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Saturday, August 22, 2020

Mad Max: Fury Road 2015 Online Full HD Movies

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121 Minutes | Action, Adventure, Science Fiction | 2015-05-13


Mad Max: Fury Road


📥 Mad Max: Fury Road 2015
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Fabulous action movie. Lots of interesting characters. They don't make many movies like this. The whole movie from start to finish was entertaining I'm looking forward to seeing it again. I definitely recommend seeing it.
Good action movie with a decent script for the genre. The photography is really good too but, in the end, it is quite repeating itself from beginning to end and the stormy OST is exhausting.
Awesome movie! WITNESS ME will stick with me forever!
Fantastic action that makes up for some plot holes.
Wonderful action movie. Scenes are unimaginable. Lots of graphics used in this movie. This is totally a very good action movie.
I was never a fan of the original Mad Max films but this one just blew me away. There was something so powerfully visceral about this on the big screen. It was a fun on assault on the sense , in a good way. Its spectacle rather than plot driven so may not fare as well on the smaller screen. Watch on the largest possible tv in a darkened room with the phone and other gadgets off. Crank up the volume.
I would say that this movie is pretty much the kind of movie that I expected it to be. That being said I think it was a bit softer than I hoped it to be. I think that, again, the Hollywood plonkers have opted to make a movie that got a more palate rating (to them and their cash registers) than what it should have been. It is not as obvious as with Robocop and a few other movies but the feeling is there.

It is still a fairly entertaining movie. It is of course yet another special effects movie and as such it does not disappoint. It differs from a lot of the usual special effects movies in that the effects are pretty down to Earth in a bizarre way. We are not talking about superheroes or near magical technologies here but instead we have a devastated landscape, scrounged together equipment and a totally ludicrous desire to blow up the last remains of human civilisation. The bizarre vehicle designs and the totally ridicules behaviour of a lot of people in this movie is alone worth watching it to be honest.

As with the previous Mad Max movies this one stretches the bounds of reality (I hope) when it comes to human behaviour and how they waste the few precious resources, specifically gasoline and bullets, that remains after the apocalypse. It provides some spectacular scenery but it also puts a bit of “what the f…” feeling to it all. Not that this part is not expected from a Mad Max movie though.

What I think was my largest let-down in the movie was the Mad Max character itself. To me he is supposed to be a real bad-ass. In this movie he was not really that impressive. He certainly was far from the original Mad Max character in my opinion and was really overshadowed by the Furiosa character. I could have lived with that if this character would have been really impressive but she was not. She was cool but she was still underwhelming when comparing to anything in the original bad-ass Mad Max universe. I would say that Tina Turner and Mel Gibson still rules!

Still it is a decent futuristic, apocalyptic action movie, maybe not living up to this old movie geeks expectations, but not at all a wasted movie evening. The sound track of the Blu-ray certainly gave my subwoofer an exercise as well.
**The following is a long form review that I originally wrote in 2015.**

I’ll keep this’n somewhat brief, because I only saw the movie once and it was a few days ago now. Some time later on though, I will post a spoiler talk that goes into greater depth. For now though, enjoy this spoiler free review of _Mad Max: Fury Road_!

The number one complaint I’ve been seeing about _Fury Road_ is that there’s not much of a story. I would respond by saying, there might not be as much story as you could **want**, but there is certainly as much as you could **need**. The plot isn’t deep, or complex, or intricate, or philosophical. but it’s there, and it makes sense. Just last year, _John Wick_ showed us that you can get away with a pretty thin premise, if you work hard enough on building a thick, palpable world. And the world of _Fury Road_ is something else entirely, I can see why people aren’t blown away by the story, but the world is incredible.

There has been much discussion as to whether Max himself, or his cohort Furiosa (played by Charlize Theron) is the star of the film. I would argue that neither of them are. Director George Miller is. This is his vision. Warner Brothers took a big risk when they handed a 70 year old man nearly two hundred million dollars to revitalise his franchise which has been dead for 30 years, then get out of the way and let him do his thing. But it paid off. _Fury Road_ is more of an “experience” than most movies are, it just happens to be a great film, too.

The stunt work and visual effects deserve praise all to themselves. According to the filmmakers, roughly ten percent of all the effects were done with CGI. The other NINETY are practical, and it oozes with that spectacle. You really can feel the maximum force of the future sitting in that theatre, which is a rare and unexpected pleasure.

It’s my highest rated film of 2015 thus far, in fact, it’s one of only five films I’ve given more than 4 stars in the past five years. So please don’t take the recommendation lightly when I ask you all to go out and support this movie. Just make sure you do it in the biggest, best quality cinema you can, because this latest entry to the _Mad Max_ franchise is worth it.

91%

-_Gimly_
1 Star, solely for the fleeting Presence of the Interceptor. As for the rest, Nothing to do with Mad Max, just a cross country jaunt of constant silly action.
As a Fan of the Original, Mel Gibson is Mad Max, an there will be no other. I have no idea what was going through anyones mind when they tried to tie this to the Mad Max Franchise, Probably not much. If the movie had just been called Fury Road, left Mad Max out of it, It may have been an interesting movie in its owb right, but I think it would have been laughed at and relegated to the $1.99 bin at your local service station.
When I saw the reviews for this movie my first thought was "Every critic has lost their minds... even me."

The story is about a post-apocalyptic wasteland - the fight for survival has twisted the remnants of mankind, turning most into mad, vicious gangs. In this chaotic world two rebels may be able to restore order while seeking their own forms of redemption: Max, a man who just wants peace after losing his wife and child and Furiosa - who thinks finding her childhood home is the answer.

What a lovely day to be talking about Mad Max: Fury Road, because the trailers and the reviews for this movie have been off the walls mad. I mean five out of five star's! wow, just wow. The last Mad Max film came out in 1985, so it's a been a long time and so was this movie, as development took a long time. So I was curious and a bit shady for this movie, by seeing if George Miller (The director of the original films) was going to bring to the table. Now after seeing the movie and having a long thought about it, this movie is freaking awesome, no actually this is the best action movie of the year and probably the decade.

George Miller goes back to his roots and he doesn't disappointment. After all these years later he's still got it. He filmed all the action scenes with care and effort, because most of the action in this movie are mostly practical effects and that right there shows that Miller is going back to old school of action, and it's perfect. You are the man Miller!

The movie itself is mad and I do mean freaking insane. There's a guy in this movie who plays a flamethrower electric guitar on top of a speed vehicle and all through out the movie he was rocking it out. I don't know why, but little things like that made this movie so mad that it's enjoyable.

Tom Hardy as Max Rockatansky was good, I mean he wasn't as good as Mel Gibson but I still think he did a great job. Most of the time Max doesn't talk all that much, I mean most of he's lines are "huh", or "Water", but he has a couple of lines in the movie and it sounded epic all the time.

Charlize Theron (as Furiosa) is basically the main character and Max is the supporting character. Charlize Theron was like a female version of Max in a way, because her character steels the whole show as her character is a strong female bad-ass that kicks so much ass that it's very rare in action movies today to do that. Now think of all the strong female character's in past action movies, well that's Furiosa right here.

The action scenes can be best describe as incredible and freaking crazy. The stunt work used during the movie was f**king amazing. There actually used practical effects mixed with CGI during the action scenes which looked so good and much better than over using effect's to make something look incredible and I know they used some CGI for scenes where it needed it, because it would be too dangerous or impossible to do, but for the most part it's all practical effect's. NOW THIS IS HOW ACTION MOVIES SHOULD BE DONE! THANK YOU MAD MAX: FURY ROAD FOR DOING THIS!!! Okay, I had to get that out there and sorry for shouting.

Immortan Joe (played by Hugh Keays- Byrne), and yes he was in the first Mad Max movie, but here he plays a different villain this time and a menacing one as well. He was like a mix of Dark Vader and Sweet Tooth from Twisted Metal (Video Game). He was awesome villain that didn't take sh*t from anyone and always looked like he was going to cause a whole lot of trouble every time he's on screen.

The cinematography was just beautiful and some of the best looking shoots so far this year. I can't believe I'm saying that for a action movie that's been in development for years and it payed off perfectly. This is very rare for this to happen as a lot of movie franchises that have been in the making for years and years would normally come out to late where every body just lost interest and give up waiting, and the movie itself would turn out not so good, but here is much different. This movie broke new grounds of coming out late but still being a amazing thrill ride.

The other women in the movie know as the five wives are not just there to look pretty and be saved by any man, no they kicked ass in the movie and they actually did something. The five wives were strong women and this isn't just a mans movie, I mean most of the movie is the women kicking ass and being awesome. They kick more ass then Max ever did. That's why I got to give this movie praise for that.

Now for the problems: I tried to look for things that didn't quite work for the movie and to be honest I couldn't find anything that I thought wasn't good. Well there was some slow parts in the movie but the slow parts where the action clams down for now it fills it's time with character development and back story and it worked.

Overall rating: Forget "Pitch Perfect 2", this is the movie you should see at cinema. As a movie reviewer myself who wants action movies to be more then turn your brain off and enjoy whatever slob mess there in front of the screen, but what I want is a movie experience that I can look back on and say "Now that, was one heck of a movie."
George Miller brings us the fourth Mad Max film - Ultimate Carmageddon!

An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order.

George Miller directs and co-writes the screenplay with Brendan McCarthy and Nick Lathouris. It stars Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Rosie Huntington-Whiteley, Zoë Kravitz, Josh Helman and Nathan Jones. Music is by Tom Holkenborg and cinematography by John Seale.

Well it was a long time in the making, but finally a fourth Mad Max movie was made and it proves to be worth the wait. Undeniably light on plot, this essentially is a two hour chase movie played out to an apocalyptic backdrop of green skies, scorched orange and red vistas and the sort of storms that usually only come in nightmares.

Hundreds of crazily designed vehicles do untold damage to each other and to the barely human contingent - both goodies and baddies, the weaponary on show is vast and brutal, while the stunt work is breath taking. There's some narative stabs at redemptive force between Furiosa (Theron excellent) and Max (Hardy rightly restrained), but really this about high octane action and it's absolutely thrilling as Miller's camera work rarely sits still and brings all the carnage vividly to life.

A petrol head's love poem in live action form and an action junkie's wet dream, Mad Max is back, and this time there's also a glorious female side-kick of considerable tough substance. 9/10



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City Lights 1931 Online Full HD Movies

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87 Minutes | Comedy, Drama, Romance | 1931-02-01


City Lights


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146 Minutes | Drama | 1984-05-19


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Friday, August 21, 2020

Made in Italy 2020 Movies Online Free Websites

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94 Minutes | Comedy, Drama | 2020-08-06


Made in Italy


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Fatima 2020 Watch Movies Online

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113 Minutes | Drama, Family | 2020-08-13


Fatima


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Thursday, August 20, 2020

Django Unchained 2012 Full Movie Download

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165 Minutes | Drama, Western | 2012-12-25


Django Unchained


📥 Django Unchained 2012
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America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A



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| Music, Crime, Romance | 2020-12-16


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