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122 Minutes | Drama, History, War | 2004-03-04
📥 Hotel Rwanda 2004
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189 Minutes | Drama | 2004-12-17
📥 Swades 2004
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| Comedy | 2021-07-16
📥 Barb and Star Go to Vista Del Mar 2021
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109 Minutes | Horror, Drama, Thriller | 1960-06-22
📥 Psycho 1960
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Psycho 1960 IMDb ~ Directed by Alfred Hitchcock With Anthony Perkins Janet Leigh Vera Miles John Gavin A Phoenix secretary embezzles forty thousand dollars from her employers client goes on the run and checks into a remote motel run by a young man under the domination of his mother
Psycho Definition of Psycho by MerriamWebster ~ Psycho definition is a deranged or psychopathic person —not used technically How to use psycho in a sentence
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Psycho 1998 IMDb ~ Directed by Gus Van Sant With Vince Vaughn Anne Heche Julianne Moore Viggo Mortensen A young female embezzler arrives at the Bates Motel which has terrible secrets of its own
Psycho 1960 film Wikipedia ~ Psycho is a 1960 American psychological thriller film directed and produced by Alfred Hitchcock and written by Joseph stars Anthony Perkins Janet Leigh John Gavin Vera Miles and Martin Balsam and was based on the 1959 novel of the same name by Robert film centers on an encounter between a secretary Marion Crane Leigh who ends up at a secluded motel after stealing
Psycho 1960 Rotten Tomatoes ~ Alfred Hitchcock was a master at film and Psycho is evidence of the genius at work The film is unpredictable and showcases a wide range of challenges for the viewer
Psycho film by Hitchcock 1960 Britannica ~ Psycho American suspense film and psychological thriller released in 1960 that was directed by Alfred Hitchcock and is loosely based on the reallife killings of Wisconsin serial murderer Ed Gein After secretary Marion Crane played by Janet Leigh impulsively absconds from her job with
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Psycho 1998 film Wikipedia ~ Psycho is a 1998 American horror film produced and directed by Gus Van Sant for Universal Pictures and starring Vince Vaughn Julianne Moore Viggo Mortensen William H Macy and Anne Heche in leading and supporting roles It is a modern remake of the 1960 film of the same name directed by Alfred Hitchcock in which an embezzler arrives at an old motel run by an insane killer named Norman Bates
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Required viewing.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
“We all go a little mad sometimes. Haven't you?”
A Phoenix secretary, Marion Crane (Janet Leigh), embezzles $40,000 and rashly flees town, ending up at a remote motel in Fairvale, California, where she encounters the eccentric Mama’s boy Norman Bates (Anthony Perkins). Mixed into this web is a private investigator (Martin Balsam), Marion’s sister (Vera Miles) and Marion’s secret beau (John Gavin).
Directed by Alfred Hitchcock based on Robert Bloch’s book, “Psycho” made a huge impact when it was released in 1960. It contains a plot development that was groundbreaking at the time shared by England’s “City of the Dead” (aka “Horror Hotel”), which went into production six weeks earlier than “Psycho” and was released in the UK at the same time, but not in America until 2 years later. While they’re both good, “Psycho” is way superior. It was followed by three sequels (1983, 1986 and 1990), the last being a semi-prequel, all starring Anthony Perkins as Norman with Vera Miles returning for the first one.
One thing I don’t like is that it was shot in B&W. Check out the sequels and the 1998 remake to observe the same settings in living color.
The film runs 1 hour, 49 minutes and was shot primarily at the backlot of Universal Studios, Universal City, California, with other parts in Los Angeles & Gorman, California, and Phoenix, Arizona.
GRADE: A
My most favourite film from the master of suspense.
This psychological horror is widely considered to be the first ever slasher film. Powered by great performances from Anthony Perkins & Janet Leigh, and the outstanding score by Bernard Herrmann which adds such great tension throughout the film, it is unarguably the greatest thriller ever made. Only Alfred Hitchcock could make a film so entertaining and so horrifying at the same time.
The climax continues to haunt me forever.
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129 Minutes | Drama, Thriller, History | 2015-11-06
📥 Spotlight 2015
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> Uncovering the sins committed by whom the millions of people believe in.
A documentary film would show the real faces of those offenders to shame them. That's the reason I desperately wanted it to be a documentary, then I would have definitely given a maximum mark. There's no complaint about this movie, but adaptation means fakes acting, fake settings and awards goes to non real achievers. Anyway, this movie kind looked a semi documentary and liked the way it was made.
The movie exposed a very important scandal. If something is open for a debate in the US means, the rest of the world would follow the same route. That's where this theme was inspired by. It all begins with a group of journalists from the Boston Globe with their new editor instruct them to research on sexual abuse of children by priests. So their lead only gets bigger and puts them to recover more evidence in order to publish. How they come up with the story that shake up not only the nation, but the entire world is the remaining.
A collection of bunch fine performances. There's no lead actors in this. Everyone is in the supporting roles. Out of 6, it got nominated both male and female in the category of supporting role for the Academy Awards. I am very disappointed, Mark Ruffalo's performance in 'Infinitely Polar Bear' deserved another nominee. Anyway, this 15 year old story still looks a hot topic. It was a great comeback for the director after critics assaulted him with their words for his previous film 'The Cobbler' only to show their rage on Sandler. It is a must-must see. Beware, is is not your weekend entertainer, but based on the real.
8/10
Spotlight story is interesting and has a good cast which performs very well, but the feeling of the story is flat.
First, they are talking about abuses to children but you feel almost the whole time that they are following the lead of any other story almost as bureaucrats. There is not much of sensitivity put into the matter.
Second, they are exposing a huge case of system "missbehavior" (to say the least) in the Catholic Church hierarchy and you see how the whole city of Boston is treating this institution with great care. Then, this movie is about showing to the world how the exposition was done and the treatment to the Catholic Church is almost as exquisite as the one that has enabled this institution to hide all this cases.
For gods sake! These people are criminals covering the crimes of even bigger criminals and it seems like we still cannot face them and tell them clearly and to their faces the horrible things they have tolerated and hidden.
This was a very shocking and well made film. It is about the scandal involving a cover-up of Catholic priests molesting children in the Boston area. I was surprised with the delicate nature of the film's script and how well it was handled. It had a very solid ensemble cast which helped make the film moving and horrific in parts.
I am glad that a film like this won Best Picture at the Academy Awards as it had a very important message (even if I was rooting for 'The Revenant').
★★★★
A true account of the Boston Globe's investigative reporting on the vatican's approval of sexual predator priests over many decades. Disturbing to say the least. Excellent performances from Mark Ruffalo and Michael Keaton. It's easy for movies like this to get bogged down in the details but the pacing here is remarkably fluid, just a bit over 2 hours very well spent.
A friend recommended this film to me. I was reluctant because I am no big fan of Micheal Keaton. But I watched it anyway purely because of the disturbing subject matter.
Clearly this cover-up resonates throughout the US a great deal, but living in England for most of my life I don't think the shocking revelations ever rang out much other than for a random story-line that probably got buried after the immediate events of 9/11.
I won't repeat the story here because other reviewers have already covered that; but what I really admired about the film was how very underplayed it felt throughout. The pacing, the somber soundtrack, the unhurried editing, even the narration all helped capture the suffocating mood of the story as it unraveled in shocking detail.
There was no histrionics that you sometimes get with films that are about to expose something deeply shocking. I am reminded of films such as "The Insider" and "All the President's Men" where the the lives of the investigators/victims/whistle-blowers are put into immediate danger by a "dark force" should they expose their findings to the public.
But with Spotlight, such things were avoided. Instead everything was kept at a "civil" level between The Boston Globe and The Church, even though you could feel an underlying dread or threat simmering throughout.
I particularly liked the ending because even though the story was published and the victims finally came forward before the credits rolled, there was no big fanfare declaring how wonderful the Spotlight team were in exposing this evil. Instead it left us with a reminder that the abuse of children by the RC church was (and probably still is) a world-wide problem; not helped when you learn that Cardinal Law was never arrested, but was later reassigned to a high ranking position in the Vatican, even though both he and the Vatican itself was perfectly aware of the crimes committed by the Church against innocent boys and girls.
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165 Minutes | Drama | 2007-12-21
📥 Like Stars on Earth 2007
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134 Minutes | Drama, History | 2013-10-18
📥 12 Years a Slave 2013
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Sometimes, I just have to stop my brain in the middle of a film and just admire its exceptional craftsmanship. I found myself doing that time and time again during this film. Perhaps I was more open to admiring the shot compositions and acting choices because, as I cynically told myself before the film, it's not like I needed much convincing that slavery was bad. Or perhaps it was because I was shielding myself from the honest brutalities the film convincingly portrayed. Nonetheless, I was reminded of the film "Children of Men," because when I watched that, I was struck by how easily I could imagine a less engaging, more dumbed-down version of the same film. I haven't seen enough films about slavery to know this for certain, but I suspect that because many of this film's principals are British, telling a story about a free man who was forced into slavery, as opposed to one born into it, they were able to be gain some valuable distance from the subject and craft something that's both beautiful and feels true to life. And even though I thought I could not have been made to feel worse than I already did about slavery, the post-scripts on the lack of justice Solomon received for his kidnapping and the unknown causes of his death, helped keep the film from lapsing into a kind of "triumph of the spirit" happy ending others might have imposed.
This movie is very, very well done. Well, edited and with the proper long shots at the proper moments bringing you to the life of Solomon without remedy.
All the cast performs exceptionally well and Ejiofor is to be remembered for this film.
A must to be seen.
Not in a long time have I seen a movie that brings out real emotions from my cold hearted soul. This movie brought them out in floods of tears.
the acting was superb, especially from the lead Chiwetel Ejiofor, he acted from his little toe right up to his eyes.
The style was also filmed beautifully with some (extremely) painful long shots which pulled you into Solomons nightmare.
Im not sure if its a film I could watch again, purely for the emotion but I would recommend this film to everyone.
**Dreaded at the thought that human kind ACTUALLY had this kind of livelihood at some point of time..**
Could not gather my thoughts to write this review at the end of the movie.Feeling really bogged down by some heaviness on my chest. Thinking about the times in history when we actually used to do these atrocities on other human beings makes me cringe.To imagine waking up one day and find me in chains just because I'm a colored man and living my life like an unwanted child of god makes me question humanity altogether. Just sitting through a little over than 2 hours and watching this movie made my heart bleed, I can't even begin to think of the people who lived their entire lives as SLAVES... 12 years a slave heart breakingly makes you feel the pain and suffering of almost the entire human kind at one point of time or other. Direction by Steve McQueen is brilliant.Chiwetel Ejiofor plays a helpless slave in Solomon Northup to the hilt and also the small but impactive role played by Brad Pitt as a man with conscience is superb.Lupita Nyong'o's Patsey too was depicted heart warmingly. You can't help but question yourself that how could MAN stoop such low and do these cruel acts and that too over such a prolonged period of time without even a single ounce of doubt in his mind for what he would have to pay for his actions.. All in all a GEM of a movie showing one of the lowest point in human history !