Your Name. 2016 Online Full HD Movies

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106 Minutes | Romance, Animation, Drama | 2016-08-26

📥 Your Name. 2016
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I would never take it away from anyone, but I was underwhelmed.

_Final rating:★★ - Definitely not for me, but I sort of get the appeal._
It has beautiful animation and beautiful characters. It is a funny, sweet and emotional roller coaster of a crowd-pleaser that manages to win your heart.
**They're no strangers, yet they've never met.**

Probably the most anticipated anime since the final film of Mr. Miyazaki. Because people know what these guys are capable of. This is one per cent sci-fi and 99 per cent fantasy. The concept is not new for us. From 'Freaky Friday' to 'The Lake House', even the recent American television film 'The Swap', you will remember a handful of names once you read this film's synopsis. Yet the film was so good, because of how well the theme was utilised.

We all know the technical brilliance of '5 Centimeters Per Second' and the beautiful romance from 'The Garden of Words'. This is an excellent mix of those two. If love either of them, or both, then you will love it as well. But if you ask me, my favourite is still 'The Garden of Words' from this director. I liked this film, enjoyed thoroughly, so liking it less than that means not a bad flick. Surely a film to recommend for anime fans, as well as for animation's (western audience).

The story of two teenagers, one from the rural Japan mountain region and the other one from Tokyo. The plot revolves around a comet that is to pass by very close to the earth. But before that event, the girl is bored with her life, so she dreams of living in a big city and that too as a boy. One day her wish comes true when she wakes up as she swapped bodies, including most of the memories with a boy from Tokyo.

For her, it is to live as she wanted and make use of the opportunity. But for him, it is like a curse, hence becomes rebellious. This thing keeps happening frequently for days and weeks. After some times, realising the phenomena is between two, they make a deal and strict order of Dos and Don'ts while away. All this until the day of comet and everything changes forever. Searching for the truth and the result of it leads to the end of the tale.

> ❝Treasure the experience. Dreams fade away after you wake up.❞

Unlike Miyazaki, Makot Shinkai's storytelling is quite for the matured audience. It targets adults more than the children. Particularly for not shying away to include naturally occurring events in such situation as the story develops, despite/even though the film revolves around the teens/kids. As for this flick, the concern is not big, but it depends on the nation and its culture you belong to. It is very much acceptable and as the story progress, the best things keep replacing another till the finale. So hooked to it is assured.

The film length was good and so the pace of the narration. Well written screenplay, which was based on the book of the same name. But the director admits the inspiration from the previous flicks with similar themes. They have used the real places of the anime version with fictional names, but most of the Tokyo remains same and they all were awesome.

In many scenes, the camera panning was a treat. Especially the framerate was high, so no jerks, hence very pleasurable visual experience. Like I mentioned earlier, this is a unique film, despite not a original idea. The film proved the Japan is not overshadowed by Hollywood, particularly after the decline of animes in the recent years. It's up to the quality of the product, if so, then those glory days can be brought back for animes. Anyway, now this film holds the record for highest grossed anime.

Apart from technical dominance, the story is also enchanting. If you like romance theme, this will serve you well. A good film for date night. But usually people would skip animation for such occasion and one should not mix up that with anime. Because why I always put apart the anime and animation is, the animes are good at beautiful romance, while its counterpart from the west focus more on comedy and adventure. But the common thing from them is the well explored fantasy theme.

Usually the ends are guessable for a film like this and the same case for this in here. Only as a result of the story, you would know what's coming, but not the frame by frame scenes of it. Yeah, I liked this conclusion, the final lines said might bring you tears in your eyes, romantically, if you are an emotional person. One of the best endings, even though it was clichéd. And the credits start to roll up, while you begin to recall everything you just saw in the last 100 minutes. A must see film, so highly recommended by my side. Now I've to wait for another couple of years for such film.

_8/10_

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Words on Bathroom Walls 2020 Movies Online Free Websites

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| Drama | 2020-08-21

📥 Words on Bathroom Walls 2020
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The Bridge on the River Kwai 1957 Full Movie Download

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161 Minutes | Drama, History, War | 1957-10-02

📥 The Bridge on the River Kwai 1957
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Colonel Bogey's Barmy Army.

OK! Lets get it out there right away, for historical facts of the real Bridge on the River Kwai story, one should research elsewhere, this film is a fictionalised account of the said events. Sadly there are those out there who simply refuse to judge this purely as a piece of cinematic art - and cinematic art it is.

A squad of British soldiers are held in a Japanese POW camp in the Burmese jungle. The respective Japanese and British leaders clash but an understanding is finally reached to build a bridge across the River Kwai. The importance of which could prove crucial in more ways than one...

It won 7 Academy Awards and 4 BAFTAS, and it was the film that saw the great David Lean enter his epic period. And what a start it is. Kwai is a masterful piece of cinema, it has a magnificently intelligent and complex screenplay - with tough edged dialogue in the script, is bursting at the seams with high quality performances, and beautifully photographed (filmed in Ceylon). Thematically it's about the folly and psychological madness of war, which in turn is ensconced in sub - plots of genuine worth. It all builds to a tremendous finale, where everything we have witnessed is realised with a deftness of talent from across the board. 10/10

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Three Days and a Life 2019 Movies Online Stream

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120 Minutes | Thriller, Drama, Crime | 2019-09-18

📥 Three Days and a Life 2019
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The Lord of the Rings: The Return of the King 2003 Full Movie Download

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201 Minutes | Adventure, Fantasy, Action | 2003-12-01

📥 The Lord of the Rings: The Return of the King 2003
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And so all good things come to an end. For three years in a row, Peter Jackson has banished our winter blues with the individual instalments of his Tolkien trilogy, effectively shifting the focus of our cinematic excitement from the summer months to the end of the year. But now that his epic has been unveiled in its entirety, what will be the lasting effects of his achievement?

Well, grand-scale fantasy filmmaking is back on the menu, laying down the gauntlet to George Lucas and Star Wars Episode III. Jackson has also proved that notions of risk and ambition needn't be confined to the low-budget, indie end of the spectrum; nor does California have an exclusive stranglehold on groundbreaking special effects.

And then there's the DVD factor. Just as The Lord Of The Rings was upping the stakes in theatres, so too was its DVD release pattern defining what can (and should) be done on disc for major movies.

In particular, the four-disc extended editions seem to have affected the director's thinking as to what he can get away with in his theatrical final cut. Hence the public grumbles from Christopher Lee about the non-appearance of Saruman in this final instalment. While it might have been fair to grant Lee a curtain call, Jackson quite rightly realises that it is Sauron, not Saruman, whose fiery eye encompasses all the narrative strands of the climax.

The Return Of The King marks the first time in the series when Jackson's roots as a horror filmmaker creep through. As the orcs catapult severed Gondorian heads beyond the walls of Minas Tirith, flesh-rotted ghosts draw swords alongside Aragorn and giant spider Shelob stalks Frodo through dark, web-shrouded tunnels, the film pushes the boundaries of its 12A certificate.

And so it should, because the look and tone must necessarily grow darker as the Hobbits near Mount Doom and Mordor's evil hand grips Middle-earth ever tighter.

Character nuances have been crafted over an unprecedented ten hours-plus of cinematic storytelling: from Strider lurking in the shadowy corner to Aragorn rallying the troops; from Merry and Pippin as bumbling fools to stout-hearted, pint-sized warriors. Only Legolas and Gimli seem to have regressed (in screen time at least) to set-piece archer and comedy sidekick respectively. At least Andy Serkis is rewarded for his Gollum voice work with an early flashback that gets his face on screen, as well as warning us that, under the ring's power, Smeagol can be as murderous as Gollum.

Jackson has kept the momentum of the series rolling on and on though the traditionally 'difficult' middle part and 'weak' finale, delivering a climax to the story that's neater and more affecting than what Tolkien managed on the printed page. Some viewers might feel that the director sprinkles some cheese on his extended coda, adding at least one false ending too many (even if he does ignore the book's Scouring of The Shire).

But those who have walked beside these heroes every step of the way on such a long journey deserve the emotional pay-off as well as the action peaks, and they will be genuinely touched as the final credits roll. Yes, the Ring is dead. Long live King Kong.


Verdict - The resounding climax to a landmark in cinema history. But the King has now returned, the story is over and the ships are leaving Middle-earth. Ladies and gentlemen, Elvish has left the building.

5/5

- Alan Morrison, Empire Magazine
Too much CGI, redundancy, clichés and drawn out “looks of love” for my tastes.

RELEASED 2003 and directed by Peter Jackson, “The Lord of the Rings: The Return of the King” adapts the third part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth: Frodo (Elijah Wood), Sam (Sean Astin) and Gollum (Andy Serkis) continue to try to make their way to Mount Doom to destroy the One Ring. Meanwhile Aragorn (Viggo Mortensen), Legolas the Elf (Orlando Bloom), Gimli the Dwarf (John Rhys-Davies), Gandalf the wizard (Ian McKellen), King Theoden (Bernard Hill) and Faramir (David Wenham) join forces to fight Sauron's army at the stone city of Minas Tirith and, later, draw the forces of Modor out as a distraction for Frodo to accomplish his goal. Billy Boyd and Dominic Monaghan are on hand as Hobbits Pippin and Merry.

While I’m a casual fantasy/adventure fan and have read numerous books of the genre (e.g. Conan, Tarzan, Gor, etc.), I’ve never read Tokien, likely because I’m not into Hobbits, Elves and Dwarfs. After viewing the three movies, The Lord of the Rings strikes me as a mixture of Robin Hood, Conan and The Wizard of Oz, which all possibly influenced Tolkien’s writing of the Rings trilogy in 1937-1949. So, if you think a meshing of “Conan the Barbarian” (1982) and “Robin Hood: Prince of Thieves” (1991) with “The Wizard of Oz” (1939) sounds good, then you’ll probably like these movies more than me.

“The Return of the King” is just more of the same showcased in the first two movies, but even LONGER. Take the Battle of Minas Tirith, for example. It’s basically the same as The Battle at Helms Deep in the previous movie, except with colossal elephant-like creatures and the Army of the Dead. These two battles are similar enough that they could’ve been condensed into one conflict. Speaking of the Army of the Dead, this was an interesting new element, as was the horrifying spider-monster that Frodo & Sam face inside the caves.

Like the first two movies, the characters are diverse, the tale is creative, there’s a lot of dark action rounded out by softer scenes and everything LOOKS and SOUNDS magnificent. Unfortunately, as with “The Two Towers,” there’s excessive use of CGI (aka CGI porn). If cartoony CGI is your thang then you’ll likely appreciate this installment more than me.

There are other problems: While the characters are inspired, they’re also thin and rather uninteresting, at least for mature people who require more depth to hold their attention. Take Legolas (Bloom), for example; we never get to know him. Or consider Aragorn: Mortensen is perfect as the noble warrior, but in the ENTIRE trilogy he probably only has like two full pages of dialog, maybe three. Also, I found the story generally disengaging. I was never much enthralled by the characters and their pursuits, although devotees of Tolkien might be.

Then there are WAY too many “looks of love” between characters, particularly Frodo and Sam (I was so happy to see one character get married and have kids, if you catch my drift). There’s also a sense of redundancy, like the aforementioned battles (Helms Deep and Minas Tirith). Or consider the hokey dangling from a cliff by one’s fingers: This was already done with Gandalf at the end of the first part and beginning of the next. Did we really need the entire trilogy to come down to this type of eye-rolling cliché?

Another problem is the lack of feminine protagonists. There’s Miranda Otto as Éowyn, Théoden's niece, who becomes infatuated with Aragorn and masquerades as a warrior-ess. Other than that all we have are cameos by Liv Tyler (Arwen), Cate Blanchett (Galadriel) and a Hobbit’s wife. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $94 million it cost to make this blockbuster and the creators knew enough to throw in a couple of prominent babes as heroines in the story. So did “Conan the Barbarian” and “Dungeons & Dragons: Wrath of the Dragon God” (2005). It’s not rocket science.

As noted above, the movie’s needlessly overlong and things could’ve been condensed in the trilogy or omitted altogether. When the main storyline ultimately ends at Mount Doom I was thinking there was maybe 12-15 minutes left with half of that time being credits. Nope, there was STILL 30 MINUTES LEFT wherein boring goodbyes and “looks of love” are tacked on.

Despite these honest quibbles, “The Return of the King,” and the trilogy in general, was an ultra-ambitious undertaking and is a must for fantasy/adventure aficionados, particularly those who favor Tolkien, Hobbits, Elves, Gnomes and the like.

THE MOVIE RUNS 3 hours 21 minutes and was shot in New Zealand.

GRADE: C

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The Godfather 1972 Movies Online Free Websites

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175 Minutes | Drama, Crime | 1972-03-14

📥 The Godfather 1972
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The Godfather Review by Al Carlson

The Godfather is a film considered by most to be one of the greatest ever made. From The American Film Institute to as voted by users on the Internet Movie Database (IMDB) it is consider to be one of the best. As a film that ranks as high as other masterpieces including Citizen Kane, Pulp Fiction and 12 Angry Men, The Godfather is an exceptional piece of cinema excellence that is flawless and is simply the pinnacle crime drama.
The Godfather revolves around the Corleone’s, an Italian family with deep roots in the New York City mafia. The head of the Corleone’s is Don Vito Corleone, a man who takes care of his family and demands respect in return. His son Michael however, who just returned home from World War II, doesn’t want to become involved with the family business. The Sollozzo’s, a family of drug dealers, confront Don and request protection in exchange for profits from the Sollozzo’s drug sales. But Don declines the offer, for he is against selling narcotics. The rejected offer starts what turns into an all out mafia war between the two families with Michael diving deep into the mafia lifestyle.
The characters are portrayed by a legendary all-star cast including Marlon Brando as Don, Al Pacino as his son Michael and James Caan as Don’s oldest son Sonny. The casting for this film has been considered by many to be the best casted film in history for their astonishing performances. All three main actors were nominated for an academy award, but only Marlon Brando won an Oscar for best actor in a leading role. It’s fascinating to watch how these characters change over the course of the movie, with one in particular changing drastically.
Directer Francis Ford Coppola, being raised in an Italian-American family in New York, understood Italian culture exceptionally and made the film very authentically. Everything from the wedding dances to the cuisine to the terms used by the characters in Sicilian come from Coppola’s first-hand knowledge of Italian-American culture. Italian composer Nino Rota did an outstanding job making the soundtrack for the film, despite not getting the Oscar for best music (but he did win an Oscar for his work in the sequel, The Godfather: Part II). Virtually everyone recognizes that iconic trumpet solo once it starts playing. He also wrote the score for another great Italian film 8 1/2.
This film should be immediately followed up by it’s sequel, The Godfather: Part II, which also won best picture. The series still holds the title of most best picture awards for a film series to this day. They’re both flawless crime dramas and have earned their titles as some of the best pieces of cinema ever. I will guarantee you won’t be able to see this film only once, as it gets better after continual viewings. There is really nothing more to add other than if you haven’t seen this movie yet, it’s about time you did. The Godfather is a movie you can’t refuse.

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Gone Girl 2014 Movies Online Stream

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149 Minutes | Mystery, Thriller, Drama | 2014-10-01

📥 Gone Girl 2014
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Good cast and decent story, although the end is not very convincing.

The cut of the movie is really good and Rosamund Pike is genuinely scary.

Not a master piece but quite good given the lack of passable movies lately.
Rosamund Pike is outstanding as the wronged wife and Ben Affleck is very good as the husband. It is convoluted, and you do start to think is this just going over the top, but the end just shows Pike's character to be a damaged high-functioning psychopath. So at the final sequence, even if it's a tad far fetched even if you feel that Affleck deserves everything coming to him, the look she gives to the camera is that of an pure evil. As my youngest daughter used to say when she was a kid, she's got scary eyes.
"This man might honestly kill me".

The story is about Nick Dunne, as he finds out his wife has gone missing. As increasing police and media pressure mount, the facade of a loving and blissful union crumbles and amidst the lies and behavior of Nick, the question remains - did he kill her?

David Fincher is a true master class when it comes to directing, because Gone girl is one of the best films of this year.

Ben Affleck was perfect for this role, because Ben Affleck through out he's career had a lot of hate from the media and the critics that mostly slammed him in every role that he was in. And that's why he was outstanding in this movie.

Rosamund Pike acting in this film was pure brilliant and spectacular. She was so good in this role she might get a Oscar nomination for this. Tyler Perry in this movie was actually pretty damn good, and am so surprise saying that because Mr. Perry was in such awful films like: MADEA trilogy, Alex cross and the list goes on. But in this movie he did good.

What this movie does so brilliantly well is how we view media today, because most of the stories you hear on the news might not be true and how the media can spread lies about people and ruining their lives. Everybody always believes what the media says even if it's true or not, because we don't know what that person on the news is going through, and this movie got that message out they so perfectly.

My only problem with this movie is Neil Patrick Harris character. Now let me just say that Neil Patrick Harris wasn't terrible in the movie, but his character to me slowed the film down.

Overall Gone Girl is a fantastic film.

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