Suspects is the filmic gift that keeps on giving. 10/10



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Yojimbo 1961 Movies Online Free Websites

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110 Minutes | Drama, Thriller | 1961-04-25


Yojimbo


📥 Yojimbo 1961
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Great movie!

Akira Kurosawa is just a master movie maker.
Akira Kurosawa's 1961 film YOJIMBO is a Japanese period drama where wily strategy is worth just as much as prowess with a sword. In the late Edo era (some decades before its end in 1868) a community is plagued by two opposing gangs who have built up a criminal empire of prostitution and gambling. Even the local officials are on the take. Into this town steps a nameless samurai (Toshiro Mifune). Once they get a taste of his swordsmanship, both sides want to hire him, but he decides to play them off against each other and free the innocent citizens from this evil.

In past films Kurosawa had taken advantage of Mifune's ability to produce exaggerated facial expressions of laughter and fear. Here, however, the nameless samurai is completely unflappable, while it is the criminal bosses and corrupt officials who play the clowns. Ikio Sawamura is a town constable constantly toadying to the gangsters, for example, while Isuzu Yamada gives a memorably sassy performance as the madame of a brothel. In what would become a convention of the Japanese period drama, the numerous henchmen in the gangs were apparently chosen from the most grotesque men that Kurosawa could find (each furthermore has distinctively ratty attire), and one thug is played by an actor suffering from gigantism.

That darkly comedic drama between the characters coexists with brutal violence. Yet, while audiences may have been shocked in 1961 by the samurai dispatching his opponents with realistic slashing sound effects and a hacked off limb, there are only a handful of fights here, and they are all over in a flash. (Indeed, one of the most striking aspects of Mifune's acting is his speed in executing the sword moves.) While Kurosawa delights in gangsters getting their comeuppance, he doesn't revel in gore.

Much has been said about how this Japanese film would inspire Westerns made in America and Europe (Sergio Leone's A FISTFUL OF DOLLARS was a straight-up remake). However, the film is also interesting for how it draws so much on influences from the West. Kurosawa's inspiration was an American crime caper by Dashiell Hammett, the samurai’s walk down the main street is drawn from the Westerns of John Ford and others, the soundtrack mixes Japanese music with Western instruments such as harpsichord, and Tatsuya Nakadai's pretty-boy looks are clearly modeled on Hollywood.

All in all, I was very impressed by this film. Everything here – from the script and aspect to little things like the wind and dust and the little decorations on the set – seems the result of great effort and talent, all coming together to impress the viewer. And like Kurosawa's RASHOMON, it stays fresh even as its elements have been repeatedly reused by other film and television productions for half a century now.



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Connected 2020 Full Movie Download

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| Animation, Adventure, Comedy, Family, Science Fiction | 2020-10-14


Connected


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