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Thursday, August 6, 2020

Star Wars 1977 Watch Movies Online

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121 Minutes | Adventure, Action, Science Fiction | 1977-05-25


Star Wars


📥 Star Wars 1977
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(As I'm writing this review, Darth Vader's theme music begins to build in my mind...)

Well, it actually has a title, what the Darth Vader theme. And that title is "The Imperial March", composed by the great John Williams, whom, as many of you may already know, also composed the theme music for "Jaws" - that legendary score simply titled, "Main Title (Theme From Jaws)".

Now, with that lil' bit of trivia aside, let us procede with the fabled film currently under review: Star Wars. It had been at a drive-in theater in some small Illinois town or other where my mother, my older brother, and I had spent our weekly "Movie Date Night" watching this George Lucas directed cult masterpiece from our car in the parking lot. On the huge outdoor screen, the film appeared to be a silent one, but thanks to an old wire-attached speaker, we were able to hear both the character dialogue and soundtrack loud and clear. We even had ourselves a carful of vittles and snacks - walked back to our vehicle, of course, from the wide-opened cinema's briefly distant concession stand. Indeed, it had been a lovely summer evening that July.

From the time the film started, with my brother and I following along as our mother sped-read the opening crawl, I began to feel rather antsy, thinking that this movie, the first in a franchise that would soon be world-renowned, was going to be boring, due to its genre being Science Fiction: A respectably likable, but not a passionately lovable genre of mine DURING THAT TIME. I just didn't believe I was going to like Star Wars all that much ... But I soon found myself intrigued ... And awed.

George Lucas is a man with a phenomenal, and I do mean phenomenal imagination. Apart from his human characters (Han, Luke, Leia, and Obi-Wan Kenobi, among others), the droids: C-3P0, R2-D2, R2-series, and IG-88, not to mention those unusual characters like Jabba the Hutt, Yoda, and Chewbacca, just to name a few, are all creations of Lucas's phenomenal imagination. And I was completely in awe of each one of these strange beings. Then there was Vader ... And the evil Emperor ... And the Stormtroopers ... And the Spacecraft ... And the galaxies (I'll admit that I am a huge lover of the Universe in all its Celestial glory) ... And the magnificent planets ... The Lightsabers ... And so on. Star Wars is a gorgeously shot space opera; it is truly an epic masterpiece. We enjoyed this film tremendously. And my brother was a die-hard fan from that night onward. He, my brother, had even received for Christmas that year, nearly every Star Wars action figure that my mother could find, including two of the spacecraft: The Millennium Falcon and Star Destroyer. The Death Star space station had too been wrapped beneath our Christmas tree - tagged with his name. It was totally crazy, what the new Star Wars era. Frenzied! But it was great ... Even still, to this day.

I don't personally know anyone whom has yet to see Star Wars, but that certainly doesn't suggest there are still a few people out there who haven't. And if you're one of the latter, then you should know that this classic space opera comes highly recommended. The entire series is told backwards, so you'll definitely want to see Star Wars first, followed by its two sequels: The Empire Strikes Back and Return of the Jedi ... In that order. I trust that you'll too discover yourself to be a lifelong cult fan in the wake. 😊
A long time ago in a childhood not too far away...

Princess Leia is captured and held hostage by the Imperial Army as it seeks to rule the Galactic Empire. An old Jedi Knight by the name of Ben "Obi-Wan" Kenobi may just be hers, and the rebels only hope. Teaming up with farm boy Luke Skywalker, scoundrel Captain Han Solo, and a couple of quirky droids, Kenobi sets off on a mission that could well shape the destiny of the Galaxy, and all who dwell within it.

Back in 1977 I was but a wee 11 year old boy, weened on films from all genres by my movie loving parents, I had no idea that Star Wars was to have the same impact on me as Jaws had two summers previously, where yet again I found myself queueing around the block for two whole hours to see a film in a one screen theatre. My love of cinema firmly cemented, Star Wars was the start of a love affair that lasts to this very day.

As the years have rolled by and my love of cinema has taken on more in-depth and serious tones, I have come to realise that Star Wars proves to be a far from flawless picture. Certainly its detractors do point to some frayed acting and call the plot structure a jazzed up good versus evil axis, while the charge of George Lucas referencing many prior pictures most assuredly stands, but really do those things matter? No they do not, because Star Wars opened up a new world of cinema, something of a portal to youngsters such as I, it got people talking and debating about the merits of model work in films (which is of an extraordinary high standard here), it nudged film makers to explore being bigger and bolder in their approach, and crucially, above all else, it got film goers hungry again, a hankering for more please if you may. Now it has to be said that all that followed 20th Century Fox's historic blockbuster didn't run with the baton, in fact most pale into comparison on impact value, but for better or worse (depending on the discerning viewers peccadilloes), Star Wars stands as a bastion of adventure laden entertainment.

It is by definition one of the most successful films in history, George Lucas perhaps didn't know it at the time, but in what was to become an almost operatic anthology, he didn't just make a movie, he created a whole new world seeping with style and rich texture. Almost as amazing as the success of the series, is how it has become part of modern day pop culture, anything from religion to everyday speak has at some time or another referenced Lucas' baby. Ultimately, though, it's one single thing that made (and still does make) Star Wars so great, it's that it has the ability to lift the audience into a rousing united feel good cheer; and that is something that few films can ever lay claim too. In 1977 it was an awe inspiring event to watch in the theatre, now here in my middle age it's an event that is like hugging a dear old friend, a friend that I know will never ever let me down no matter how many times I turn to it. 10/10
Star Wars (1977) is a true masterpiece of cinema, and is
definitely one of the best films ever made.

For me Star Wars (1977) is the best movie of all time,tied with The Lord of the Rings trilogy. Star Wars (1977) it is for sure the most iconic film of all time everything in it is iconic. The direction, the script, the performances in this film are brilliant, all the characters are captivating and well developed.

Anyway, this is a totally perfect film, I only have praise for it, it is certainly a masterpiece of cinema, and my grade for it is 10\10.



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La Belle Époque 2019 Online Full HD Movies

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110 Minutes | Comedy, Drama, Romance | 2019-11-06


La Belle Époque


📥 La Belle Époque 2019
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There are a lot of layers in the storytelling, and Bedos does a great job of pacing them, maintaining a good rhythm throughout. It allows for an easy and pleasant movie-going experience, highlighting how well the French know how to produce crowd-pleasers - and this is every bit a crowd-pleaser. The romance is so pure, and there are genuine laugh-out-loud moments. I would have liked to have seen more, because while it raises such intriguing ideas, and you're left feeling a bit hollow with how it all ends. It doesn't quite reach the heights of some of its cinematic predecessors, but you will leave with warm fuzzy feelings inside - and there is absolutely nothing wrong with that.
- Joel Kalkopf

Read Joel's full article...
https://www.maketheswitch.com.au/article/review-la-belle-epoque-crowd-pleasing-french-romantic-comedy



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Network 1976 Movies Online Stream

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122 Minutes | Drama | 1976-11-01


Network


📥 Network 1976
📥 DOWNLOAD HERE



**The Primal Forces of Network**

According to the Writers Guild of America the greatest screenplay of all time belongs to _Casablanca_. A sentimental favourite, no doubt, worthy for a handful of catchy one-liners capped off with a convincing dump-the-dame speech. While Bogie plays himself, Bergman, who may have been the most beautiful woman of all time, didn't have much to say. The best moments in Casablanca were, in fact, the silent ones, and without Bogie and Bergie's chemistry, it probably wouldn't have made the top 10.

Best screenplay suggests best story, best plot, best characters and dialogue; best combination of drama, comedy, intrigue, emotional engagement, suspense, social and political relevance; one peppered with casual everydayisms, baited with humour and simmering with intelligence, threatening to release an experiential payload of euphoric proportions; a work that can transcend genre and demographics, build up simultaneously on various levels, plumbed by the weight of it's essential voice, sending out intuitive signals, rippling with perplexing channels and insightful glimpses that are symbolically blended into plain words on paper; all with a properly superb balance of sex, wit, desire, comfort, fear, anger and wisdom in an accelerated narrative leading us to a magnificent crescendo and--fade out--leaving us to wonder. Furthermore, great screenplays serve the motion-picture medium's incomparable ability to effortlessly jump time and space. _Casablanca_ is static and contained, framed and nailed to the wall: a pretty photograph.

Despite the WGA's endorsement, there can only be one candidate good enough to qualify for the all-time best screenplay, and fittingly it goes to the all-time best screenplay writer. Paddy Chayefsy's _Network_ has dazzled us for four decades and counting. The scene where a mob of murderous bank-robbing terrorists who have their own reality TV show bicker over the wording of their contract alone demonstrates we are dealing with a higher grade of pertinent genius. The corporate cosmology of Arthur Jensen, a pivotal lesson in global economics, tops it off, leaving all Network's competitors in the dust, burying any climactic speech written before or since, Bogie's famous brush-off farewell included, thus slamming the lid down on anything _Casablanca_ can play. As for ill-fated romances, the doomed alliance between old-school journalism (Holden) seduced and corrupted into severing his ties with his compassionate spouse to hastily shack up with the opportunistic post-modern media wench (Dunaway) is fraught with more complications than anything _Casablanca_ can muster, and it's only one of the sub-plots.

Of course _Network_ is most famous for the "I'm mad as hell" rant, which swells from a nuanced and complex story arc demonstrating the rise and fall of an iconic media star. Hell-raising public mischief aside, Howard Beale's profound narrative leads off with a suicidally desperate, washed-up newsman who impulsively hits a nerve, rockets to stardom as a modern-day prophet, then is shaped and sensationalized as an overcooked parody by the media, stigmatized by maniacal Fox-news-like delusions that overtake him until he gets too big for his britches and needs a walloping corporate scolding, causing his starry streak to fizzle out, before getting gunned down by the greedy TV execs who made him, leaving hapless undiscriminating audiences to grasp for the next new thing.

_Network_ is inspired writing that doesn't require heart-throbbing movie stars to pull it off. It could have been directed by my illiterate grandmother, shot on VHS in a dingy church basement, performed by eager boy scouts and girl guides, and it would still be the greatest screenplay of all time, one not just for the spectacle of projecting on a giant screen, but for doubling as a giant mirror with just enough sugar-coated satire to swallow the shitty truth about ourselves. Though calling _Network _a satire is like calling Hamlet a murder mystery. Satire is either spineless and passive-aggressive, or specific and short-lived. Chayefsky's bombastic pronouncements become more exceptional and relevant each passing year.
Network broadcasts its televisional corruption through satirical poetry that beckons democratic madness. “I’m as mad as hell, and I’m not going to take it anymore”, screams Howard Beale from the confinement of his studio desk. Exerting his ornate insanity upon the entranced viewers who innocently stare at their cubic televisions, watching the news broadcast fuelled by media misrepresentation and propaganda. “Go to your nearest window and scream”, acting as the voice of the working class, benign to the American corporate fundamentals that masquerade the politics of democracy. In an age where leading actors can represent constituencies or states, and businessmen can be presidential candidates for a nation (and successfully winning...), Lumet’s timeless satire on conceptualised democracy is one that grows more appropriate with each passing decade.

A statement on the American financial system, where colossal stock markets rule the supposed freedom of the people. Broadcasting networks more focussed on combating against each other for monetary viewership, leading to exaggerated fabrications, rather than reporting the truth, the whole truth and nothing but the truth. Exploiting the frail mentality of humanity to feed the greed and lust of “humanoid” managers, capitalising on the naivety of man.

Network depicts the modern evolution of communicating false truths. As technology evolves, we grow more and more susceptible to the “truth” that is conveyed to us. We, much like sponges, absorb the information demonstrated through the porous pixels that we subject our eyes to. Televisions. And through hyperbolised satire, including planning an assassination attempt and coercing suicidal tendencies, Lumet offers a cutthroat insight into broadcasting institutions and the meticulous methods in which networks function. Motivated by stock shares and rating dominance. Pioneering the consumption of propagandist material. Lumet exploits the audacious power of televisions and its communicative abilities, turning an often comedic satire into a transcendental horror feature.

Powered by sterling performances all-round, including the elusively commanding Dunaway, the maddening lunacy of Finch and the smoothly suave Holden, the poetic dialogue immediately captures the attention of its audience. Concisely elaborate with a hint of existential analysis, an ornate lexicon that refrains viewers from tuning out. Lumet’s long sumptuous takes, allowing the performances to ironically hypnotise, further extend the reach of its material. Superlative direction that, whilst suddenly throws you into the immediate chaos of Beale’s mentality, eases the hectic pace with its scathing power.

The offscreen affair between Dunaway and Holden was the only underdeveloped sub-plot, reinforcing her workaholic agenda that likened her to a corporate machine than to a human with emotive capabilities.

Aside from that, Network absolutely deserves its near-perfect acclaim. A considerably profound illustration of the American system that tantalisingly exposes the fraudulence of promised conceptualised democracy, whilst also enforcing the relinquishment of humanity through television sets. Harrowing times we live in...



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Black Widow 2020 Movies Online Free Websites

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| Action, Thriller, Adventure | 2020-10-28


Black Widow


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Tuesday, August 4, 2020

The Endless Trench 2019 Online Full HD Movies

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148 Minutes | Drama, History | 2019-10-31


The Endless Trench


📥 The Endless Trench 2019
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The Ties 2020 Online Full HD Movies

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100 Minutes | Drama | 2020-10-01


The Ties


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Life Is Beautiful 1997 Movies Online Stream

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116 Minutes | Comedy, Drama | 1997-12-20


Life Is Beautiful


📥 Life Is Beautiful 1997
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The first half of the screenplay is better than the second and in particular the weak ending which is very commercial Oscar material. However, there is Benigni, who is an old school visual comedian, and some of his antics are a delight. The period setting details are also well done.



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