Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
91 Minutes | Adventure, Comedy, Fantasy | 1975-05-25
📥 Monty Python and the Holy Grail 1975
📥 DOWNLOAD HERE
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
99 Minutes | Horror, Mystery | 2021-02-18
📥 Antlers 2021
📥 DOWNLOAD HERE
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
233 Minutes | Drama, War, Romance | 1939-12-15
📥 Gone with the Wind 1939
📥 DOWNLOAD HERE
I cannot fully explain all aspects of the movie easily and clearly in a text smaller than a large volume, but yet I will try to compress it decently here.
First and foremost, the movie for me is like a spectacle which could go on with the same cast for 100 hours and still be interesting and captivating. I have always wished it had been a series with this cast instead of a movie. Futile wishes!
The casting, to begin with, is very well matched to the book's spirit if not the physical descriptions. Vivien Leigh, Clark Gable, Olivia de Havilland and Hattie McDaniel. I stop here and will edit it bit by bit to complete it in a few days. It is too large to finish in one writing.
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
| Action, Adventure, Animation, Fantasy | 2021-03-11
📥 Raya and the Last Dragon 2021
📥 DOWNLOAD HERE
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
103 Minutes | Thriller, Crime | 2000-09-01
📥 Snatch 2000
📥 DOWNLOAD HERE
In the quiet words of the Virgin Mary... come again?
Snatch seems to be one of those spunky British gangster films that critics are divided on, yet it's loved by the target audience. Guy Ritchie has done a Sam Raimi, he has remade the first film that put him on the cinematic map. Where Raimi remade The Evil Dead, and just called it Evil Dead II, Ritchie cheekily tries to get away with remaking Lock, Stock and Two Smoking Barrels and calling it Snatch. Sure the circumstances in plotting are different, and there's a big American star brought in to beef things up for the global market, but it's the same movie and without doubt it's lazy film making. But it still - like Evil Dead II - Rocks!
Snatch in story terms is concerned with a big diamond that stitches together a number of threads involving the London underworld. Some rough and tough Romany types join in the fun, headed by a purposely illegible Brad Pitt, while Dennis Farina, Benicio Del Toro and Rade Serbedzija add more cosmopolitan meat to the crooks and gangster stew. The British cement holding the building up comes in the twin forms of Jason Statham and Stephen Graham, with Vinnie Jones once again turning up to frighten the masses. Everything from bare knuckle fighting to bumbled robberies - to dog fighting and shifty arcade empires - are here, with Ritchie writing characterisations that positively boom off of the screen.
As with "Lock-Stock", the beauty is in the way violence and humour are deftly blended. Scenes are often bloody but also bloody funny, a pearl of dialogue is never far away from a perilous situation. The comic tone is more close to the knuckle here, Ritchie having fun toying with ethnic and machismo stereotypes, while he brings his bag of visual tricks before it got boring. The narrative is deliciously complex, but much credit to Ritchie for the way he pulls all the threads neatly together in a whirl of scene splicing and cocky literary assuredness.
So it's "Lock-Stock 2" then! No bad thing if you happen to be a fan of that sort of wide boy malarkey. If you don't like it? Then jog on sunshine. 8/10
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
103 Minutes | Drama, Thriller | 2019-09-05
📥 Monos 2019
📥 DOWNLOAD HERE
Mos Fill your FAFSA® and all 500 State aid ~ Contact Mos Askmos Inc is not affiliated with the Department of Education or any State or Federal government agency The Free Application for Federal Student Aid FAFSA® is available for free at and State aid applications are also available for free from State agencies
United States military occupation code Wikipedia ~ A United States military occupation code or a military occupational specialty code MOS code is a ninecharacter code used in the United States Army and United States Marine Corps to identify a specific job In the United States Air Force a system of Air Force Specialty Codes AFSC is used In the United States Navy a system of naval ratings and designators are used along with the Navy
Mosaic Company The MOS Stock Price Quote History ~ Find the latest Mosaic Company The MOS stock quote history news and other vital information to help you with your stock trading and investing
MOS What does MOS stand for The Free Dictionary ~ Looking for online definition of MOS or what MOS stands for MOS is listed in the Worlds largest and most authoritative dictionary database of abbreviations and acronyms The Free Dictionary
Microsoft Office Specialist MOS Certification ~ Holding a MOS certification can earn an entrylevel business employee as much as 16000 more in annual salary than uncertified peers If you are pursuing the higher level Microsoft Office Specialist Expert and Microsoft Office Specialist Master certifications becoming a certified Microsoft Office Specialist is a great entry point
MOS Definition by AcronymFinder ~ MOS MetalOxide Semiconductor MOS Mean Opinion Score MoS Ministry of Sound London Night Club MOS Museum of Science Boston MA MOS Man of Steel aka The Man of Steel also seen as TMOS
MOS Wikipedia ~ Technology MOSFET metal–oxide–semiconductor fieldeffect transistor also known as the MOS transistor Metal–oxide–semiconductor used to form a gate in MOSFETs Mathematical Optimization Society Model output statistics a weatherforecasting technique MOS filmmaking term for a scene that is motor only sync or motor only shot or jokingly “mit out sound”
Complete List of Army Enlisted MOS ~ All the jobs of the infantry MOS work together to defeat the enemy ground troops and continue the mission of capturing destroying and repelling the enemy Recruits enlist under the Armys 11X Infantry Enlistment Option and during training will be designated as either MOS 11B Infantryman or MOS 11C Indirect Fire Infantryman 11B
Home Museum of Science Boston ~ The Museum of Science features a revolving schedule of temporary exhibits IMAX films and Planetarium shows plus details on more than 700 interactive permanent exhibits live presentations and more
Become a member today Museum of Science Boston ~ A year of membership to the Museum of Science offers a lifetime of learning Whether sharing an enriching educational experience with your child entertaining family and friends at Bostons most visited cultural institution or spending a Friday night viewing a temporary exhibit membership is the best way to enjoy the Museum of Science
Perhaps the best way to describe the film is to keep it simple: ‘Monos’ is a mood, an aesthetic, an idea; a sensory cinematic experience more than a story.
- Jake Watt
Read Jake's full article...
https://www.maketheswitch.com.au/article/review-monos-a-hypnagogic-mix-of-teen-angst-and-warfare
**_A bleak allegorical study of war as seen through the eyes of children_**
>_The idea comes from, in many ways, the country where I'm from, Colombia, a country that's experienced 60 years of civil war. And it's been going on for so long, and there are so many different factions and sides, and there's peace agreements and they break, so, in a way, it wasn't something you could go at with clear ideological premises, but instead something that had a kind of ghostly feel. That's what inspired the story, to try to break any binary notion of future/past, man/woman, paradise/hell, and try to get_ _at something that you feel through the stomach or through the skin. I think that's what cinema has; it appeals to your conscious, like a story does, but also your subconscious, kind of like dreams do. So the idea was to do this politically sensitive allegory, but like a dream._
- Alejandro Landes; "Alejandro Landes, Julianne Nicholson & Moises Arias On The Film Monos"; _BUILD Series_ (September 13, 2019)
Joseph Conrad's _Heart of Darkness_ (1899) and William Golding's _Lord of the Flies_ (1954) by way of the mad folly of Werner Herzog's _Aguirre, der Zorn Gottes_ (1972) and Francis Ford Coppola's _Apocalypse Now_ (1979) and the children-are-screwed nihilism of Héctor Babenco's _Pixote: a Lei do Mais Fraco_ (1981) and Jean-Stéphane Sauvaire's _Johnny Mad Dog_ (2011), garnished with the soul-shattering futility-of-war mentality of Elem Klimov's _Idi i smotri_ (1985), all wrapped up in a pseudo-fairy tale/fantasy aesthetic. Turns out an insane hodgepodge like that results in a completely unique film, quite unlike anything you're ever likely to have seen. Written by Alejandro Landes and Alexis dos Santos, and directed by Landes, Monos (from the Ancient Greek "_μόνος_" ("_mónos_"), meaning "alone") is an uncategorisable film that moves from a mountain top which is literally above the cloud-line to a stifling jungle to a raging river to the edge of a city in the midst of war, whilst thematically travelling all the way from a tight-knit group of soldiers who would die for one another to a last-man standing mentality bordering on insanity. Visually stunning, the plot is a little lacking, and sometimes the allegorical basis is a tad imprecise, but this is hugely ambitious and audacious filmmaking from a director we're going to be hearing a lot about in the coming years.
In an unidentified country (the characters are speaking Spanish, meaning we're somewhere in Latin America, with the filming done in Colombia) at an unidentified point in time, a war is raging between unidentified combatants for never-specified reasons. On a mountaintop, we're introduced to the MONOS unit, a small group of child soldiers known only by their _noms de guerre_ – Wolf (Julian Giraldo), Rambo (Sofia Buenaventura), Bigfoot (Moisés Arias), Swede (Laura Castrillón), Smurf (Deiby Rueda), Dog (Paul Cubides), Boom-Boom (Sneider Castro), and Lady (Karen Quintero). Apart from being drilled by "Messenger" (former real-life Colombian guerrilla fighter Wilson Salazar), a superior officer in what is referred to only as "The Organisation", the children have two tasks – to look after a conscripted milk-cow named Shakira and to guard an American prisoner being held for ransom, referred to as Doctora (Julianne Nicholson). By day, they take their duties very seriously, but by night, they act more like the teenagers they are; drinking, eating mushrooms, having sex, goofing around. A tight-knit group, morale is high. That is until an accident has a series of knock-on effects that ultimately sees them abandon their mountain base, heading into the unforgiving jungle far below. Cut off from their chain of command, their discipline starts to break down and soon, they have come into violent conflict with one another.
The film is very loosely inspired by the Colombian Conflict, a low-intensity, multi-sided civil war that began in 1964 and is still going on today. The majority of fighting has been between the government, paramilitary groups, narcos, foreign actors, and guerrilla organisations, the best known of which is _Fuerzas Armadas Revolucionarias de Colombia_ (FARC). In particular, Landes and dos Santos based the events of the film on the 2016 peace agreement signed by Juan Manuel Santos's government and FARC, which called for FARC members to surrender their weaponry to UN forces, at which point they would be reintegrated into Colombian society. FARC officially ceased to exist as a military group in 2017, instead reconstituting as a political party, _Fuerza Alternativa Revolucionaria del Común_. However, around 1,600 FARC dissidents refused to lay down arms, forming independent splinter groups to continue fighting the war. According to Landes,
>_the fragile possibility of peace is in the air, and it's been a long time coming._ Monos _explores this moment through the prism of the war movie. Though this is my generation's first chance, this is not Colombia's first peace process and so it feels plagued by ghosts. These ghosts inspired me to shape the film like a fever dream._
One of the most important aspects of the film is the lack of political, historical, societal, and militaristic specificity – it could be an allegory for almost any conflict at any point in time, with Landes explaining,
>_the idea, from the story to the production design, was to create an atemporal world, out of place, out of time, far away from everything – with this group of kids who is being trained and watched over by some unknown force. They're on a mission, part of a clandestine army. They're a squad of soldiers in the 'back' lines of a war – but also just a tight-knit pack of teenagers. Though the specifics of the Colombian civil war are the source of inspiration, the idea was always for the experience of the film to cross borders and exist as a world in and of its own._
In this sense, it has both a fairy-tale sensibility and a mythological underpinning, with the violence and brutality offset by a poetic tone that speaks to timelessness. Rather than attempting to elicit pathos by evoking the horrors of a particular conflict, Landes treats the story as a universal allegory, facilitated by the lack of concrete contextualisation.
On top of this, the film examines the chaos and absurdity of war through the lens of adolescence; although the members of MONOS can be violent, so too are they teenagers, a duality that informs the entire film. The opening scene, for example, depicts the group playing football, but wearing blindfolds, thus encapsulating both the seriousness with which they regard their training, but also acknowledging that play is still an important part of their lives. Indeed, the film could even be interpreted as an (admittedly extreme) allegory for adolescence itself (as opposed to adolescence being an allegory for something else) – a group of teenagers unsure who they are, experimenting with drugs, alcohol, and sexuality, not entirely thrilled about being told what to do by adults, and convinced that they can do a better job of running things.
Monos's most salient aesthetic characteristic is its dream-like quality, walking a very fine line between the gritty realism of a war drama and the hallucinatory feel of a fever-dream (in this, it very much recalls _Apocalypse Now_). This sense of existing just slightly outside reality is aided in no small part by the discordant and dislocating score by Mica Levi (_Under the Skin_; _Jackie_; _Marjorie Prime_), which is built around whistling and timpani percussion. Also important here is the lush and saturated photography by Jasper Wolf. On the mountain, Wolf often shoots scenes with the characters dwarfed in a small corner of the frame, filling almost the entire screen with vegetation and sky. Such compositions suggest life lived at the edge of the world, existing outside society, existing outside even time. However, once we relocate to the jungle, Wolf goes in the opposite direction, shooting in tight close-ups, frequently handheld, suggesting both claustrophobia and the loss of the near-omniscient control seen earlier in the film.
If I were to criticise anything, it would be the plot, which is very slight, even by allegory standards. Indeed, regarding that allegory, although I certainly admire Landes's steadfast resistance to specificity, sometimes he's almost _too_ successful in rendering the non-specific and universal, leaving you wondering what exactly he is trying to allegorise (even the title can't be locked into a single meaning – apart from the Greek word for "alone" and the name of the unit itself, it's also the Spanish term for "monkey"). And although the theme of child soldiers is a weighty enough issue on its own, it's something with which Landes seems uninterested for its own sake. This can lead to a lack of emotion, which is almost certainly by design, but it makes it difficult to feel empathy for any of the characters, even Doctora.
Nevertheless, this is hugely ambitious cinema with a lot on its mind. Straddling the line between the surreal and the barbaric, realism and fantasy, the seriousness of the adult world and the innocence of childhood, it's a singularly unique viewing experience, as beautiful, lyrical, and abstract in some places as it is ugly, crude, and realistic in others. Both a dire prediction for where an increasingly divided world may be heading and a foundation myth, _Monos_ speaks as much to our future as it does to the legends underpinning our present.
Monos is a film that's both raw, and abstract.
Incredibly well done and surprisingly well acted by the young cast.
An interesting look at those who are essentially nothing more than pawns of a game they don't even understand, but I liked it a lot that the focus is not on it but on this group of young people and the experience is as crude and strange as it is mesmerizing.
Watch Movies Online|Full Movie Download|Movies Online Free Websites|Movies Online Stream|Online Full HD Movies. Watch and streaming your favorite full movies online on solarmovie.com and in the app!
127 Minutes | Adventure, Science Fiction | 1993-06-11
📥 Jurassic Park 1993
📥 DOWNLOAD HERE
If you somehow missed this movie and have never seen it then watch it immediately. As a young boy of 9 on my way to the cinema I wasn't at all prepared for the on-screen awesomeness I was about to witness, one of the defining movies of my childhood and of the modern age. With special effects that simply blew any and all previous dino movies out of the water, compelling story and the odd comic moment such as the Mr Arnolds arm it really did make that evening something I will remember forever. So successful it went on to spawn 3 sequels, the second was enjoyable, the third not so much. The newest Chris Pratt one, I'll leave that for you but its worth a watch, especially if you want to wash the taste of the 3rd one out of your mouth. It gave me nightmares for weeks, really really wonderful nightmares.
I love it. There are movies coming out right now, 25 years later, with triple the budget (even _Jurassic_ movies) where the effects just cannot hold a candle to _Jurassic Park_. If that was the **only** thing it had going for, it would be enough for me to recommend this movie for all, but make no mistake, _Jurassic Park_ is **great** with or without them (but thank God it's with).
_Final rating:★★★★ - Very strong appeal. A personal favourite._
"Life finds a way… to let us enjoy dinos in theaters"
Filthy rich millionaire John Hammond (Richard Attenborough) is about to open a dinosaur theme park. He invites a couple of experts to satisfy his investors. During a preview tour things go awfully wrong.
While ‘Jurassic Park’ is too simplistic to be a perfect movie it is blockbuster cinema at its very best. Spielberg grabs you by the throat from the get go and you instantly know you’re in for quite a ride.
The story is simple but effective. Author Michael Crichton did his very best to make the cloning dinosaurs part plausible. When you have living giant meat-eaters in your amusement park it’s not hard to come up with something which causes things to go south so fast before you can say T-rex.
The movie works because it doesn’t take itself too seriously. The characters are somewhat underdeveloped but their main purpose is to serve as dino treats. The Ian Malcolm character (Jeff Goldblum) is of little use but he’s funny. Grumpy Dr. Grant (Sam Neill) is the perfect counterpart. You can’t help but root for these characters.
What makes the movie stand out are the ground-breaking special effects. Even to this day it’s remarkable what ILM and Stan Winston’s crew achieved. Although a 'Jaws' approach would have perhaps worked better (Love the shot of the T-rex’ leg in the mud) the dinos look so realistic.
What ‘Jurassic Park’ does have in common with 'Jaws' is John Williams’ score. Although not as ominous and iconic as 'Jaws', Williams went for wonderment this time around. Perhaps not regarded as his most famous work it’s amazing. When the experts travel to the island Williams’ score does indeed give you a sense of wonderment. The scene where the visitors first lay eyes on the dinosaurs is movie magic.
Rereleased for its 25th anniversary it’s safe to say we rarely have had more fun in the cinema than while watching 'Jurassic Park'.
This is my idea of a perfect movie. I mean, it's not perfect, perfect, but it's pretty close. To start off the score is just amazing and iconic and really drives the awe of this film. And these characters are developed so quickly but are also so good. All of the actors give fantastic performances. Sam Neill, Jeff Goldblum, Laura Dern, and Richard Attenborough give classic performances and even the supporting actors like Wayne Knight, Samuel L. Jackson, and especially Bob Peck as Muldoon. What really struck me this time I watched it was how the action really doesn't even start until halfway through the movie, and then from there the action is nonstop.
I think that since it was paced like this, it allows us to get attached to the characters which makes the action so much more impactful and suspenseful. And even with that first hour that is primarily dialogue, it's still so engaging since the script is tightly written, it has some compelling conversations on the control that humans have, is well shot, and has some humor that feels natural in the dialogue and is in character. The humor is never forced in situations that are tense unless it's expected form that character, like Ian Malcolm.
And then that second half... my God, it's so good. This isn't an action movie to me, it's a suspenseful thriller. There's no humans fighting dinosaurs, exploding cars and planes, and the action is used relatively sparingly. The CGI is also used sparingly and only when it is needed. Both the practical effects and CGI look great still. Speilberg really crafted amazing characters, tense scenes like with the Tyrannosaurus breakout and the Raptors in the kitchen, and iconic shots. This was my favorite movie as a kid because of the cool-looking dinosaurs, and is still one of my favorites because of it's insanely great characters and suspenseful scenes.