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| Science Fiction, Thriller | 2020-11-25
📥 Voyagers 2020
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136 Minutes | Action, Science Fiction | 1999-03-30
📥 The Matrix 1999
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The Martix is a great example of a movie that will live for ever or a very log time. The story and concept are out of this world. Keanu Reeves plays his role with utter brilliance, the cast was very well put together and the graphics are still to this day amazing. All in all one of the best movies of all time.
Get this: what if all we know as reality was, in fact, virtual reality? Reality itself is a ravaged dystopia run by technocrat Artificial Intelligence where humankind vegetates in billions of gloop-filled tanks - mere battery packs for the machineworld - being fed this late '90s VR (known as The Matrix - you with us here?) through an ugly great cable stuck in the back of our heads. And what if there was a group of quasi-spiritual rebels infiltrating The Matrix with the sole purpose of crashing the ruddy great mainframe and rescuing humans from their unknown purgatory? And, hey, what if Keanu Reeves was their Messiah?
What sounds like some web freak's wet dream is, in fact, a dazzlingly nifty slice of sci-fi cool. The Wachowski Brothers (Andy and Larry - last seen dabbling in kinky lesbian noir with the excellent Bound) pulling off something like a million masterstrokes all at once. Taking the imprimatur of the video game, they meld the grungy noir of Blade Runner, the hyperkinetic energies of chopsocky, John Woo hardware and grandiose spiritual overtones into William Gibson's cyberpunk ethos to produce a new aesthetic for the millennium powered to the thudding beat of techno. And it is just incredible fun. The key is the technique of "flo-mo", a process born from Japanese animation, whereby an object in motion is seemingly frozen while the camera miraculously spins around it as if time and gravity are on hold. It grants the action (including some killer kung fu which Reeves and crew spent months perfecting) liberty to take on surreal visual highs. Superhuman feats permissible, of course, in the context of VR as the rebels download Herculean "talents" to fuel their subterfuge. Meanwhile, the audience can only gawp longingly, with its jaws thunking to the cinema floor in unison, as the heroes wrapped in skintight leather, sleek shades and designer cheekbones, spin up walls, leap from high rises and slip through streams of bullets in silken slo-mo. Tron this ain't.
Immediately reigniting the moribund cyberpunk genre (the kids can't get enough Stateside), this has thrust Reeves from his imploding career back to Speed highs (and laying to rest the hideous ghost of Johnny Mnemonic) and stolen much more of Star Wars' thunder than was thought humanly possible. For all its loony plot, The Matrix is fabulous.
Sure, the expert Fishburne is depended upon to expound the lion's share of the script as seer-like rebel leader Morpheus. Reeves, stunning in his newcast slenderness, as Thomas "Neo" Anderson, the hacker turned hope for all mankind (care of some ill-defined mystical calling) is asked little more than perpetual befuddlement. Like Speed, though, this movie plays on his iconic looks rather than his oak-like emoting. There's a major find, too, in the irresistible Carrie-Anne Moss, a majestically wrought combination of steely no-shit intelligence and rock-chick vivaciousness as fellow tripper Trinity. And Weaving, cast against type, neutralises his Aussie tones to a freaky deadpan, the head of the MiB-styled defence system set against the Goth invaders.
And sure, three minutes of post-movie deliberation and all this state-of-the-art cyberdevilry is reduced to the purest gobbledygook. That, though, is not the point. The Matrix is about pure experience; it's been many a moon since the Empire crew have spilled out of a cinema literally buzzing with the sensation of a movie, babbling frenetically with the sheer excitement of discovery.
From head to tail, the deliciously inventive Wachowskis (watch them skyrocket) have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool, the usher will have to drag you kicking and screaming back into reality. You can bet your bottom dollar George never saw this phantom menace coming.
Verdict - The deliciously inventive Wachowskis have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool.
5/5
- Ian Nathan, Empire Magazine
It was around 2001 that I first watched this film and recently giving it another go, ever since, doesn't change the fact for me that this movie is an timeless piece of filmaking. From the characters to the striking and thought-provoking story, it basically has everything to make an action film a 10/10 in a book.
Finally got to see this on the big screen thanks to the TIFF Bell Lightbox in glorious 35mm. My reaction: whoa!
On top of that, I was able to participate in a round table discussion over the film's technical innovations, thematic philosophies, religious metaphors, undertones of gender politics, and absolute ass-kicking action. Can a movie be any more perfect?
***Brainy, entertaining and iconic, but too cool***
When a Big City computer hacker (Keanu Reeves) feels something is intrinsically wrong with reality, a woman with superhuman abilities (Carrie-Anne Moss) informs him that a mysterious man named Morpheus has the answers (Laurence Fishburne). But he has to escape the “agents” who are pursuing him (e.g. Hugo Weaving) to get to Morpheus. At which point his world is turned upside down and inside out. Marcus Chong and Joe Pantoliano are also on hand.
"The Matrix" (1999) is a cerebral sci-fi/action film that mixes elements of the first two Terminator flicks (1984/1991) with martial arts action and a basic concept that hails back to “Star Trek: The Motion Picture” (1979) and no doubt further.
To put this intricate movie together and make it entertaining took genius, so I give credit to the Waschowski Brothers, um, I mean sisters (rolling my eyes). The casting is great and Carrie-Anne is stunning throughout (I usually don’t like short hair on women, but she’s an exception). For me, though, the Waschowskis made it too comic booky. The posturing characters in their slick black outfits & sunglasses scream “Yeah, right.” And the Messiah angle is old hat.
The film runs 2 hours, 16 minutes, and was shot in Sydney, Australia, with some exterior scenes done in Nashville and San Francisco.
GRADE: B
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156 Minutes | Comedy, Drama | 2003-12-19
📥 Munna Bhai M.B.B.S. 2003
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105 Minutes | Comedy, Romance | 1934-02-22
📥 It Happened One Night 1934
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A classical comedy which would be setting some standards with great performance from Clark Gable.
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96 Minutes | Action, Crime, Drama, Thriller, Mystery | 2020-08-06
V TV Series 2009–2011 IMDb ~ Created by Kenneth Johnson Scott Peters With Elizabeth Mitchell Morris Chestnut Joel Gretsch Logan Huffman An extraterrestrial race arrives on Earth with seemingly good intentions only to slowly reveal their true machinations the more ingrained into society they become
Visa Inc V Stock Price Quote History News Yahoo ~ Find the latest Visa Inc V stock quote history news and other vital information to help you with your stock trading and investing
V TV MiniSeries 1983 IMDb ~ With Jane Badler Michael Durrell Faye Grant Peter Nelson When aliens come to Earth to ask for our help a few suspicious humans discover their horrific true intentions and prepare to resist
V Wikipedia ~ V or v is the 22nd and fifthtolast letter in the modern English alphabet and the ISO basic Latin alphabet Its name in English is vee pronounced ˈ v iː plural vees 1
V TV Series 1984–1985 IMDb ~ Created by Kenneth Johnson With Marc Singer Faye Grant Michael Ironside Jane Badler A year after Liberation Day courtesy of the reddust bacteria the humanoid lizardlike aliens develop a resistance to the microorganism and try to regain control of the Earthonly now some humans are knowingly working with them
V definition of V by The Free Dictionary ~ 1 the 22nd letter of the English alphabet a consonant 2 any spoken sound represented by this letter 3 something shaped like a V 4 a written or printed representation of the letter V or
V 2009 TV series Wikipedia ~ V is an American science fiction television series that ran for two seasons on ABC from November 3 2009 to March 15 2011 A remake of the 1983 miniseries created by Kenneth Johnson the new series chronicles the arrival on Earth of a technologicallyadvanced alien species which ostensibly comes in peace but actually has sinister motives V stars Elizabeth Mitchell and Morena Baccarin and
V 1983 miniseries Wikipedia ~ V or V The Original Miniseries is a twopart American sciencefiction television miniseries written and directed by Kenneth shown in 1983 it initiated the sciencefiction franchise concerning aliens known as the Visitors trying to gain control of Earth and of the ways the populace reacts
V Stock Price Visa Inc Cl A Stock Quote NYSE ~ V Complete Visa Inc Cl A stock news by MarketWatch View realtime stock prices and stock quotes for a full financial overview
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| Fantasy, Action, Adventure | 2020-09-30
📥 Wonder Woman 1984 2020
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72 Minutes | Comedy, Romance | 1928-01-06
📥 The Circus 1928
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When I'm faced with challenges in my life, I am somewhat heartened by something I learned as a child, that an oyster has to be irritated by a grain of sand in order to eventually make a pearl. That knowledge always made the load I was carrying seem less significant, and helped me to see the light at the end of the tunnel, so to speak. Cinematically speaking, at least in the fine age of silent movies, one of the most difficult gestation periods for the birth of a great film was the highly traumatic 11 months of production for one of Sir Charles Chaplin's masterpieces, 'The Circus'.
I love both silent cinema and early filmic comedies, and though I prefer Buster Keaton to Chaplin, I always enjoy his great works, up to and including 'The Great Dictator'. Particularly close to my heart is 'The Circus'. Considering all of the brutal disasters Sir Charles Chaplin was facing during the movie's elongated production (ruined film negative, studio burning down, Lita Grey's divorce papers [and the related sex-scandals hitting the papers], nervous breakdown, mother dying, IRS demanding a million in back taxes, one of the circus wagons being stolen, just to mention a few), it's miraculous that a film was released at all, let alone one as gracefully hilarious yet contemplatively mature as 'The Circus', and that he was able to both recover and rebound from this bad spell to have a superlative career as one of the greatest actor/directors ever to grace cinema. His life was basically a three-ring circus, and he was still able to retain his dignity and escape virtually unscathed.
Because of the aforementioned trials and tribulations he endured in those eleven months of the film's making (which IMHO would be worthy of a fine film itself, in its documentation and chronicling), though it may not be as side-splitting in its hilarity as 'The Gold Rush' or 'Modern Times', it will probably hold the closest place to my heart of Chaplin's films.