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97 Minutes | Drama, Science Fiction, Thriller | 2021-04-22
π₯ A Quiet Place Part II 2021
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106 Minutes | Drama | 2019-11-27
π₯ Gloria mundi 2019
π₯ DOWNLOAD HERE
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117 Minutes | Comedy, Crime | 1998-03-06
π₯ The Big Lebowski 1998
π₯ DOWNLOAD HERE
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133 Minutes | Drama | 1993-12-12
π₯ In the Name of the Father 1993
π₯ DOWNLOAD HERE
**In the name of INNOCENCE !!**
Sometimes i say to myself **this can't happen to me** for the simple reason that it sounds really unfair to be happening..But watching a movie like this changes all perception of right and wrong, fair and unfair.. Only thing that can be fair in this world is your **HEART** !!
Though **Daniel Day Lewis'** character is not your typical role model from the start, you know that the Heart within isn't black (more so from a scene just before he says 'In all my godforsaken life, I've never known what it was to kill somebody until now')..The transformation of Day Lewis' character from a man who wasn't responsible enough to take care of himself to a man who vows to fight for his father's name is brilliantly heartwarming!
It just pains me to see how cruel 'WE' as a species can be to not accept our mistakes, even when we know that it can make someone's life miserable than HELL!!
In all the movie is good till the time you don't think of it as someone's life being played out in front of you.As soon as you realize that,it transforms into something you cant just think of as just another brilliant movie.Instead your heart goes out to the people who actually had to go through all this..
Well directed, superbly acted, brilliant,heart breaking and heart warming at the same time !!
Those who found it beautiful can go for Hillary Swank's 2010 movie **Conviction** as their next choice of another heartwarming 'eye treat' !
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94 Minutes | Comedy, Romance | 2020-07-18
π₯ A Nice Girl Like You 2020
π₯ DOWNLOAD HERE
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105 Minutes | Thriller, Mystery | 1949-08-31
π₯ The Third Man 1949
π₯ DOWNLOAD HERE
Holly Martens (Joseph Cotten) receives a job offer from his friend Harry Lime (Orson Welles) in postwar occupied Vienna. He arrives there only to find that Lime is dead and every witness has a different story. Being a pulp writer, Holly thinks he can solve the mystery.
But this is a Graham Greene story, and the mystery is not just a whodunit but an exploration of evil. Tangling with a nihilistic band of black marketers exploiting the corruption and ruin of a great city after the war, Holly is told that he is in way over his head.
The movie has many unusual touches. Expressionist camerawork increases the feeling of dread. The traditional orchestral accompaniment is eliminated, replaced by a single folk musician playing an eerie tune on a zither. Several scenes of the movie are in un-subtitled Austrian-German, leaving the audience feeling as bewildered as Holly as he tries to communicate with the locals. Holly's amateur sleuthing is frequently comic, in a story that is deadly serious.
One of the masterpieces of noir cinema.
Nobody thinks in terms of human beings. Governments don't. Why should we?
The Third Man is directed by Carol Reed and written by Graham Greene. It stars Joseph Cotton, Alida Valli, Trevor Howard and Orson Welles. Music is by Anton Karas and cinematography by Robert Krasker.
When writer Holly Martins (Cotton) travels to Vienna to hook up with his childhood friend Harry Lime (Welles), he is distressed to find that Harry has been killed in a road accident. After attending the funeral, Holly comes to believe that Harry's death was no accident and begins to try and clear his friend's name. But nothing is as it first seems.....
It's well over 60 years since it was released and Carol Reed's film noir thriller continues to feel fresh and hold up under the closest of critical scrutiny. A haunting tale as it is anyway, the black market racketeers and penicillin tampering bastards leaving an unsavoury taste in the mouth, but the film is still further boosted by the director's ability to craft unnerving atmosphere by way of style and clinically paced passages of play. Performances are superlative across the board, with the film producing equal amounts of iconography and mischievous myth-making. It stuns with the narrative structure unfolding amongst a post war ravaged Vienna that dovetails with the fractured nature of the human characters.
A maze of moist cobbled streets host chases involving man and long shadows, there's a fairground scene that is now steeped in folklore, which in turn is a witness to the banality of evil, and of course those cavernous sewers, home to such sullen tones. Reed brings the canted angles, with moral decay the order of the day and a side order of confusion to finally fill your noir hungry bellies. Krasker deals in expressionistic chiaroscuro as Karas plucks away at his Zither to land in your ears for eternity. A murder mystery, a pained romance and a suspense laden film noir, The Third Man is enduring in its qualities. Cuckoo clock and cat, shadowed doorway and the lone sombre walk of a female, it's still today entertaining the film purist masses and still being pored over by film makers home and abroad. The Third Man, it's a masterpiece by jove. 10/10
Nobody thinks in terms of human beings. Governments don't. Why should we?
The Third Man is directed by Carol Reed and written by Graham Greene. It stars Joseph Cotton, Alida Valli, Trevor Howard and Orson Welles. Music is by Anton Karas and cinematography by Robert Krasker.
When writer Holly Martins (Cotton) travels to Vienna to hook up with his childhood friend Harry Lime (Welles), he is distressed to find that Harry has been killed in a road accident. After attending the funeral, Holly comes to believe that Harry's death was no accident and begins to try and clear his friend's name. But nothing is as it first seems...
It's well over 60 years since it was released and Carol Reed's film noir thriller continues to feel fresh and hold up under the closest of critical scrutiny. A haunting tale as it is anyway, the black market racketeers and penicillin tampering bastards leaving an unsavoury taste in the mouth, but the film is still further boosted by the director's ability to craft unnerving atmosphere by way of style and clinically paced passages of play. Performances are superlative across the board, with the film producing equal amounts of iconography and mischievous myth-making. It stuns with the narrative structure unfolding amongst a post war ravaged Vienna that dovetails with the fractured nature of the human characters.
A maze of moist cobbled streets do host foot chases involving man and long shadows, there's a fairground scene that is now steeped in folklore, which in turn is a witness to the banality of evil, and of course those cavernous sewers, home to such sullen tones. Reed brings the canted angles, with moral decay the order of the day and a side order of confusion to finally fill your noir hungry bellies. Krasker deals in expressionistic chiaroscuro as Karas plucks away at his Zither to land in your ears for eternity. A murder mystery, a pained romance and a suspense laden film noir, The Third Man is enduring in its qualities. Cuckoo clock and cat, shadowed doorway and the lone sombre walk of a female, it's still today entertaining the film purist masses and still being pored over by film makers home and abroad. The Third Man, it's a masterpiece by jove. 10/10
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129 Minutes | Comedy, Drama | 1939-10-19
π₯ Mr. Smith Goes to Washington 1939
π₯ DOWNLOAD HERE
Fun movie with an interesting story and characters but with an extremely naΓ―ve ending.
In any case, I must to be seen by Frank Capra and a young James Stewart.