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Monday, July 27, 2020

Harakiri 1962 Online Full HD Movies

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135 Minutes | Action, Drama, History | 1962-09-15


Harakiri


📥 Harakiri 1962
📥 DOWNLOAD HERE



This is an amazing Japanese classic written and filmed without flaw. The action unfolds in story-telling within story-telling. This is a film about truth. Whose truth? That is the unfoldment. In a perverted way, this amazing piece of work has become predictive of Western corporate banking. Perhaps you'll see what I mean at the end of the film.



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The Shawshank Redemption 1994 Movies Online Free Websites

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142 Minutes | Drama, Crime | 1994-09-23


The Shawshank Redemption


📥 The Shawshank Redemption 1994
📥 DOWNLOAD HERE



very good movie 9.5/10 محمد الشعراوى
Some birds aren't meant to be caged.

The Shawshank Redemption is written and directed by Frank Darabont. It is an adaptation of the Stephen King novella Rita Hayworth and Shawshank Redemption. Starring Tim Robbins and Morgan Freeman, the film portrays the story of Andy Dufresne (Robbins), a banker who is sentenced to two life sentences at Shawshank State Prison for apparently murdering his wife and her lover. Andy finds it tough going but finds solace in the friendship he forms with fellow inmate Ellis "Red" Redding (Freeman). While things start to pick up when the warden finds Andy a prison job more befitting his talents as a banker. However, the arrival of another inmate is going to vastly change things for all of them.

There was no fanfare or bunting put out for the release of the film back in 94, with a title that didn't give much inkling to anyone about what it was about, and with Columbia Pictures unsure how to market it, Shawshank Redemption barely registered at the box office. However, come Academy Award time the film received several nominations, and although it won none, it stirred up interest in the film for its home entertainment release. The rest, as they say, is history. For the film finally found an audience that saw the film propelled to almost mythical proportions as an endearing modern day classic. Something that has delighted its fans, whilst simultaneously baffling its detractors. One thing is for sure, though, is that which ever side of the Shawshank fence you sit on, the film continues to gather new fans and simply will never go away or loose that mythical status.

It's possibly the simplicity of it all that sends some haters of the film into cinematic spasms. The implausible plot and an apparent sentimental edge that makes a nonsense of prison life, are but two chief complaints from those that dislike the film with a passion. Yet when characters are this richly drawn, and so movingly performed, it strikes me as churlish to do down a human drama that's dealing in hope, friendship and faith. The sentimental aspect is indeed there, but that acts as a counterpoint to the suffering, degradation and shattering of the soul involving our protagonist. Cosy prison life you say? No chance. The need for human connection is never more needed than during incarceration, surely? And given the quite terrific performances of Robbins (never better) & Freeman (sublimely making it easy), it's the easiest thing in the world to warm to Andy and Red.

Those in support aren't faring too bad either. Bob Gunton is coiled spring smarm as Warden Norton, James Whitmore is heart achingly great as the "Birdman Of Shawshank," Clancy Brown is menacing as antagonist Capt. Byron Hadley, William Sadler amusing as Heywood & Mark Rolston is impressively vile as Bogs Diamond. Then there's Roger Deakins' lush cinematography as the camera gracefully glides in and out of the prison offering almost ethereal hope to our characters (yes, they are ours). The music pings in conjunction with the emotional flow of the movie too. Thomas Newman's score is mostly piano based, dovetailing neatly with Andy's state of mind, while the excellently selected soundtrack ranges from the likes of Hank Williams to the gorgeous Le Nozze di Figaro by Mozart.

If you love Shawshank then it's a love that lasts a lifetime. Every viewing brings the same array of emotions - anger - revilement - happiness - sadness - inspiration and a warmth that can reduce the most hardened into misty eyed wonderment. Above all else, though, Shawshank offers hope - not just for characters in a movie - but for a better life and a better world for all of us. 10/10
Make way for the best film ever made people. **Make way.**
There is a reason why this movie is at the top of any popular list your will find.
Very strong performances from lead actors and a story line from the literary brilliance of Stephen King (and no, its not a horror).
Sufficient drama and depth to keep you interested and occupied without stupefying your brain. It is the movie that has something for everyone.
It's still puzzling to me why this movie exactly continues to appear in every single best-movies-of-all-time chart. There's a great story, perfect cast, and acting. It really moves me in times when I'm finding myself figuring out things with my annual tax routine reading this article, and accidentally catching myself wondering what my life should be if circumstances had changed so drastically. This movie worth a rewatch by all means, but yet, there's no unique vibe or something - there are thousands of other ones as good as this one.
I will not say that the film is predictable, because it is not quite so, due to the fact that we only know Andy’s intentions at the end, and during the film, it is important to understand that there was not a hint of it, but let's not forget our guys who so imprudently localized it. I will not be the first, but the word 'redemption' is translated as 'redemption'. I don’t know the reason why our localizers decided to spoil the impression to all Russian-speaking people.



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Saturday, July 25, 2020

Spotlight 2015 Movies Online Stream

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129 Minutes | Drama, Thriller, History | 2015-11-06


Spotlight


📥 Spotlight 2015
📥 DOWNLOAD HERE



> Uncovering the sins committed by whom the millions of people believe in.

A documentary film would show the real faces of those offenders to shame them. That's the reason I desperately wanted it to be a documentary, then I would have definitely given a maximum mark. There's no complaint about this movie, but adaptation means fakes acting, fake settings and awards goes to non real achievers. Anyway, this movie kind looked a semi documentary and liked the way it was made.

The movie exposed a very important scandal. If something is open for a debate in the US means, the rest of the world would follow the same route. That's where this theme was inspired by. It all begins with a group of journalists from the Boston Globe with their new editor instruct them to research on sexual abuse of children by priests. So their lead only gets bigger and puts them to recover more evidence in order to publish. How they come up with the story that shake up not only the nation, but the entire world is the remaining.

A collection of bunch fine performances. There's no lead actors in this. Everyone is in the supporting roles. Out of 6, it got nominated both male and female in the category of supporting role for the Academy Awards. I am very disappointed, Mark Ruffalo's performance in 'Infinitely Polar Bear' deserved another nominee. Anyway, this 15 year old story still looks a hot topic. It was a great comeback for the director after critics assaulted him with their words for his previous film 'The Cobbler' only to show their rage on Sandler. It is a must-must see. Beware, is is not your weekend entertainer, but based on the real.

8/10
Spotlight story is interesting and has a good cast which performs very well, but the feeling of the story is flat.

First, they are talking about abuses to children but you feel almost the whole time that they are following the lead of any other story almost as bureaucrats. There is not much of sensitivity put into the matter.

Second, they are exposing a huge case of system "missbehavior" (to say the least) in the Catholic Church hierarchy and you see how the whole city of Boston is treating this institution with great care. Then, this movie is about showing to the world how the exposition was done and the treatment to the Catholic Church is almost as exquisite as the one that has enabled this institution to hide all this cases.

For gods sake! These people are criminals covering the crimes of even bigger criminals and it seems like we still cannot face them and tell them clearly and to their faces the horrible things they have tolerated and hidden.
This was a very shocking and well made film. It is about the scandal involving a cover-up of Catholic priests molesting children in the Boston area. I was surprised with the delicate nature of the film's script and how well it was handled. It had a very solid ensemble cast which helped make the film moving and horrific in parts.

I am glad that a film like this won Best Picture at the Academy Awards as it had a very important message (even if I was rooting for 'The Revenant').

★★★★
A true account of the Boston Globe's investigative reporting on the vatican's approval of sexual predator priests over many decades. Disturbing to say the least. Excellent performances from Mark Ruffalo and Michael Keaton. It's easy for movies like this to get bogged down in the details but the pacing here is remarkably fluid, just a bit over 2 hours very well spent.
A friend recommended this film to me. I was reluctant because I am no big fan of Micheal Keaton. But I watched it anyway purely because of the disturbing subject matter.

Clearly this cover-up resonates throughout the US a great deal, but living in England for most of my life I don't think the shocking revelations ever rang out much other than for a random story-line that probably got buried after the immediate events of 9/11.

I won't repeat the story here because other reviewers have already covered that; but what I really admired about the film was how very underplayed it felt throughout. The pacing, the somber soundtrack, the unhurried editing, even the narration all helped capture the suffocating mood of the story as it unraveled in shocking detail.

There was no histrionics that you sometimes get with films that are about to expose something deeply shocking. I am reminded of films such as "The Insider" and "All the President's Men" where the the lives of the investigators/victims/whistle-blowers are put into immediate danger by a "dark force" should they expose their findings to the public.

But with Spotlight, such things were avoided. Instead everything was kept at a "civil" level between The Boston Globe and The Church, even though you could feel an underlying dread or threat simmering throughout.

I particularly liked the ending because even though the story was published and the victims finally came forward before the credits rolled, there was no big fanfare declaring how wonderful the Spotlight team were in exposing this evil. Instead it left us with a reminder that the abuse of children by the RC church was (and probably still is) a world-wide problem; not helped when you learn that Cardinal Law was never arrested, but was later reassigned to a high ranking position in the Vatican, even though both he and the Vatican itself was perfectly aware of the crimes committed by the Church against innocent boys and girls.



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Drishyam 2015 Movies Online Free Websites

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163 Minutes | Crime, Drama, Thriller, Mystery | 2015-07-30


Drishyam


📥 Drishyam 2015
📥 DOWNLOAD HERE





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L.A. Confidential 1997 Online Full HD Movies

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138 Minutes | Crime, Thriller | 1997-09-19


L.A. Confidential


📥 L.A. Confidential 1997
📥 DOWNLOAD HERE



City of Angels? More Like City of Demons!

Curtis Hanson directs and co-adapts the screenplay with Brian Helgeland from legendary pulp novelist James Ellroy's novel. It stars Kevin Spacey, Russell Crowe, Guy Pearce, James Cromwell, Kim Basinger, Danny DeVito and David Strathairn. Music is by Jerry Goldsmith and cinematography by Dante Spinotti.

It's 1950s Los Angeles and three cops of very different morals and stature are about to be entwined in crime and corruption...

I admire you as a policeman, particularly your adherence to violence as a necessary adjunct to the job.

Tremendous film making. Hanson takes Ellroy's labyrinthine story and pumps it with period authenticity and seamless direction, the latter of which sees him garner superlative performances from the cast. This is the side of Los Angeles nobody wants to talk about, it's awash with corpses, hookers, seedy set-ups, violence, drugs, racism and corruption a go-go. And that's just involving the politicians, the press and the coppers!

Rollo Tomasi.

The absence of genuine heroes on show still further keeps "The City of Angels" covered in dark clouds, where even as the plot twists and turns, as the mysteries unravel and brutality unfurls, the final destination of the principal characters is never clear, thus there's a continuing edge of seat pulse beat within the pic. It's also sexy and dangerous, the dialogue sharper than a serpent's tooth, and while the ending is a little too cosy as opposed to original noir wave conventions, this is pure noir in all but black and white photography.

It won only two Academy Awards, Basinger for Best Actress in a Supporting Role and for Hanson and Hegeland for Best Writing - Screenplay Based on Material Previously Produced or Published. Frankly it should have won a dozen or so for it's not just one of the best films of the 1990s, but also one of the best Neo-Noirs ever produced. 10/10



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Last Night in Soho 2021 Watch Movies Online

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| Horror, Thriller, Drama | 2021-04-23


Last Night in Soho


📥 Last Night in Soho 2021
📥 DOWNLOAD HERE





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The Elephant Man 1980 Movies Online Free Websites

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124 Minutes | Drama, History | 1980-10-02


The Elephant Man


📥 The Elephant Man 1980
📥 DOWNLOAD HERE



_**The ultimate outcast**_

In 1884 London, a doctor (Anthony Hopkins) meets Joseph Merrick, aka The Elephant Man (wrongly called John Merrick in the film) who was being exploited as a freak show attraction. Treves (Hopkins) tries to help Merrick (John Hurt) for the last six years of the latter’s life wherein he becomes cultured, but he inevitably remains an object of curiosity, to high society as well as low society. Anne Bancroft plays a winsome entertainer who is warm toward Merrick.

Directed by David Lynch and shot in B&W, “The Elephant Man” (1980) is a melancholic biographical movie, and understandably so, but Merrick’s story is worth checking out despite the fact that it inspires pity. It calls into question the concept of beauty: Natural beauty is something one is born with and did nothing to acquire, but so is physical unattractiveness. Then there’s inner beauty. The charismatic actress (Bancroft) displays both. Of course there’s also inner ugliness, like the carnival huckster.

A myth developed about Merrick’s disfigurement that his mother was raped by an elephant, probably started by sideshow hawkers. The opening conveys this in an artistic manner, but it’s not to be taken literally, which is why it’s surreal. Meanwhile the factory scenes with the pipes and corresponding dangers exhibit the reality for workers in Victorian times.

The score by John Morris is noteworthy with one piece being ripped-off for the moving parts of “Platoon” (1986), e.g. Elias’ melodramatic death scene.

The film runs 2 hours, 4 minutes, and was shot entirely in London and nearby Shepperton Studios, just west of the city.

GRADE: B



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