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95 Minutes | Adventure, Comedy, Drama | 1925-07-12
📥 The Gold Rush 1925
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133 Minutes | Drama | 1975-11-18
📥 One Flew Over the Cuckoo's Nest 1975
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**Subject to the silliest of internet theories**
There are a lot of movie theories but the silliest of all is this nonsense that is all over the internet claiming that _the Chief killed the unresponsive McMurphy because he thought McMurphy was ignoring him._
These idiots claim the Chief did not notice the scars on McMurphy's head and simply thought the unresponsive McMurphy was ignoring him - so the Chief kills him in a fit of rage. Ridiculous.
The Chief killed McMurphy as an act of _kindness_. Chief was releasing McMurphy - a once spirited man now reduced to a vegetable thanks to the control freak, _Nurse Wretched._
This classic movie still holds up after all these years and is a compelling story of blossoming friendships in a lunatic asylum. Nicholson shines in his best performance and is ably supported by Christopher Lloyd, Brad Dourif and Danny DeVito.
***The spirit of freedom vs. the spirit of legal-ism***
Set in the early 60s, the story involves R.P. McMurphy (Jack Nicholson) and his arrival at a mental institution in Salem, Oregon (where the film was shot). He plays the "mental illness" card to get out of prison time, thinking it'll be a piece of cake, but he's wrong, very wrong. Everything appears well at the hospital and Nurse Ratched (Louise Fletcher) seems to be a benevolent overseer of McMurphy's ward, but there are sinister things going on beneath the surface.
"One Flew Over the Cuckoo's Nest" (1975) is a film you'll appreciate more as you mature. I saw it when I was younger and, while I thought it was good, I didn't 'get' a lot of the insights the film conveys.
The movie criticizes the way institutions deal with mental illnesses. Their "therapy" is futile and only makes the patients dependent on the institution itself, thereby creating its need for existence (often at the taxpayer's expense). McMurphy is a threat to the establishment and therefore must be "dealt with."
A lot of people criticize the film by suggesting that Nurse Ratched "isn't that bad" or that "she was only trying to do her job", etc. I had the same reaction the first couple of times I saw it. This reveals an aspect of the film's brilliance: Ratched's malevolence is so subtle that the filmmakers allow the possibility for complete misinterpretation. Yes, from an administrative point of view, she seemingly does a good job, she's authoritarian without being sadistic, and she cares for the residents as long as they follow the rules (more on this below). Yet she is demonic as a robotized arm of a dehumanizing system. She maintains the residents in a state of oblivion and marginalization; they are deprived of their dignity because the system sees them as subhuman.
The filmmakers and Fletcher (not to mention the author of the book, Ken Kesey) make Nurse Ratched a more effective antagonist by showing restraint. Compare her to, say, Faye Dunaway's portrayal of Joan Crawford in "Mommie Dearest," which pretty much turned her into a cartoon villain. Ratched isn't such an obvious sadist, yet she uses the rules to tyrannize the men and reduce them to an almost infantile state of dependency and subservience. Her crowning achievement is Billy Bibbit (Brad Dourif).
McMurphy, despite his obvious flaws, is the protagonist of the story. Although he's impulsive and has a weakness for the female gender, which got him into prison in the first place, he has a spirit of freedom and life. His problem is that he needs to learn a bit of wisdom; then he can walk in his freedom without causing unnecessary harm to himself and others.
Nurse Ratched, on the other hand, represents legal-ism, which is an authoritarian spirit obsessed with laws or rules. This is clearly seen in the World Series sequence: Even though McMurphy gets the final vote he needs for his ward to watch the Series Ratched refuses to allow it on a technicality. When McMurphy then PRETENDS to watch the game and works the guys up into a state of euphoria, Ratched reacts with sourpuss disapproval. That's because legalism is the opposite of the spirit of freedom, life and joy. Legalism is all about putting on appearances and enforcing the LETTER of the law (rule). The problem with this is that "appearances" are not about inward reality and, worse, "the letter kills."
Despite his folly and mistakes, McMurphy does more good for the guys in his ward than Ratched and the institution could do in a lifetime. How so? Not only because he has a spirit of freedom and life, but because he loves deeply, but only those who deserve it – the humble – not arrogant abusers. When you cast restraint to the wind and love with all your heart you'll reap love in return, as long as the person is worthy. A certain person hugs McMurphy at the end because he loves him. McMurphy set him free from the shackles of mental illness and, worse, the institution that refuses to actually heal because it needs mentally ill people to exist; it only goes through the motions of caring and healing (not that there aren't any good people in such institutions, of course).
No review of this film is complete without mentioning the notable character of “Chief” Bromden, played effectively by Will Sampson.
The film runs 2 hours and 13 minutes.
GRADE: A
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| Comedy | 2021-07-16
📥 Barb and Star Go to Vista Del Mar 2021
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229 Minutes | Drama, Crime | 1984-05-23
📥 Once Upon a Time in America 1984
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Stereotypical Sergio Leone film with endless waitings and sight crossings.
One of the performances that made Robert de Niro de actor he is and an interesting way of telling a story and the evolution of America during the years of the alcohol prohibition.
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145 Minutes | Thriller, Drama, Romance | 2016-06-01
📥 The Handmaiden 2016
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**In the circle of romance, deceive and defraud.**
Those who are into the world cinema, particularly the Korean, knows Park Chan-wook very well. But if you don't, then you must. His films are definitely for the grown ups. Like everybody else, my admiration for his work has started a decade ago with the film 'Oldboy'. He had tried his luck in Hollywood with 'Stoker'. Despite a good entertainer, it was criticised. I love Park Chan-wook doing hundred masterpieces like this in Korea than trying to do one in Hollywood. His ability to turn the good book into a great flick was phenomenal. Here it goes another one. This was based on the British novel 'Fingersmith' by Sarah Waters. The story of an orphan woman who assigned to be a maid for a young rich woman who is living under the shadow of her uncle since she has no parents.
Yeah, I was expecting it, but I did not think it would be another masterpiece from the director. I even thought the ratings could be exaggerated, and the reviews from his die hard fans like Nolan's or QT's fans does. The timeline of the story was prior to Second World War Korea under the Japan rule. A perfect setting for such theme. The film opened like it is an average film. That's where all I got wrong. Or probably I judged it too soon. The storytelling was split into three parts and the first part was a bit mix of fun and like any film, introduction, the platform for the rest of the narration filled with surprises.
The young orphan Sook-hee was recruited by a thief who is planning to trick a young woman named Lady Hideko with all the wealth left behind by her parents. The only obstacle for him is her uncle, a guardian. So Sook-hee becomes close to her. More than she had expected, but their plan is working. Now they have to wait for the perfect moment for a perfect strike. When it arrives, an unexpected twist takes the tale to go back to where the film originally had started. But even further earlier and this time, the perspective of the story was from the Lady Hdeko.
> ❝So even if my love for you leads me to ruin, don't pity me.❞
So, with that flashback, the second part begins. But literally it was a series of twist, that keep explaining us in another angle of the whole scenario I had witnessed in the previous part. Believe me, I have never seen such a long twist before. I was like unmoved for that entire segment. One of the best things I have ever in a film. The praise must go to the author, but the director and his actors as well did a fine job. There's a twist in every scene. So, for that one must pay close attention to the first part, despite slow moving story.
But above all, what I'm surprised was I did not know it was a lesbian film. Moreover, I did not think it could have bold scenes for such theme. Everything seemed perfect. I mean the erotic parts are sensual, but very artistic than unnecessary disturbance. Mainly because of stronger hold of the story narration than anything else. Even the pace picks up, like a crazy speed. Everything about the film you would learn in this section. All the secrets of the past revealed and what might comes are still kept under mysterious for the third and final part.
The most awaited, the conclusion part begins forth. For everything we saw so far, what might come after makes this film at its best. Just like the mid part, this is also full of twists. Because it will going to tell who ends where and what they get. Over two hours long film, and every frame are worth. The casting was best and so the setting of the 1930s Korea. Especially I must applaud the filmmaker's effort to turn the original setting from Europe to East Asia. It was great, but still now and then you can see the influence of the original source. I mean western culture, names, architect references which might have come from the book.
Not just the lesbian or a love triangle story, but something like a circle of love with deceive and defraud. You can notice that in the film poster with four main characters. So when it has a multiple strings attached, you could expect surprises/twists from each angle and it gives that more the convincingly. Put this into your must see list. This is not the first screen adaptation, but surely the best so far. Now we can expect a European or a Hollywood project in a big scale soon. Believe me the Oscars would pour in, because it's that kind of story. Highly recommended!
_8/10_
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150 Minutes | Drama | 2020-02-28
📥 There Is No Evil 2020
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95 Minutes | Drama, Comedy | 2020-08-19
📥 Cuties 2020
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